Greg Jein | |
---|---|
Born | Gregory Jein 31 October 1945 |
Died | 22 May 2022 76) | (aged
Known for | Close Encounters of the Third Kind , Star Trek [1] |
Greg Jein (born October 31, 1945, in Los Angeles, US; [2] died May 22, 2022, in Los Angeles [3] ) was a Chinese American [4] model designer who created miniatures for use in the special effects portions of many films and television series, beginning in the 1970s. Jein was nominated for an Academy Award for Best Visual Effects for his work on the films Close Encounters of the Third Kind (1977) and 1941 (1979), [5] and also nominated for an Outstanding Special Visual Effects Emmy for his work on Angels in America . [6]
Jein was a graduate of Dorsey High School in the Crenshaw district of Los Angeles, and of California State University, Los Angeles. [7]
One of Jein's first jobs was building models for the sex comedy spoof Flesh Gordon; this was followed by work on a number of television series, commercials and movies including Wonder Woman and The UFO Incident . [8] In 1975 he was contacted by Douglas Trumbull's office and asked to do some work on Steven Spielberg's Close Encounters of the Third Kind . [8] For that film Jein contributed a number of models including miniature landscapes for UFOs to fly over, but most significantly he and his crew built the detailed mothership model that features heavily in the final sequence of the film after Spielberg decided he wanted "a more flamboyant design". [8] For their work Jein, Trumbull, Roy Arbogast, Matthew Yuricich, and Richard Yuricich were nominated for an Academy Award for Best Visual Effects at the 50th Academy Awards, but lost to the team who produced the effects for Star Wars . [8] Jein then went on to work on Spielberg's next film, 1941, where he and his team constructed a number of models including a twelve-foot model of the Ferris wheel that's dislodged from its mount and rolls down the pier and into the water. [8] For their work on 1941 Jein, William A. Fraker and A. D. Flowers were nominated for an Academy Award for Best Visual Effects at the 52nd Academy Awards but lost this time to the team who provided the effects for Ridley Scott's Alien . [9]
After working on 1941, Jein was invited by Douglas Trumbull to work on Star Trek: The Motion Picture building planetary models for Spock's spacewalk scene and the interior of the V'Ger craft. [8] [10] Jein continued his association with Star Trek through a number of the movies, building alien weapons for Star Trek V: The Final Frontier , and Starfleet helmets for the assassination scene in Star Trek VI: The Undiscovered Country . [11] In 1986 he and a team at Industrial Light & Magic built the original six-foot model of the USS Enterprise (NCC-1701-D) designed by Andrew Probert for the pilot of Star Trek: The Next Generation . [12] He would go on to build a number of models for The Next Generation including the Ferengi Marauder starship (also designed by Andrew Probert) during the first season of the show, [13] and the Klingon Vor'cha (designed by Rick Sternbach) for the fourth season. [14]
A miniature effect is a special effect created for motion pictures and television programs using scale models. Scale models are often combined with high speed photography or matte shots to make gravitational and other effects appear convincing to the viewer. The use of miniatures has largely been superseded by computer-generated imagery in contemporary cinema.
Special effects are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the fictional events in a story or virtual world. It is sometimes abbreviated as SFX, but this may also refer to sound effects.
The Ferengi are a fictional extraterrestrial species in the American science fiction franchise Star Trek. They were devised in 1987 for the series Star Trek: The Next Generation, played a prominent role in the following series Star Trek: Deep Space Nine, and have made brief appearances in subsequent series such as Star Trek: Voyager, Star Trek: Enterprise, Star Trek: Discovery, Star Trek: Lower Decks and Star Trek: Picard.
Star Trek: The Motion Picture is a 1979 American science fiction film directed by Robert Wise. The Motion Picture is based on and stars the cast of the 1966–1969 television series Star Trek created by Gene Roddenberry, who serves as producer. In the film, set in the 2270s, a mysterious and powerful alien cloud known as V'Ger approaches Earth, destroying everything in its path. Admiral James T. Kirk assumes command of the recently refitted Starship Enterprise to lead it on a mission to determine V'Ger's origins and save the planet.
In the Star Trek franchise, the Klingon Empire makes use of several classes of starships. As the Klingons are portrayed as a warrior culture, driven by the pursuit of honor and glory, the Empire is shown to use warships almost exclusively and even their support ships, such as troop transports and colony ships, are armed for battle. This contrasts with the exploration and research vessels used by Starfleet, the protagonists of the franchise. The first Klingon ship design used in The Original Series, the D7-class battlecruiser, was designed by Matt Jefferies to evoke a shape akin to that of a manta ray, providing a threatening and instantly recognizable form for viewers. The configuration of Jefferies's design featured a bulbous forward hull connected by a long boom to a wing-like main hull with the engine nacelles mounted on each wingtip. Though a variety of Klingon ships have appeared in Star Trek, their design generally conforms to this style. Most Klingon vessels were physically built as scale models, although later computer-generated imagery was used to create the models. In recent years, many of the original studio models have been sold at auctions.
USS Enterprise (NCC-1701-D), or Enterprise-D, to distinguish it as the fifth Federation vessel with the same name, is a starship in the Star Trek media franchise. Under the command of Captain Jean-Luc Picard, it is the main setting of Star Trek: The Next Generation (1987–1994) and the film Star Trek Generations (1994). It has also been depicted in various spinoffs, films, books, and licensed products.
"The Last Outpost" is the fifth episode of the American science fiction television series Star Trek: The Next Generation, originally aired within the United States on October 19, 1987. The episode was written by Herbert Wright, based on a story by Richard Krzemien, and directed by Richard Colla. The guest cast included Armin Shimerman, Jake Dengel and Tracey Walter. Although this was Shimerman's first appearance as a Ferengi, he had previously filmed his first appearance in an uncredited role in "Haven", but that was broadcast after "The Last Outpost". He would later gain the role of the Ferengi Quark in the main cast of Star Trek: Deep Space Nine.
Douglas Hunt Trumbull was an American film director and visual effects supervisor, who pioneered innovative methods in special effects. He created scenes for 2001: A Space Odyssey, Close Encounters of the Third Kind, Star Trek: The Motion Picture, Blade Runner and The Tree of Life, and directed the movies Silent Running and Brainstorm.
John Charles Dykstra, A.S.C. is an American special effects artist, pioneer in the development of the use of computers in filmmaking and recipient of three Academy Awards, among many other awards and prizes. He was one of the original employees of Industrial Light & Magic, the special effects and computer graphics division of Lucasfilm. He is well known as the special effects lead on the original Star Wars, helping bring the original visuals for lightsabers, space battles between X-wings and TIE fighters, and Force powers to the screen. He also led special effects on many other movies, including Batman Forever, Batman & Robin, Stuart Little, X-Men: First Class, Spider-Man and Spider-Man 2.
Richard Michael Sternbach is an illustrator who is best known for his space illustrations and his work on the Star Trek television series.
Andrew Probert is an American artist. He is known for his work with the Star Trek franchise, most notably the designs of the USS Enterprise for Star Trek: The Motion Picture and the Enterprise-D for Star Trek: The Next Generation.
Ronald B. Moore is an American visual effects producer and five-time Emmy award winner. Moore was the visual effects supervisor on Star Trek spin-off series Star Trek: The Next Generation, Star Trek: Voyager and Star Trek: Enterprise. He was involved with such films as Ghostbusters and Birdman.
Craig Barron is an American visual effects artist and creative director at Magnopus, a media company that produces visual development and virtual production services for motion pictures, television, museums and multimedia platforms.
Bill George is a visual effects supervisor who is known for his work for Industrial Light & Magic on, amongst others, the Star Trek franchise.
Michael Minor was an American illustrator and art director on Star Trek: The Original Series, Star Trek: The Motion Picture and Star Trek II: The Wrath of Khan.
The Star Trek franchise features many spacecraft. Various space vessels make up the primary settings of the Star Trek television series, films, and expanded universe; others help advance the franchise's stories. Throughout the franchise's production, spacecraft have been depicted by numerous physical and computer-generated models. Producers worked to balance often tight budgets with the need to depict convincing, futuristic vessels.
David K. Stewart was a visual effects artist who was nominated at the 52nd Academy Awards for Best Visual Effects for Star Trek: The Motion Picture. He shared his nomination with John Dykstra, Grant McCune, Robert Swarthe, Douglas Trumbull and Richard Yuricich.
Robert Swarthe is a special effects artist who started out directing short films. He has two Academy Award nominations.
Richard Yuricich is a special visual effects artist. He is the brother of Matthew Yuricich, also a special effects artist. Yuricich is of Croatian descent. His father emigrated to America from his native Josipdol in Lika. He has been nominated for an Academy Award three times.
Roy Howard Arbogast is an American special effects artist. He was nominated for an Academy Award in the category Best Visual Effects for the film Close Encounters of the Third Kind.
The LA native spent most of his life in the Crenshaw district, maintaining lifelong friendships with fellow students from Audubon Junior High and Dorsey High School. He was an alumnus of Cal State Los Angeles.