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Industrial Light & Magic (ILM) is an American motion picture visual effects company that was founded on May 26, 1975 by George Lucas. It is a division of the film production company Lucasfilm, which Lucas founded, and was created when he began production on the original Star Wars, now the fourth episode of the Skywalker Saga.
John Knoll is an American visual effects supervisor and chief creative officer (CCO) at Industrial Light & Magic (ILM). One of the original creators of Adobe Photoshop, he has also worked as visual effects supervisor on the Star Wars prequels and the 1997 special editions of the original trilogy. He also served as ILM's visual effects supervisor for Star Trek Generations and Star Trek: First Contact, as well as the Pirates of the Caribbean series. Along with Hal Hickel, Charles Gibson and Allen Hall, Knoll and the trio's work on Pirates of the Caribbean: Dead Man's Chest earned them the Academy Award for Best Visual Effects.
John Charles Dykstra, A.S.C. is an American special effects artist, pioneer in the development of the use of computers in filmmaking and recipient of three Academy Awards, among many other awards and prizes. He was one of the original employees of Industrial Light & Magic, the special effects and computer graphics division of Lucasfilm. He is well known as the special effects lead on the original Star Wars, helping bring the original visuals for lightsabers, space battles between X-wings and TIE fighters, and Force powers to the screen. He also led special effects on many other movies, including Batman Forever, Batman & Robin, Stuart Little, X-Men: First Class, Spider-Man and Spider-Man 2.
Richard Baneham is an Irish animator and visual effects supervisor, who has worked on several film series, including The Lord of the Rings film trilogy, the Chronicles of Narnia films and the Avatar franchise. Amongst other awards, Baneham has received a BAFTA Award for Best Special Visual Effects and an Academy Award for Best Visual Effects in 2009, both for his work on Avatar, and a further Academy Award in 2023, for visual effects on Avatar: The Way of Water.
Dennis Muren, A.S.C is an American film visual effects artist and supervisor. He has worked on the films of George Lucas, Steven Spielberg, and James Cameron, among others, and has won nine Oscars in total: eight for Best Visual Effects and a Technical Achievement Academy Award. The Visual Effects Society has called him "a perpetual student, teacher, innovator, and mentor."
James Danforth is an American stop-motion animator, known for model-animation, matte painting, and for his work on When Dinosaurs Ruled the Earth (1970), a theme-sequel to Ray Harryhausen's One Million Years B.C. (1967). He later went on to work with Ray Harryhausen on the film Clash of the Titans (1981) to mainly do the animation of the winged horse Pegasus.
Phil Tippett is an American movie director and Oscar and Emmy Award-winning visual effects supervisor and producer, who specializes in creature design, stop-motion and computerized character animation. Over his career, he has assisted ILM and DreamWorks, and in 1984 formed his own company, Tippett Studio.
Richard Edlund, ASC is an American visual effects artist and inventor. He was a founding member of Industrial Light & Magic, having already founded Pignose amplifiers, and later co-founded Boss Film Studios and DuMonde VFX. He has won four Academy Awards for Best Visual Effects, as well as two Special Achievement Awards, two Scientific and Technical Awards, and the Medal of Commendation. He is also a BAFTA and Emmy Award recipient.
Tom Bertino is a professional animator, formerly Animation Director and Visual Effects Supervisor at Industrial Light & Magic.
Greg Jein was a Chinese American model designer who created miniatures for use in the special effects portions of many films and television series, beginning in the 1970s. Jein was nominated for an Academy Award for Best Visual Effects for his work on the films Close Encounters of the Third Kind (1977) and 1941 (1979), and also nominated for an Outstanding Special Visual Effects Emmy for his work on Angels in America.
Kenneth Ralston is an American visual effects artist, currently the Visual Effect Supervisor and Creative Head at Sony Pictures Imageworks. Ralston began his career at the commercial animation and visual effects company, Cascade Pictures in Hollywood, where he worked on over 150 advertising campaigns in the early 1970s. In 1976, he was hired at Industrial Light & Magic by Dennis Muren to help George Lucas create the effects for Star Wars. He remained at ILM for 20 years before joining Sony Pictures Imageworks as president. Ralston is best known for his work in the films of Robert Zemeckis.
Craig Barron is an American visual effects artist and creative director at Magnopus, a media company that produces visual development and virtual production services for motion pictures, television, museums and multimedia platforms.
Habib Zargarpour is an Iranian visual effects supervisor, computer graphics supervisor, art director and creative director.
Grant McCune was an American special effects designer whose entry into Hollywood was the uncredited creation of the great white shark in the 1975 film Jaws. His efforts there led to work on a series of major films, including his design of the robots in the Star Wars films, winning an Oscar in 1977 for his efforts in the first film in the series.
Stephen Rosenbaum is an American visual effects artist and supervisor, and has worked on numerous movie, tv and music productions, including six that have won Academy Awards. He has been nominated three times for an Academy Award and two times for a BAFTA Award. He has won both awards twice for his contributions on Forrest Gump and Avatar, and has played artist and supervisor roles on such pioneering films as Jurassic Park, Terminator 2: Judgment Day, The Abyss, X2: X-Men United, Death Becomes Her, Contact and The Perfect Storm.
Roger Guyett is an English visual effects supervisor and second unit director. Guyett and his fellow visual effects artists were nominated for an Academy Award for Best Visual Effects for the 2015 film Star Wars: The Force Awakens.
Rob Coleman is a Canadian animation director; he is currently the creative director at Industrial Light & Magic's Sydney branch. Previously, he was the Head of Animation at the award-winning Australian visual effects and animation studio, Animal Logic from 2012-2021.
John Bruno is an American visual effects artist and filmmaker known for his prolific collaborations with director James Cameron on films like Terminator 2: Judgment Day, True Lies, Titanic, Avatar, and The Abyss, for which he won the Academy Award for Best Visual Effects.
Frank Willard Van der Veer was an American optical and visual special effects artist who won a Special Achievement Academy Award at the 49th Academy Awards for Best Visual Effects for the film King Kong (1976). His career spanned over three decades from the 1950s until his death in the early 1980s, having participated in the Hollywood special effects industry with such other films as The Towering Inferno (1974), Killer Bees (1974), Logan's Run (1976), Star Wars (1977), 1941 (1979), Flash Gordon (1980), Clash of the Titans (1981) and Conan the Barbarian (1982).
Craig Hammack is an American special effects supervisor known for his works in Disney's visual effects company Industrial Light & Magic (ILM). Hammack has worked as a technical director, digital effects artist and VFX supervisor in films, Titanic (1997), Pearl Harbor (2001), Star Wars: Episode III – Revenge of the Sith (2005), Indiana Jones and the Kingdom of the Crystal Skull (2008), Star Trek (2009), Red Tails (2012), Tomorrowland (2015), Deepwater Horizon (2016), and Black Panther (2017).
References
- 1 2 "1988 Oscars" . Retrieved February 7, 2015.
- ↑ "2005 – Oscars.org – Academy of Motion Picture Arts and Sciences". oscars.org. Retrieved 2021-06-20.