Greg Jein | |
---|---|
Born | Gregory Jein 31 October 1945 |
Died | 22 May 2022 76) | (aged
Known for | Close Encounters of the Third Kind , Star Trek |
Greg Jein (born October 31, 1945 in Los Angeles, USA; [1] died May 22, 2022 in Los Angeles [2] ) was a Chinese American [3] model designer who created miniatures for use in the special effects portions of many films and television series, beginning in the 1970s. Jein was nominated for an Academy Award for Best Visual Effects for his work on the films Close Encounters of the Third Kind (1977) and 1941 (1979), [4] and also nominated for an Outstanding Special Visual Effects Emmy for his work on Angels in America . [5]
One of Jein's first jobs was building models for the sex comedy spoof Flesh Gordon; this was followed by work on a number of television series, commercials and movies including Wonder Woman and The UFO Incident . [6] In 1975 he was contacted by Douglas Trumbull's office and asked to do some work on Steven Spielberg's Close Encounters of the Third Kind . [6] For that film Jein contributed a number of models including miniature landscapes for UFOs to fly over, but most significantly he and his crew built the detailed mothership model that features heavily in the final sequence of the film after Spielberg decided he wanted "a more flamboyant design". [6] For their work Jein, Trumbull, Roy Arbogast, Matthew Yuricich, and Richard Yuricich were nominated for an Academy Award for Best Visual Effects at the 50th Academy Awards, but lost to the team who produced the effects for Star Wars . [6] Jein then went on to work on Spielberg's next film, 1941, where he and his team constructed a number of models including a twelve-foot model of the Ferris wheel that's dislodged from its mount and rolls down the pier and into the water. [6] For their work on 1941 Jein, William A. Fraker and A. D. Flowers were nominated for an Academy Award for Best Visual Effects at the 52nd Academy Awards but lost this time to the team who provided the effects for Ridley Scott's Alien . [7]
After working on 1941, Jein was invited by Douglas Trumbull to work on Star Trek: The Motion Picture building planetary models for Spock's spacewalk scene and the interior of the V'Ger craft. [6] Jein continued his association with Star Trek through a number of the movies, building alien weapons for Star Trek V: The Final Frontier , and Starfleet helmets for the assassination scene in Star Trek VI: The Undiscovered Country . [8] In 1986 he and a team at Industrial Light & Magic built the original six-foot model of the USS Enterprise (NCC-1701-D) designed by Andrew Probert for the pilot of Star Trek: The Next Generation . [9] He would go on to build a number of models for The Next Generation including the Ferengi Marauder starship (also designed by Andrew Probert) during the first season of the show, [10] and the Klingon Vor'cha (designed by Rick Sternbach) for the fourth season. [11]
A miniature effect is a special effect created for motion pictures and television programs using scale models. Scale models are often combined with high speed photography or matte shots to make gravitational and other effects appear convincing to the viewer. The use of miniatures has largely been superseded by computer-generated imagery in contemporary cinema.
The Ferengi are a fictional extraterrestrial species in the American science fiction franchise Star Trek. They were devised in 1987 for the series Star Trek: The Next Generation, played a prominent role in the following series Star Trek: Deep Space Nine, and have made brief appearances in subsequent series such as Star Trek: Voyager, Star Trek: Enterprise, Star Trek: Discovery, Star Trek: Lower Decks and Star Trek: Picard.
Star Trek: The Motion Picture is a 1979 American science fiction film directed by Robert Wise and based on the television series Star Trek created by Gene Roddenberry, who also served as its producer. It is the first installment in the Star Trek film series, and stars the cast of the original television series. In the film, set in the 2270s, a mysterious and immensely powerful alien cloud known as V'Ger approaches Earth, destroying everything in its path. Admiral James T. Kirk assumes command of the recently refitted Starship USS Enterprise, to lead it on a mission to save the planet and determine V'Ger's origins.
In the Star Trek franchise, the Klingon Empire makes use of several classes of starships. As the Klingons are portrayed as a warrior culture, driven by the pursuit of honor and glory, the Empire is shown to use warships almost exclusively and even their support ships, such as troop transports and colony ships, are armed for battle. This contrasts with the exploration and research vessels used by Starfleet, the protagonists of the franchise. The first Klingon ship design used in The Original Series, the D7-class battlecruiser, was designed by Matt Jefferies to evoke a shape akin to that of a manta ray, providing a threatening and instantly recognizable form for viewers. The configuration of Jefferies's design featured a bulbous forward hull connected by a long boom to a wing-like main hull with the engine nacelles mounted on each wingtip. Though a variety of Klingon ships have appeared in Star Trek, their design generally conforms to this style. Most Klingon vessels were physically built as scale models, although later computer-generated imagery was used to create the models. In recent years, many of the original studio models have been sold at auctions.
USS Enterprise (NCC-1701-D), or Enterprise-D, is a starship in the Star Trek media franchise. Under the command of Captain Jean-Luc Picard, it is the main setting of Star Trek: The Next Generation (1987–1994) and the film Star Trek Generations (1994). It has also been depicted in various spinoffs, films, books, and licensed products.
"The Last Outpost" is the fifth episode of the American science fiction television series Star Trek: The Next Generation, originally aired within the United States on October 19, 1987. The episode was written by Herbert Wright, based on a story by Richard Krzemien, and directed by Richard Colla. The guest cast included Armin Shimerman, Jake Dengel and Tracey Walter. Although this was Shimerman's first appearance as a Ferengi, he had previously filmed his first appearance in an uncredited role in "Haven", but that was broadcast after "The Last Outpost". He would later gain the role of the Ferengi Quark in the main cast of Star Trek: Deep Space Nine.
John Charles Dykstra, A.S.C. is an American special effects artist, pioneer in the development of the use of computers in filmmaking and recipient of three Academy Awards, among many other awards and prizes. He was one of the original employees of Industrial Light & Magic, the special effects and computer graphics division of Lucasfilm. He is well known as the special effects lead on the original Star Wars, helping bring the original visuals for lightsabers, space battles between X-wings and TIE fighters, and Force powers to the screen. He also led special effects on many other movies, including Batman Forever, Batman & Robin, Stuart Little, X-Men: First Class, Spider-Man and Spider-Man 2.
Shuttlecraft are fictional vehicles in the Star Trek science fiction franchise built for short trips in space, such as between a planetary surface and orbit. Also referred to as shuttles, their introduction preceded the development of the Space Shuttle.
Richard Michael Sternbach is an illustrator who is best known for his space illustrations and his work on the Star Trek television series.
Andrew Probert is an American artist. He is known for his work with the Star Trek franchise, most notably the designs of the USS Enterprise for Star Trek: The Motion Picture and the Enterprise-D for Star Trek: The Next Generation.
Daniel Curry is a visual effects producer and supervisor, as well as a main title designer in the film and television industry.
Ronald B. Moore is an American visual effects producer and five-time Emmy award winner. Moore was the visual effects supervisor on Star Trek spin-off series Star Trek: The Next Generation, Star Trek: Voyager and Star Trek: Enterprise. He was involved with such films as Ghostbusters and Birdman.
Bill George is a visual effects supervisor who is known for his work for Industrial Light & Magic on, amongst others, the Star Trek franchise.
Michael Minor was an illustrator and art director on Star Trek: The Original Series, Star Trek: The Motion Picture and Star Trek II: The Wrath of Khan.
Doug Drexler is an Oscar winning visual effects artist, designer, sculptor, illustrator, and a makeup artist who has collaborated with such talents as Al Pacino, Dustin Hoffman, James Caan, Meryl Streep, and Warren Beatty. He began his career in the entertainment industry working for makeup artist Dick Smith on such films as The Hunger and Starman. He has also contributed to Three Men and a Little Lady, The Cotton Club, FX, Manhunter and Dick Tracy. Dick Tracy earned Drexler an Oscar, as well as The British Academy Award and the Saturn Award for his special makeup effects on characters such as Big Boy Caprice and Mumbles. Two Emmy nominations in the same field followed for three years working on Star Trek: The Next Generation, where he performed such tasks as aging Captain Picard for "The Inner Light". His final make-up job for the series was the Mark Twain makeup worn by Jerry Hardin in the two part episode "Times Arrow"
The Star Trek franchise features many spacecraft. Various space vessels make up the primary settings of the Star Trek television series, films, and expanded universe; others help advance the franchise's stories. Throughout the franchise's production, spacecraft have been depicted by numerous physical and computer-generated models. Producers worked to balance often tight budgets with the need to depict convincing, futuristic vessels.
David K. Stewart was a visual effects artist who was nominated at the 52nd Academy Awards for Best Visual Effects for Star Trek: The Motion Picture. He shared his nomination with John Dykstra, Grant McCune, Robert Swarthe, Douglas Trumbull and Richard Yuricich.
Robert Swarthe is a special effects artist who started out directing short films. He has two Academy Award nominations.
Richard Yuricich is a special visual effects artist. He is the brother of Matthew Yuricich, also a special effects artist. Yuricich is of Croatian descent. His father emigrated to America from his native Josipdol in Gorski Kotar. He has been nominated for an Academy Award three times.
Roy Howard Arbogast is an American special effects artist. He was nominated for an Academy Award in the category Best Visual Effects for the film Close Encounters of the Third Kind.