Laserblast

Last updated
Laserblast
Laserblast.jpg
Theatrical release poster
Directed byMichael Rae
Written by
Produced by Charles Band
Starring
CinematographyTerry Bowen
Edited by Jodie Copelan
Music by
Production
company
Charles Band Productions
Distributed by Irwin Yablans Company
Release date
  • March 1, 1978 (1978-03-01)
Running time
80 minutes [1]
CountryUnited States
LanguageEnglish

Laserblast is a 1978 American independent science fiction film directed by Michael Rae and produced by Charles Band, widely known for producing B movies. Starring Kim Milford, Cheryl Smith and Gianni Russo, featuring Keenan Wynn and Roddy McDowall, and marking the screen debut of Eddie Deezen, the plot follows an unhappy teenage loner who discovers an alien laser cannon and goes on a murderous rampage, seeking revenge against those who he feels have wronged him.

Contents

The reptilian alien creatures in the film were works of stop motion animation by animator David W. Allen, beginning a decades-long collaboration between Allen and Band. The featured alien spacecraft model was designed and built by Greg Jein in two weeks, and the musical score was written in five days by Joel Goldsmith and Richard Band, the first film score for both composers.

Laserblast has received overwhelmingly negative reviews and consistently ranks among the Bottom 100 list of films on the Internet Movie Database. Many critical reviews, however, cited Allen's stop motion animation as one of its only redeeming qualities. A sequel was planned for 1988, but was ultimately abandoned due to financial difficulties. Laserblast was featured in the seventh season finale of the comedy television series Mystery Science Theater 3000 , marking the show's final episode on Comedy Central before the series moved to the Sci-Fi Channel.

Plot

A green-skinned man wanders aimlessly through the desert with a mysterious laser cannon attached to his arm. Nearby, an alien spacecraft lands and two reptilian creatures carrying weapons emerge. After a brief firefight, the aliens disintegrate the man. Spotting an airplane, they return to their spacecraft and fly away, leaving behind the laser cannon and a pendant the man was wearing. Elsewhere, teenager Billy Duncan wakes up in his bed. He goes outside to find his mother has been invited to a trip to Acapulco and, despite her son's protests, she leaves her son behind. A dejected Billy goes to visit his girlfriend Kathy, but her grandfather Colonel Farley, a disheveled military veteran, rants about conspiracy theories to Billy and tells him to leave Kathy alone. Billy is soon harassed by a bully named Chuck Boran and his nerdy friend Froggy as well as by two police deputies who give him a speeding ticket.

Billy wanders into the desert alone and discovers the laser cannon and pendant. He is able to fire the cannon only while wearing the pendant and using the cannon simultaneously; Billy starts firing randomly at things in the desert. Meanwhile, on the alien spacecraft, the two aliens converse (in an unsubtitled alien language) with their leader, who orders them to return to Earth and recover the cannon. Meanwhile, Billy and Kathy attend a pool party with other teens, where Chuck makes unwanted advances on Kathy, resulting in Billy fighting with Chuck and Froggy. That night, Billy fires at Chuck's car with the laser cannon, resulting in a huge explosion that Chuck and Froggy barely escape. A government official named Tony Craig arrives to investigate both the explosion and the desert where Billy found the cannon. Tony informs the local sheriff that news related to the explosion and its cause must not leave the town.

Meanwhile, Billy feels sick due to an unusual growth on his chest. At Kathy's urging, he visits Doctor Mellon, who surgically removes a metallic disc from Billy's chest. He calls the police laboratory technician Mike London to arrange for the disc to be investigated. However, later that night, a green-skinned and seemingly crazed Billy opens fire on Mellon's car, killing him in an explosion. The next day, Tony investigates the wreckage and recovers unusual material, which he brings to Mike London. After some experiments, Mike concludes it to be made of inorganic material not found on Earth. Later that night, Billy, once again appearing deranged and grotesque, attacks and kills the two police deputies who harassed him earlier.

Billy and Kathy lie together outside next to Billy's van. While he is sleeping, Kathy discovers his alien pendant and puts it on Billy's chest, which turns his skin green and deforms his face. Billy attacks Kathy, but she escapes. Billy goes on a rampage, shooting things at random with the laser cannon. A small airplane with law enforcement officials opens fire on Billy, but he destroys the plane. Next, he kills Chuck and Froggy by destroying their new car with the cannon. Meanwhile, Tony Craig questions Colonel Farley and Kathy about Billy, while elsewhere the two aliens land on Earth and begin searching for Billy themselves. After killing a hippie and stealing his van, Billy travels to an empty city block where he fires indiscriminately at his surroundings. Kathy and Tony arrive and find Billy in an alley, just as one of the aliens shoots Billy from atop a nearby building. Billy is killed, the laser cannon and the pendant are destroyed and the alien departs in the spacecraft. Kathy cries over Billy's corpse as Tony looks on.

Cast

Background

Writing

There were a lot of revenge stories out at the time: Death Wish and all sorts of films. The thought was why can't some kid that has been pushed around a bit and hasn't been treated very well at school find some crazy alien weapon and blow the crap out of everything and every person who tormented him.

—Producer Charles Band [2]

Laserblast was produced by Charles Band, who is widely known as a writer, producer, and director of B movies. Band described the film as a "revenge story" with a simple premise that he thought would be fun for the audience. [2] It was Band who conceived the title of the film with the hopes that it would grab the attention of audiences.

Band said, "Most of the films that I made, that I conceived, that I was very involved with and in some cases directed, definitely started with the title and usually a piece of artwork that made sense. Then I would work back to the script and the story and make the movie." [3]

The script was written by Frank Ray Perilli and Franne Schacht. Elements of the story were inspired by science fiction films, such as Star Wars (1977), [4] [5] and Close Encounters of the Third Kind (1977), while the characteristics of protagonist Billy Duncan – a disenchanted middle-class teen from a suburban setting – mirror those of James Dean's character in Rebel Without a Cause (1955). [4]

Band wanted Laserblast to be a "mini-Star Wars", [6] and at one point in the film, a disparaging reference is made when Billy fires his laser gun at a Star Wars billboard, resulting in a tremendous explosion. [7] [8] During another scene, a police officer is confronted by a frightened teenager, who the officer dismisses as crazy by saying "He's seen Star Wars five times!" [5]

Billy is ignored and abandoned by his mother early in the film, demonstrating the dangers that can result from uncaring parents, one of the major themes of the script. [9] [10] The film also highlights the hypocrisy of police officers, particularly during a scene in which the two deputies smoke marijuana that they obtained from teenagers. [11] Commentators have pointed out several inaccuracies and plot-holes in the Laserblast script. John Kenneth Muir raised several of these issues in his book, Horror Films of the 1970s: "How does Kathy's dad know Craig, the government agent? Why do the aliens leave behind the rifle and the pendant in the first place? Why does the weapon turn its owner into a monstrous green-skinned brute?" [12] Band explained in a 2006 interview that the more Billy uses the gun, "the more it sort of takes over his soul". [2] Janet Maslin, film critic with The New York Times , pointed out that originally, when Billy wakes up immediately after the aliens kill the man with the laser cannon, it appears that the incident was a dream. Later, however, it turns out to have actually happened after all. [10]

Casting

Kim Milford, who had previously appeared in the original Broadway theatre production of Hair and the first production of The Rocky Horror Show , starred in the leading role of Laserblast, marking his first major motion picture appearance. [5] [13] Cheryl Smith, who later received greater recognition for her appearances in B movies and exploitation films, appeared in the lead female role of Kathy Farley. Smith disliked the role because she felt it was poorly written and that she did not receive enough rehearsal time. [14] Gianni Russo, best known for playing Carlo Rizzi in The Godfather (1972), [15] was cast as government investigator Tony Craig. [10]

Laserblast marks the screen debut of Eddie Deezen, who went on to play other archetypal nerd roles in films like Grease (1978), which was filmed before Laserblast started production, 1941 (1979), Grease 2 (1982), and Midnight Madness (1980). During a 2009 interview, Deezen remembered little about Laserblast, other than that it was a "shoddy production". [16] Roddy McDowall portrays Dr. Mellon in the film, and his name is misspelled "McDowell" in the end credits. [17] Keenan Wynn, a long-time character actor and a Metro-Goldwyn-Mayer contract player during the 1940s, portrayed Colonel Farley, who provides comic relief as Kathy's crazed, paranoid, delusional grandfather and a former military man. The filming for Wynn's small role was finished in one day. [17] Screenwriter Franne Schacht made a cameo appearance as the sheriff's secretary in the film. [18]

Production

Steve Neill handled the film's makeup effects, including the gradual degeneration of Kim Milford's character. Laserblast makeup effects.jpg
Steve Neill handled the film's makeup effects, including the gradual degeneration of Kim Milford's character.

Laserblast was directed by Michael Rae, marking his only directorial credit. [8] [19] Filming took place over three weekends and was made "for virtually no money", according to producer Band. [6] The makeup effects in the film, including the gradual discoloration and degeneration of Kim Milford, were handled by makeup artist Steve Neill, [20] who had previously worked with Band on the science fiction film End of the World (1977). [21] Neill makes a cameo appearance in Laserblast as the mutated man who was killed by the aliens in the opening scene. [20] Neill introduced Band to David W. Allen, the film animator who created the stop motion alien creatures in Laserblast. When Band and Neill met, the former was working full-time on his fantasy film The Primevals, which was ultimately never completed. Band had developed an interest and familiarity with animation, particularly the works of Ray Harryhausen, and wanted Allen to animate the reptilian creatures for his film. Although eager to work on The Primevals, Allen said he was not yet "sufficiently mature professionally" to undertake a project of that size, and he felt Laserblast was "something that was more manageable". [21] Band and Allen would go on to work together on several other films and projects over the next 20 years. [22] [23]

The alien creatures were featured in 39 cuts of the film through five scenes. The first scene was in the beginning of the film where the aliens emerge from their spacecraft into the desert to shoot Neill's character. Two matte set-ups were used for effects, including one used to create the illusion of depth with Neill's character in the foreground and the aliens in the background. The sequence where Neill's character shoots the gun out of the hand of one of the aliens was done through wire-supported animation. [24] In the second and third sequences, the two aliens are on board their spaceship, which is a miniature set designed by Dave Carson. The aliens speak with their commander through a monitor in the second sequence, and animations of the alien commander were shot separately and implemented into the scene using a rear projection effect. Both sequences also used rear projection to show footage of Billy and his destruction on Earth. [24] The fourth sequence shows the aliens on Earth, looking at a burnt-out car destroyed by Billy. Footage of the car was rear projected behind the alien models; however, the projected footage was shot at night and the scene took place between two daytime live-action scenes, thus creating a continuity error in the film. [25] The final scene is the shortest, and features a confrontation between the aliens and Billy. Matting was again used for the sequence where Billy is shot with a gun by one of the aliens from the top of a building. The aliens then fly off in their spaceship at the end of the scene through a cutout animation effect. [25]

Randall William Cook, an animator who worked with Allen on the horror film The Crater Lake Monster (1977), provided uncredited animation work on Laserblast. [21] [26] Sculptor Jon Berg, who built the alien creature puppets based on Allen's design, was also uncredited for his work. [27] Allen said in a 1993 article that he and Berg created more shots in the film "than originally bargained for". [28] Special effects were assisted by Harry Woolman, and laser effects were provided by Paul Gentry. [18] Greg Jein, the special effects model-maker who also worked on The Crater Lake Monster, designed and built the spacecraft featured in Laserblast. [29] Jein had recently completed his work on the Close Encounters of the Third Kind (1977) when Allen approached him to work on Laserblast, which was the first time that Jein designed a project himself. He prepared several concept sketches and, after one was selected, he constructed the 18-inch model (46 cm) in two weeks. [30] Allen ultimately felt his animation sequences in Laserblast were not properly integrated with the rest of the film. [31]

Joel Goldsmith and Richard Band, the brother of film producer Charles Band, [32] composed the music for Laserblast, marking the first film score for both composers. [32] [33] The score was written in five days, [32] and makes heavy use of synthesizer, particularly synthesized brass instruments, as well as electronic music. [34] The music was also used in the Charles Band-produced film Auditions , released the same year, the 1986 science fiction film Robot Holocaust and the 1983 horror film The House on Sorority Row . [35] [36] The company Echo Film Services handled the sound effects. [18] The alien language chatter between the aliens in Laserblast was later used for sound effects in the metal band Static-X's song "A Dios Alma Perdida", which is featured in their 2001 album Machine . [37] Several times when something explodes after it is shot by the laser gun, the scene is edited so that multiple shots of the same explosion are shown in succession. [38] This type of editing became a trademark of Charles Band's films, and was done previously in his 1977 films Crash! and End of the World. [39]

Release

The film was distributed by the Irwin Yablans Company, and released on March 1, 1978. [18] [40] Irwin Yablans, who later produced the first three Halloween films, specialized primarily in distributing B movies and low-budget horror films. [11] Laserblast was advertised in conjunction with End of the World , which had been released the previous year and was still playing in theaters at the time. [41] [42] At the time that Laserblast was released, audience interest in science fiction films was particularly high due to the release of Star Wars.

Reception

If Steven Spielberg advanced the likelihood of intelligent extra-terrestrial life in Close Encounters Of The Third Kind, then Charles Band sets it back 20 years with his production of Laserblast.

Variety magazine, March 8, 1978 [9]

Laserblast has received largely negative reviews, and consistently ranks among the Bottom 100 list of films on the Internet Movie Database. [7] A 1978 critique in The Review of the News said, "The only thing eerie about Laserblast is the thought that the people who made this loser are still running around loose." In the review, Laserblast was described as "an incomprehensible blending" of popular recent films like Star Wars and Close Encounters of the Third Kind, with a script that was "so disordered we could not be certain that the reels were being run in proper sequence". It also criticized the props, particularly the laser gun, which they compared to a cereal box prize. [4] A review by Variety magazine said that the special effects were decent, but that the script "has more holes than the laser-ravaged landscape." [9] Janet Maslin of The New York Times said that Kim Milford's performance was dull and that the script included plot-holes and inconsistencies. [10] The Los Angeles Times critic Linda Gross said that the script lacked "credibility, psychological motivation and narrative cohesiveness", although she praised Terry Bowen's cinematography, saying it "effectively captures the ambience of desert small-town life." [43] It was described as one of the worst films of the year in the book The Golden Turkey Awards . [44]

Literary critic John Kenneth Muir thought that the script had many plot holes which left many unanswered questions, and that there was "little effort to forge a coherent story out of the mix". [12] New York Daily News writer David Bianculli described Laserblast as "numbingly bad". [45] In The Encyclopedia of Science Fiction Movies, Phil Hardy describes it as "a wholly unimaginative film", adding, "Even the non-stop series of exploding cars becomes monotonous in the hands of director Rae." [8] The Time Out Film Guide described Laserblast as a rip-off of Strange Case of Dr. Jekyll and Mr. Hyde , and said that Billy's reign of destruction seemed random and senseless, rather than driven by plot or characterization. The review called the film "the epitome of what Frank Zappa once hymned as 'cheapness.'" [46] The Globe and Mail writer Robert Martin called the script inept, said that Steve Neill's make-up effects were "frightful rather than frightening", and said that Cheryl Smith could "barely talk, let alone act". Martin also stated that the film was pulled from a Toronto theater after showing for one week. [11]

Not all of the reviews were negative. Blockbuster Entertainment gave the film three out of five stars, and film critic Leonard Maltin gave it two-and-a-half out of four stars. [47] [48] In their book about science fiction films, writers James Robert Parish and Michael R. Pitts called Laserblast "an stimulating, unpretentious little film in the same vein as I Was a Teenage Werewolf . Parish and Pitts praised the stop motion animation and the performance of Cheryl Smith. [49] Laserblast was among several films universally considered terrible that film reviewer Michael Adams watched as part of a book about his quest to find the worst film of all time. However, Adams said he enjoyed watching it on a B movie level. [50] Monthly Film Bulletin said that Laserblast was "Band's first major box-office success on the exploitation circuit". [39] According to Space.com, Laserblast has achieved cult film status. [5] During a 2005 interview, Charles Band called the film "hilarious" and stated that "it had its charm" like many films from its time. He also said that the film would have been made differently and would have had less critical reactions if it had been produced with a larger budget. [6]

The stop motion aliens, created by David W. Allen, were praised by some critics as the only positive aspect of the film. Laserblast stop motion aliens.jpg
The stop motion aliens, created by David W. Allen, were praised by some critics as the only positive aspect of the film.

Several critical reviews cited the stop motion animation as one of the film's only redeeming qualities. [6] Richard Meyers, a novelist who also wrote about science-fiction films, described Laserblast as "basically repetitive and predictable", but included some redemptive qualities in the animation of Dave Allen and the makeup effects of Steve Neill. [51] Science fiction literary scholar Peter Nicholls called it the worst of Charles Band's films, calling it "badly scripted, badly paced rubbish", describing Allen's "o.k. aliens" as "the only plus". [52] Likewise, film essayist Dennis Fischer said that Allen's stop motion animation provides the film's "sole moments of interest", [21] and Cinefex publisher Don Shay called it the film's "only viable selling points". [26] In their book DVD & Video Guide, Mick Martin and Marsha Porter called it a "dreadful low-budget film with some excellent special effects by David Allen". [53] Doug Pratt, who criticized the poor acting and dull dialogue, said that the special effects and stop motion animation "are well executed, but the sequences without effects are fairly dumb". [38] The authors of The DVD-Laser Disc Newsletter called the film "a dull and padded revenge-against-bullies tale", but said that the stop motion animation sequences were enjoyable enough that "fans are likely to be pleased with the low-budget film's positive attributes and willing to ignore the rest". [54]

Home media

Laserblast was initially released on home video in 1981 from Media Home Entertainment. [55] It was released on LaserDisc on June 30, 1993, by Shadow Entertainment, [54] and was re-released on VHS on November 25, 1997, by Full Moon Entertainment, a distribution company started by Charles Band. [21] [56] It had a second VHS re-release on October 9, 1998, by United American Home Video. [57] Laserblast was released on DVD on July 6, 1999, again by Full Moon Entertainment. The picture was presented with an aspect ratio of 1.66:1 and stereophonic sound. The disc included no captions and no special features, except for cast profiles and trailers for other Full Moon films. Doug Pratt, a DVD reviewer and Rolling Stone contributor, said the visual presentation was better than most films from its time, with fresh colors and only a few speckles, as well as a decent sound transfer. [38] In August 2018, a Blu-Ray disc of the film was released by Full Moon Pictures. The disc presented a newly made high-definition video scan from an interpositive film element. On the commentary track, Band states that the film's original negative has been lost.

Soundtrack

The original motion picture soundtrack was released as a limited edition CD by BSX Records on August 1, 2005. It consisted of about 46 minutes of music over 25 tracks. SoundtrackNet reviewer Mike Brennan said that it was "actually quite enjoyable in parts", but not the type of music meant to be listened to without the film. Brennan claimed that it resembled some of the later and better-known works of Joel Goldsmith, like the scores of Stargate SG-1 and Stargate Atlantis . [34] Joe Sikoryak of Film Score Monthly gave the soundtrack one-and-a-half stars out of five, claiming that about one-third of the album sounded like "generic rock 'n' roll cues for a production unable to afford licensing existing songs". [58]

Sequel

Band originally planned to produce a sequel called Laserblast II, with production work to begin in August 1986 and a theatrical release expected to follow shortly thereafter. [59] [60] A tagline released for the film read "The ultimate alien weapon is back." [61] When plans for the sequel were announced, Atlanta-based film critic Scott Journal wrote "I am one of the few people in the world who saw the original and, believe me, it did not merit a followup." [59] However, Charles Band Productions fell into financial difficulties shortly after the production of Laserblast, [21] and the project was eventually scrapped. However, the premise and elements of the abandoned sequel were later used in the 1988 Charles Band film Deadly Weapon , which, like Laserblast, was about a bullied teenager who finds a powerful weapon and uses it to seek revenge against his enemies. [62] Band continued to make films and eventually formed Empire Pictures. [21]

Mystery Science Theater 3000

A pathetic androgynous blond kid from the California desert finds a ray-gun left by fat-assed aliens in the sagebrush, is harassed by strangely southern, dope-smoking cops, develops a large hole in his chest, kills Roddy McDowall, and eventually dies himself. Meanwhile, nothing happens. The aliens are the best thing in the film: they're cute. Eddie Deezen rounds out the cast as the hurtful geek.

The Mystery Science Theater 3000 Amazing Colossal Episode Guide [63]

Laserblast was featured in the seventh-season finale episode of Mystery Science Theater 3000. Mst3k laserblast.jpg
Laserblast was featured in the seventh-season finale episode of Mystery Science Theater 3000.

Laserblast was featured in the seventh-season finale episode of Mystery Science Theater 3000 , a comedy television series. In the show, the human character Mike Nelson and his two robot friends, Crow T. Robot and Tom Servo, are trapped in a satellite and forced to watch bad films as part of an ongoing scientific experiment. Laserblast was the sixth episode of the seventh season, which was broadcast on Comedy Central May 18, 1996. It marked the final original episode of Mystery Science Theater 3000 on that network, [17] [64] before the series moved to the Sci-Fi Channel for its eighth season. [65] At the time of broadcast, the MST3K creators did not even know that the show would eventually be renewed at a different network. [45] Mary Jo Pehl, an actress and writer with the show, felt that Laserblast was a particularly bad film: "The lead guy, Kim Somebody, is another sterling example of how filmmaking is not a meritocracy. The fact that this film was even made proves that 'anybody can do it.' You can find this either inspiring or depressing." [66]

During the riffing of the film, the robot character Crow T. Robot claims the film "was run through a highly technical process called 'tension extraction'", and the other robot Tom Servo calls it so dull, "There's a point where it stops being a movie". [64] Mike and the robots make particular note of film critic Leonard Maltin's relatively high two-and-a-half star rating of the original film. [17] [67] The episode also makes several references to McDowall's performances in the Planet of the Apes films, and makes several jokes at the expense of Deezen and his stereotypically nerdy character, at one point dubbing him the "heir to the Arnold Stang fortune". [64] Mike and the robots repeatedly sang "Are You Ready for Some Football?" whenever Deputy Ungar appeared on screen due to actor Dennis Burkley's resemblance to country singer Hank Williams Jr. [68]

Dan Cziraky of Cinefantastique wrote, "If you've never seen Laserblast, this is perfect MST3K viewing! It typifies everything wrong with the late '70s." [17] During a 2009 interview, Eddie Deezen said he loved the show's parody of Laserblast. [16]

Merchandise

On October 13, 2017, Eibon Press published a comic book adaptation of Laserblast. Under their VHS Comics sub-imprint, it was released alongside an adaptation of the 1980 slasher film Maniac .

An action figure was released based on the alien from the film, available on Full Moon Direct and Amazon.

Related Research Articles

<i>Galaxy Quest</i> 1999 sci-fi comedy film directed by Dean Parisot

Galaxy Quest is a 1999 American satirical science fiction comedy film directed by Dean Parisot and written by David Howard and Robert Gordon. A parody of and homage to science-fiction films and series, especially Star Trek and its fandom, the film depicts the cast of a fictional cult television series, Galaxy Quest, who are drawn into a real interstellar conflict by actual aliens who think the series is an accurate documentary. It stars Tim Allen, Sigourney Weaver, Alan Rickman, Tony Shalhoub, Sam Rockwell, and Daryl Mitchell. The film was a modest box office success and positively received by critics: It won the Hugo Award for Best Dramatic Presentation and the Nebula Award for Best Script. It was also nominated for 10 Saturn Awards, including Best Science Fiction Film and Best Director for Parisot, Best Actress for Weaver, and Best Supporting Actor for Rickman, with Allen winning Best Actor.

<i>The Day the Earth Stood Still</i> 1951 science fiction film by Robert Wise

The Day the Earth Stood Still is a 1951 American science fiction film from 20th Century Fox, produced by Julian Blaustein and directed by Robert Wise. It stars Michael Rennie, Patricia Neal, Hugh Marlowe, Sam Jaffe, Billy Gray, Frances Bavier and Lock Martin. The screenplay was written by Edmund H. North, based on the 1940 science fiction short story "Farewell to the Master" by Harry Bates. The film score was composed by Bernard Herrmann. Set in the Cold War during the early stages of the nuclear arms race, the storyline involves a humanoid alien visitor who comes to Earth, accompanied by a powerful robot, to deliver an important message that will affect the entire human race. In 1995, the film was selected for preservation in the United States National Film Registry as "culturally, historically, or aesthetically significant".

<span class="mw-page-title-main">Ray Harryhausen</span> American-British animator (1920–2013)

Raymond Frederick Harryhausen was an American-British animator and special effects creator who created a form of stop motion model animation known as "Dynamation". His works include the animation for Mighty Joe Young (1949) with his mentor Willis H. O'Brien ; his first color film, The 7th Voyage of Sinbad (1958); and Jason and the Argonauts (1963), which featured a sword fight with seven skeleton warriors. His last film was Clash of the Titans (1981), after which he retired from filmmaking.

Irwin Allen was an American film and television producer and director, known for his work in science fiction, then later as the "Master of Disaster" for his work in the disaster film genre. His most successful productions were The Poseidon Adventure (1972) and The Towering Inferno (1974). He also created and produced the popular 1960s science-fiction television series Voyage to the Bottom of the Sea, Lost in Space, The Time Tunnel, and Land of the Giants.

<i>Lifeforce</i> (film) 1985 British science fiction horror film by Tobe Hooper

Lifeforce is a 1985 British science fiction horror film directed by Tobe Hooper, adapted by Dan O'Bannon and Don Jakoby, and starring Steve Railsback, Peter Firth, Frank Finlay, Mathilda May, and Patrick Stewart. Based on Colin Wilson's 1976 novel The Space Vampires, the film portrays the events that unfold after a trio of humanoids in a state of suspended animation are brought to Earth after being discovered in the hold of an alien space ship by the crew of a European Space Shuttle.

<i>Flight of the Navigator</i> 1986 film by Randal Kleiser

Flight of the Navigator is a 1986 American science-fiction adventure film directed by Randal Kleiser and written by Mark H. Baker, Michael Burton, and Phil Joanou. It stars Joey Cramer as David Freeman, a 12-year-old boy, who is abducted by an alien spaceship and transported from 1978 to 1986. It features an early film appearance by Sarah Jessica Parker as Carolyn McAdams, a key character who befriends David in a time of need.

<i>Dark Star</i> (film) 1974 film by John Carpenter

Dark Star is a 1974 American independent science fiction comedy film produced, scored and directed by John Carpenter and co-written with Dan O'Bannon. It follows the crew of the deteriorating starship Dark Star, twenty years into their mission to destroy unstable planets that might threaten future colonization of other planets.

<i>Earth vs. the Flying Saucers</i> 1956 science fiction film directed by Fred F. Sears

Earth vs. the Flying Saucers is a 1956 American science fiction film from Columbia Pictures. It was produced by Charles H. Schneer, directed by Fred F. Sears, and stars Hugh Marlowe and Joan Taylor. The stop-motion animation special effects were created by Ray Harryhausen. The storyline was suggested by the bestselling 1953 non-fiction book Flying Saucers from Outer Space by Maj. Donald Keyhoe. The film was released as a double feature with The Werewolf.

<span class="mw-page-title-main">History of science fiction films</span>

The history of science fiction films parallels that of the motion picture industry as a whole, although it took several decades before the genre was taken seriously. Since the 1960s, major science fiction films have succeeded in pulling in large audience shares, and films of this genre have become a regular staple of the film industry. Science fiction films have led the way in special effects technology, and have also been used as a vehicle for social commentary.

David W. Allen was an American film and television stop motion model (puppet) animator.

<span class="mw-page-title-main">Neill Blomkamp</span> South African and Canadian filmmaker (born 1979)

Neill Blomkamp is a South African and Canadian film director and screenwriter. He is known as the co-writer and director of the science fiction action film District 9 (2009), for which he was nominated for the Academy Award for Best Adapted Screenplay, and the director of the dystopian science fiction action film Elysium (2013), which garnered moderately positive reviews. He also directed the science fiction action film Chappie (2015) and the sports drama film Gran Turismo (2023).

<i>Alien Arsenal</i> 1999 TV series or program

Alien Arsenal is a 1999 made-for-television science fiction film directed by David DeCoteau. It is a loose remake of an earlier Charles Band production, Laserblast. It is also known as Teenage Alien Avengers.

<i>Robot Jox</i> 1990 film by Stuart Gordon

Robot Jox is a 1990 American post-apocalyptic mecha science-fiction film directed by Stuart Gordon and starring Gary Graham, Anne-Marie Johnson and Paul Koslo. Co-written by science-fiction author Joe Haldeman, the film's plot follows Achilles, one of the "robot jox" who pilot giant machines that fight international battles to settle territorial disputes in a dystopian, post-apocalyptic world.

<i>Metamorphosis: The Alien Factor</i> 1990 film

Metamorphosis: The Alien Factor, also known as The Deadly Spawn II, is an American 1990 science fiction horror film written and directed by Glenn Takajian and produced by Ted A. Bohus.

<i>The Day Time Ended</i> 1980 American film

The Day Time Ended is a 1980 American science fiction film directed by John 'Bud' Cardos and starring Jim Davis, Christopher Mitchum and Dorothy Malone.

<i>The Deadly Spawn</i> 1983 science fiction horror film

The Deadly Spawn is a 1983 American science fiction horror film written and directed by Douglas McKeown, and produced by Ted A. Bohus. The film's plot centers on an meteor that lands on Earth, which unleashes a carnivorous alien that finds refuge in the basement of a house. As it grows larger, a young monster movie fan named Charles and group of others try to survive against the creature and its offspring.

<i>District 9</i> 2009 science fiction film by Sigma

District 9 is a 2009 science fiction action film directed by Neill Blomkamp in his feature film debut, written by Blomkamp and Terri Tatchell, and produced by Peter Jackson and Carolynne Cunningham. It is a co-production of New Zealand, the United States, and South Africa. The film stars Sharlto Copley, Jason Cope, and David James, and was adapted from Blomkamp's 2006 short film Alive in Joburg.

<i>Alien</i> (film) 1979 film by Ridley Scott

Alien is a 1979 science fiction horror film directed by Ridley Scott and written by Dan O'Bannon, based on a story by O'Bannon and Ronald Shusett. It follows a spaceship crew who investigate a derelict spaceship and are hunted by a deadly extraterrestrial creature. The film stars Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm, and Yaphet Kotto. It was produced by Gordon Carroll, David Giler, and Walter Hill through their company Brandywine Productions and was distributed by 20th Century-Fox. Giler and Hill revised and made additions to the script; Shusett was the executive producer. The alien creatures and environments were designed by the Swiss artist H. R. Giger, while the concept artists Ron Cobb and Chris Foss designed the other sets.

The 1978 Stinkers Bad Movie Awards were released by the Hastings Bad Cinema Society in 1979 to honour the worst the film industry had to offer in 1978. The ballot was later revisited and the expanded version was released in the summer of 2003. Listed as follows are the original ballot's picks for Worst Picture and its dishonourable mentions, which are films that were considered for Worst Picture but ultimately failed to make the final ballot, and all nominees included in the expanded ballot. All winners are highlighted.

<i>The Primevals</i> 2023 sci-fi adventure film directed by David W. Allen

The Primevals is a 2023 American science fiction fantasy adventure film from Full Moon Entertainment, co-written and directed by David Allen, and starring Juliet Mills. The film was a passion project for stop motion animator Allen and completed posthumously after over 50 years in development.

References

Citations

  1. "LASERBLAST (A)". British Board of Film Classification . 1979-01-09. Retrieved 2012-11-14.
  2. 1 2 3 "Charles Band: The retroCRUSH Interview". Retrocrush. 2006. Archived from the original on July 15, 2011. Retrieved February 17, 2011.
  3. Simpson, M. J. (June 2005). "Charles Band interview". M.J. Simpson.co.uk. Archived from the original on November 25, 2010. Retrieved December 8, 2010.
  4. 1 2 3 "Laserblast". The Review of the News . Vol. 14. April 1978. p. 24.
  5. 1 2 3 4 Moss, Joshua (November 1, 2000). "Laserblast: Take That, Star Wars". Space.com. Archived from the original on October 13, 2008. Retrieved December 8, 2010.
  6. 1 2 3 4 Ryan, David (October 10, 2005). "A Band Apart: An Interview With Charles Band". DVD Verdict. Archived from the original on October 28, 2010. Retrieved February 17, 2011.
  7. 1 2 Adams 2010 , p. 26
  8. 1 2 3 Hardy 1986 , p. 343
  9. 1 2 3 Willis 1985 , p. 330
  10. 1 2 3 4 Maslin, Janet (June 1, 1978). "Laserblast (1978)". The New York Times . Retrieved December 5, 2010.
  11. 1 2 3 Martin, Robert (June 14, 1978). "Back on the beach without Frankie and Annette". The Globe and Mail .
  12. 1 2 Muir 2002 , p. 561
  13. "'Second season' lays an egg". Chicago Tribune . March 5, 1975. p. B10.
  14. Barbour, Chris (May 2005). "Cheryl "Rainbeaux" Smith: The Life, Times, Death and Letters of a Drive-In Diva ..." RedHotPlanet.com. Archived from the original on June 9, 2011. Retrieved December 20, 2010.
  15. Jacobs, Andrew (April 9, 2005). "His Big Break? The Corleones Killed Him; Godfather's Son-in-Law Is Singing, Selling and Enjoying Life". The New York Times . Retrieved December 21, 2010.
  16. 1 2 Adams 2010 , p. 28
  17. 1 2 3 4 5 Cziraky, Dan (1996). "MST's Amazing Episode Guide: Unfortunately, It's Not So Amazing". Cinefantastique . Vol. 28. p. xxxi.
  18. 1 2 3 4 Frank 1982 , p. 80
  19. "Michael Rae Film Biography". Time Out. 2006. Archived from the original on October 17, 2012. Retrieved December 8, 2010.
  20. 1 2 Meyers 1984 , p. 91
  21. 1 2 3 4 5 6 7 Fischer 2000 , p. 25
  22. Ferry 2002 , p. 443
  23. Harryhausen & Dalton 2008 , p. 180
  24. 1 2 Pettigrew 1999, p. 416.
  25. 1 2 Pettigrew 1999, p. 417.
  26. 1 2 Mandell, Paul (April 1983). "Stop-Frame Fever, Post-Animation Blues". Cinefex . No. 12. p. 30.
  27. Wilson 1980 , p. 35
  28. Cox, Vic (February 1993). "Effects Scene: Full Moon Rising". Cinefex . No. 53. p. 17.
  29. Mandell, Paul (1977). "Interview by Paul Mandell". Cinefantastique . 6–7. p. 76.
  30. Shay, Don (August 1980). "Close Encounters of the Third Kind". Cinefex . No. 2. p. 30.
  31. Pettigrew 1999 , p. 97
  32. 1 2 3 Larson 1985 , p. 329
  33. Maxford 1996 , p. 29
  34. 1 2 Brennan, Mike (September 2, 2005). "Laserblast Soundtrack". SoundtrackNet. Archived from the original on October 3, 2012. Retrieved December 8, 2010.
  35. Weldon 1996 , p. 31
  36. "Laserblast: Original Soundtrack by Richard Band and Joel Goldsmith". BSX Records. Retrieved February 6, 2011.
  37. Dsylin, Amanda (August 6, 2009). "Pedal to the Metal Tour stopping in Kato". The Free Press. Mankato, Minnesota. Archived from the original on July 10, 2012. Retrieved February 23, 2011.
  38. 1 2 3 Pratt 2005 , p. 689
  39. 1 2 Newman, Kim (October 1986). "Charles Band—Empire Building". Monthly Film Bulletin . Vol. 53, no. 633.
  40. "Laserblast (1978)". American Film Institute Catalog. Retrieved February 6, 2011.(subscription required)
  41. Hardy 1986 , p. 333
  42. "Laserblast". The Chicago Tribune . April 7, 1978. p. A5.
  43. Gross, Linda (March 3, 1978). "'Laserblast' Full of Sci-Fi Cliches". The Los Angeles Times . p. E22.
  44. Medved & Medved 1980 , p. 108
  45. 1 2 Bianculli, David (May 17, 1996). "'MST3K Goes Out With a 'Laserblast'". New York Daily News . Archived from the original on December 8, 2010. Retrieved December 8, 2010.
  46. Pym 1995 , p. 398
  47. Maltin 2003 , p. 777
  48. Blockbuster Entertainment 1997 , p. 674
  49. Parish & Pitts 1990 , p. 238
  50. Adams 2010 , p. 27
  51. Meyers 1984 , p. 90
  52. Nicholls 1984 , p. 200
  53. Martin & Porter 2004 , p. 616
  54. 1 2 "Laserblast: Special effects". The DVD-Laser Disc Newsletter. No. 173. Technology & Engineering. 1999. p. 12.
  55. Crook, David (January 18, 1981). "Films: Coming Attractions for Video". The Los Angeles Times . p. X4.
  56. Janusonis, Michael (October 16, 1997). "VIDEO Animated 'Babes in Toyland' debut sadly lacks the magic". Providence Journal-Bulletin . p. 3F.
  57. Hill, Scott (January 11, 1999). "Reader Top 10 Picks". CMJ New Music Report . Vol. 57, no. 601. College Media Inc. p. 36. ISSN   0890-0795.
  58. Sikoryak, Joe (September–October 2005). "Score: Reviews of CDs: 'Laserblast'". Film Score Monthly . Vol. 10, no. 5. p. 54. ISSN   1077-4289.
  59. 1 2 Cain, Scott (November 2, 1985). "Movies - Sequels: II much? II bad - 'Hercules II' proves the first installment doesn't even have be a bonanza". The Atlanta Journal and The Atlanta Constitution . p. L20.
  60. Arnold, William (March 6, 1986). "Salute to Japanese director". Seattle Post-Intelligencer . p. C8.
  61. Briggs, Joe Bob (May 19, 1985). "A season of sleaze checking out summer's long list of outdoor delights". Orlando Sentinel . p. 29.
  62. Martin & Porter 2000 , p. 268
  63. Beaulieu 1996, p. 140
  64. 1 2 3 Hadden, Briton; Luce, Henry Robinson (1996). "Mystery Science Theater 3000". Time . Vol. 147.
  65. Baenen, Jeff (November 16, 1996). "'Mystery Science Theater 3000' is Reborn". Chicago Tribune . p. 27.
  66. Pehl, Mary Jo (2001). "Episode 706 - Laserblast". Satellite News (Official). Archived from the original on May 14, 2011. Retrieved December 8, 2010.
  67. Nelson, Michael J. (2001). "Episode 706 - Laserblast". Satellite News (Official). Archived from the original on May 14, 2011. Retrieved December 8, 2010.
  68. Chaplin, Paul (2001). "Episode 706 - Laserblast". Satellite News (Official). Archived from the original on May 14, 2011. Retrieved December 8, 2010.

Bibliography