Paul J. Franklin is an English visual effects supervisor who has worked with visual effects since the 1990s. Franklin won the Academy Award for Best Visual Effects and the BAFTA Award for Best Special Visual Effects for Inception (2010), and won a second Academy Award for Best Visual Effects for Interstellar (2014). He shared the wins with Andrew Lockley, Peter Bebb, and Chris Corbould. Franklin has also been nominated for an Academy Award for The Dark Knight (2008). [1] He was nominated for BAFTA Awards for Batman Begins, The Dark Knight (2008), and The Dark Knight Rises (2012). [2]
Franklin was born in Cheshire, England. [3] He was educated at Sandbach School in Cheshire from 1977 to 1984. [4] He attended the South Cheshire College (Crewe), part of the former Mid Cheshire College in Northwich, for a year, and then gained a place at the Ruskin School of Art at Oxford University, where he was a member of St John's College, to study fine art. [5] At Oxford he had his first experience of filmmaking, frequently collaborating with director Ben Hopkins, and began to experiment with the emerging new medium of computer animation. He graduated in 1989. [6] He worked two jobs as a videotape editor and then began a career in computer graphics and animation at Psygnosis (now Studio Liverpool) in the early 1990s. [7] After several years at the Moving Picture Company in London he and a group of colleagues founded the visual effects company Double Negative in 1998 with financing from PolyGram Filmed Entertainment. He headed the 3D effects for Double Negative's first film Pitch Black (2000). [7]
Franklin was an undergraduate external examiner at Bournemouth University for 4 or 5 years and also gave visiting practitioner lectures at BU's Media School. [8] In 2012, he received an honorary degree from Bournemouth. [9]
Franklin has been visual effects supervisor for the following films: [10]
Framestore is a British visual effects and computer animation studio based on Chancery Lane in London, England. The company was founded in 1986. Framestore specializes in visual effects for film and prestige TV, advertising, rides, and immersive experiences. It is the largest production house in Europe, employing roughly 3,000 staff, including 1,000 in London, and 1,500 across studios in Chicago, New York, Los Angeles, Montreal, Melbourne and Mumbai.
Dame Emma Thomas, Lady Nolan, is a British film producer. She has produced all of the feature films directed by her husband Sir Christopher Nolan, which have grossed more than $6 billion worldwide and are regarded as some of the greatest films of their respective decades.
DNEG is a British-Indian visual effects, computer animation and 3-D conversion studio that was founded in 1998 in London, and rebranded as DNEG in 2014 after a merger with Indian VFX company Prime Focus; it was named after the letters "D" and "Neg" from their former name.
Scanline VFX is a global visual effects and animation company founded 1989 in Munich. The studio was led by VFX Supervisor Stephan Trojansky. The company has 7 locations including Munich, Stuttgart, Los Angeles, Vancouver, Montreal, London, and Seoul.
Christopher Charles Corbould, is a British special effects coordinator best known for his work on major blockbuster films and the action scenes on 15 James Bond films since The Spy Who Loved Me. He has also worked extensively on the Superman and Batman film series on digital effects and stunts. Corbould has been awarded two Honorary Doctorates from Southampton Solent University in December 2009 and University of Hertfordshire in 2011. In 2011, he won the Academy Award for Best Visual Effects at the 83rd Academy Awards for his work on Inception. He is the brother of special effects supervisors Neil Corbould and Paul Corbould.
Bill Westenhofer is an American visual effects supervisor. He worked for Rhythm and Hues Studios until its closure in 2013.
Craig Barron is an American visual effects artist and creative director at Magnopus, a media company that produces visual development and virtual production services for motion pictures, television, museums and multimedia platforms.
Joseph Bruce Letteri is a senior visual effects artist, winner of five Academy Awards, four BAFTA awards and four VES awards. He is the current Senior Visual Effects Supervisor of the Academy Award-winning Wētā FX having joined the company in 2001. He has received several awards and nominations as visual effects supervisor, the latest being Avatar: The Way of Water, and previously for War for the Planet of the Apes. He attended Center High School (Pennsylvania) in 1975 and graduated from the University of California, Berkeley in 1981. He gave the keynote address at UC Berkeley's December Convocation on 19 December 2010.
Richard King is an American film sound designer and editor who has worked on over 70 films. A native of Tampa, Florida, he graduated from the University of South Florida with a BFA in painting and film. He has won Academy Awards for Best Sound Editing for the films Master and Commander: The Far Side of the World (2003), The Dark Knight (2008), Inception (2010), and Dunkirk (2017). He was also nominated for War of the Worlds (2005), Interstellar (2014), Oppenheimer (2023) and Maestro (2023). He has won Bafta awards for Master and Commander: The Far Side of the World (2003), Inception (2010), and Dunkirk (2017) and eight MPSE awards for Best Sound Editing & Design, as well as the MPSE Career Achievement Award (2016).
Gregory S. Butler is an Academy Award-winning American visual effects supervisor. He graduated from Suffield High School in 1989 and afterwards entered Hampshire College. Despite his initial plans to study history, a work-study job with the audiovisual equipment in the library made him interested in film production. Butler graduated in 1993 with a major in film, television and theater design. Afterwards he moved to California to work for Industrial Light and Magic for 9 months, where after intern work he managed to become an assistant in the effects department, starting with assistant credits in The Mask and Forrest Gump. Following a job at Rocket Science Games until the company's bankruptcy in 1996, Butler went to Tippett Studio and did effects work in Starship Troopers and My Favorite Martian, rising up to a technical director job, and Cinesite for Practical Magic. While reluctant at the requirement of moving to New Zealand, Butler was convinced by his writer-actor brother to jump at the opportunity of working for Weta Digital in The Lord of the Rings. Among his achievements was working on the creation of Gollum. for which he was awarded a Visual Effects Society Award.
John Nelson is an American visual effects supervisor. He has won two Academy Awards for Best Visual Effects for his work on the film Gladiator (2000) and Blade Runner 2049 (2017). He has also been nominated for I, Robot (2004) and Iron Man (2008).
Nathan Crowley is an English production designer and a former art director, who is best known for his collaborations with Christopher Nolan. He has been nominated six times for an Academy Award for Best Production Design for The Prestige (2006), The Dark Knight (2008), Interstellar (2014), Dunkirk (2017), First Man (2018), and Tenet (2020).
Tim Webber is a Welsh visual effects supervisor and is chief creative officer at visual effects studio Framestore. He is known for his work on Harry Potter and the Goblet of Fire (2005), The Dark Knight (2008), Children of Men (2006), and Gravity (2013), for which he received an Academy Award for Best Visual Effects at the 86th Academy Awards.
Christopher Townsend is a visual effects supervisor. He has worked in the visual effects industry for nearly 30 years. For over a decade, he was an artist and supervisor at Industrial Light and Magic, and in 2007 became a freelance visual effects supervisor. He worked on Journey to the Center of the Earth, the first ever stereoscopic motion picture shot and released digitally, The Wolverine, Ninja Assassin, Percy Jackson & the Olympians: The Lightning Thief and Captain America: The First Avenger. He was nominated for a BAFTA and an Academy Award for Best Visual Effects for his work on Iron Man 3, oversaw nearly 3000 shots on Avengers: Age of Ultron and was the overall supervisor for Guardians of the Galaxy Vol. 2, for which he received his second nomination for an Academy Award for Best Visual Effects. He was the overall Production VFX Supervisor on Captain Marvel, and following that, for his work on Shang-Chi and the Legend of the Ten Rings, was once again nominated for an Academy Award for Best Visual Effects. For his first foray into television and streaming, in 2024 he was nominated for an Emmy, for his overall VFX Supervising on the second season of the Disney+ show Loki.
Andrew Lockley is a British visual effects supervisor most known for working on most of Christopher Nolan's films.
Peter Bebb is a special effects artist best known for working on The Dark Knight trilogy.
Nick Davis is an American visual effects supervisor who has worked in visual effects since the early 1990s. He was nominated at the 81st Academy Awards for The Dark Knight, which he shared with Chris Corbould, Paul Franklin and Tim Webber. Davis was also nominated at the 93rd Academy Awards for The One and Only Ivan, which he shared with Greg Fisher, Ben Jones and Santiago Colomo Martinez.
Scott Ray Fisher is an American special effects supervisor.
Ian Hunter is a visual effects artist. He won two Academy Awards for Best Visual Effects for the 2014 film, Interstellar, at the 87th Academy Awards in 2015 and for the 2018 film, First Man, at the 91st Academy Awards in 2019.
Sara Bennett is a British visual effects artist who won a 2016 Academy Award for the best visual effects in the film Ex-Machina. She is a co-founder of Milk, a visual effects studio headquartered in London.