Industry | Filmed entertainment |
---|---|
Genre | |
Founded | 1983 |
Founder | Charles Band |
Defunct | 1988 |
Fate | Bankruptcy, assets sold to Epic Entertainment |
Successors | Company: Full Moon Features Library: Metro-Goldwyn-Mayer [a] Full Moon Features (select films only) |
Headquarters | Los Angeles, California, US |
Key people | |
Products | |
Subsidiaries | Urban Classics |
Empire International Pictures (also known as Empire Entertainment) was an American independent small-scale theatrical distribution company. Charles Band formed Empire in 1983, prompted by his dissatisfaction with distributors' handling of films made by his previous business, Charles Band International Productions. Empire produced and distributed a number of low-budget horror and fantasy feature films, including Re-Animator , Troll , Ghoulies , Trancers , and From Beyond .
Sensing the emerging theatrical market for independently produced horror and science-fiction films, producer Charles Band decided to create a small production company to compete with the major Hollywood studios. The name Empire Pictures first surfaced in May 1983 at the Cannes Film Festival, where Band sought funding for Parasite II, a proposed sequel to his successful movie Parasite (1982). [1]
Initial Empire productions included Swordkill (aka Ghost Warrior) and The Dungeonmaster , each of which received limited theatrical releases in 1984. Also that year, Empire signed an agreement with Vestron Video that granted Vestron worldwide video rights to five of Empire's films. [2]
Empire's first hit came in early 1985, with Ghoulies . Released in several major markets, the film had grossed $3,455,018 by February; it made over $1 million in its first weekend in New York City alone. [3] This success paved the way for the company to showcase future cult hits Trancers and Re-Animator in theaters.
Flush with cash, Band purchased Castello di Giove, a 12th-century castle located in Giove, Italy. [4] His intention was to use the edifice as a European base of operations and a filming location. Around the same time, Band also bought Dino de Laurentiis Cinematografica, which was founded by Dino De Laurentiis in 1946. The purchase price of De Laurentiis's studio was reportedly $20 million. Empire also teamed up with Vestron Video subsidiary Lightning Video to create the Force Video banner, under which six action-adventure videocassettes were released in the summer of 1985. [5]
1986 saw Empire's biggest output of theatrical releases, including Eliminators , From Beyond , TerrorVision , and Troll . The last of these proved to be Empire's biggest success that year, grossing $5,450,815 when released in nearly a thousand theaters. [6] The company decided to expand. [7] Albert Band was named production head, a position he held until the company was sold off. [8] Empire's agreement with Vestron Video continued; Vestron bought the worldwide video rights to one of Empire's future releases for $35–$40 million. [9]
With a studio in Italy secured, 1987 saw Empire significantly increase its production. The company arrived at the American Film Market in February touting 36 new releases. Titles produced in this period included Dolls , Ghoulies II , Prison , and Robot Jox . Empire also switched video distributors, from Vestron to New World Video, which would release titles under the Empire Video label. [10]
Two new divisions of Empire were launched in 1987. The first was Urban Classics, which produced films such as Slave Girls from Beyond Infinity , Galactic Gigolo , and Space Sluts in the Slammer. Urban Classics released movies both theatrically, and subsequently on home video, marking the first time that Empire had produced its own home video releases, rather than partnering with another company. [11] The second subsidiary was Infinity Film Sales, headed by Maura Hoy. Its purpose was to distribute to the foreign market a set of low-budget films that had been offered to Wizard Video, yet another Empire division. [12] Later that year, Australian home video veteran Walter Lehne would purchase Infinity's 14 titles in a $1 million deal that included movies from Filmtrust, Intercontinental Releasing Corporation, and others as well. [13]
Also in 1987, Empire partnered with Cinema Home Video Productions to develop ten films. Most of the movies were planned to have a budget of $1 million each, but at least two would have $2–3 million in funding, and be shot at Empire's Italian studio. Distribution would be handled by Urban Classics domestically, and by Infinity overseas. [14]
On September 8, 1987, Empire reduced the staff of its publicity department from three people to one. The studio planned to outsource the marketing of special projects. [15]
Empire began to collapse in mid-1988, due to financial problems, including long-term debt obligations to Crédit Lyonnais. Once it became clear that the studio could not weather these difficulties, it was seized by the bank, and absorbed into Eduard Sarlui's Epic Productions in May 1988. [16] As a result, the releases of the titles that were in production, such as Stuart Gordon's Robot Jox, Peter Manoogian's Arena , and David Schmoeller's Catacombs , were delayed by several years.
Band would form a new company, Full Moon Entertainment, in the autumn of 1988. Like Empire, Full Moon specializes in horror and fantasy films.
As of 2017, MGM is the owner of most of Empire's library, by way of Polygram Entertainment. [17] These films are being released on DVD and Blu-ray by Full Moon, under license from MGM. [18]
The rise and fall of Empire is the subject of the book Empire of the 'B's: The Mad Movie World of Charles Band by Dave Jay, Torsten Dewi, and Nathan Shumate, and the upcoming documentary Celluloid Wizards in the Video Wasteland by Daniel Griffith.[ citation needed ]
Lorimar Productions, Inc., later known as Lorimar Television and Lorimar Distribution, was an American production company that was later a subsidiary of Warner Bros., active from 1969 until 1993, when it was folded into Warner Bros. Television. It was founded by Irwin Molasky, Merv Adelson, and Lee Rich. The company's name was a portmanteau of the name of Adelson's then wife, Lori, and Palomar Airport.
Artisan Entertainment was an American film studio and home video company. It was considered one of the largest mini-major film studios until it was purchased by later mini-major film studio Lions Gate Entertainment in 2003. At the time of its acquisition, Artisan had a library of thousands of films developed through acquisition, original production, and production and distribution agreements. Its headquarters and private screening room were located in Santa Monica, California. It also had an office in Tribeca in Manhattan, New York.
Embassy Pictures Corporation was an American independent film production and distribution studio, active from 1942 to 1986. Embassy was responsible for films such as The Graduate, The Producers, The Fog, The Howling, Escape from New York, and This Is Spinal Tap, Swamp Thing, and television series such as The Jeffersons, One Day at a Time and The Facts of Life.
MPI Media Group is an American producer, distributor and licensor of theatrical film and home entertainment. MPI's subsidiaries include MPI Pictures, MPI Home Video, Gorgon Video, and the horror film distributor Dark Sky Films. The company is located in Orland Park, Illinois, and was founded in 1976 by brothers Malik & Waleed Ali.
Interscope Communications, Inc. was a motion picture production company founded in 1979 by Ted Field. It soon became a division of PolyGram Filmed Entertainment.
Charles Robert Band is an American film producer and director, known for his work on horror comedy movies.
Slaughter High is a 1986 slasher film written and directed by George Dugdale, Mark Ezra and Peter Litten, and starring Caroline Munro, Simon Scuddamore, Carmine Iannaconne, Donna Yeager, and Sally Cross. An international co-production between the United States and the United Kingdom, the film follows a group of adults responsible for a prank gone wrong on April Fool's Day who are invited to a reunion at their defunct high school where a masked killer awaits inside.
Ghoulies is an American comedy horror film series that consists of four films released from 1985 to 1994. The films center on a group of small demonic creatures that have a wide range of twisted appearances.
David W. Allen was an American film and television stop motion model (puppet) animator.
Vestron Video was the main subsidiary of Vestron, Inc., a home video company based in Stamford, Connecticut, that was active from 1981 to 1993, and is considered to have been a pioneer in the home video market.
Hemdale Film Corporation was an independent American-British film production company and distributor. The company was founded in London in 1967 as the Hemdale Company by actor David Hemmings and John Daly, naming the company from a combination of their surnames. The company produced numerous acclaimed films, often in conjunction with companies such as TriStar and Orion Pictures, including The Terminator (1984), Platoon (1986) and The Last Emperor (1987), the latter two being back-to-back winners of the Academy Award for Best Picture.
Robot Jox is a 1990 American post-apocalyptic mecha science-fiction film directed by Stuart Gordon and starring Gary Graham, Anne-Marie Johnson and Paul Koslo. Co-written by science-fiction author Joe Haldeman, the film's plot follows Achilles, one of the "robot jox" who pilot giant machines that fight international battles to settle territorial disputes in a dystopian, post-apocalyptic world.
Albert Band was a French-born American film director and film producer. He was the son of artist Max Band, father of filmmaker Charles Band and of film composer Richard Band and the grandfather of Alex Band, Taryn Band and Rachael Band.
De Laurentiis Entertainment Group (DEG) was an entertainment production company and distribution studio founded by Italian producer Dino De Laurentiis. The company is notable for producing Manhunter, Blue Velvet, the horror films Near Dark and Evil Dead II, King Kong Lives, and Bill & Ted's Excellent Adventure, as well as distributing The Transformers: The Movie.
John Carl Buechler was an American special make-up effects artist, film director, producer, screenwriter, and actor. He was best known for his work on horror and science-fiction films, mostly as part of Charles Band's Empire Pictures, and directed films such as Troll, Friday the 13th Part VII: The New Blood, Cellar Dweller, Ghoulies III: Ghoulies Go to College, and Curse of the Forty-Niner. His make-up work includes Ghoulies, From Beyond, Troll, TerrorVision, Dolls, Prison, A Nightmare on Elm Street 4: The Dream Master, Halloween 4: The Return of Michael Myers, and Hatchet.
Vestron Pictures Inc. was an American film studio and distributor, a former division of Austin O. Furst, Jr.'s Vestron Inc., that is best known for their 1987 release of Dirty Dancing.
Wizard Video was a home video distribution company formed by B movie producer Charles Band in the early 1980s. It was well-known for its detailed box art, especially during the time that it sold videocassettes in larger individual boxes. Its VHS releases included Zombi 2, The Texas Chainsaw Massacre, and I Spit on Your Grave.
Space Rage, also known as Space Rage: Breakout on Prison Planet is a 1985 American space Western film directed by Conrad E. Palmisano.
Nelson Entertainment was a Los Angeles-based film production and home video distribution company, a subsidiary of Nelson Holdings International Ltd., a Vancouver, Canada, holding company formed in 1985 by British film producer Barry Spikings and Richard Northcott, a British financier who amassed his fortune from a chain of hardware and furniture stores.
David Schmoeller is an American film director, producer and screenwriter. He is notable for directing several full-length theatrical horror films including Tourist Trap (1979), The Seduction (1982), Crawlspace (1986), Catacombs (1988), Puppet Master (1989), and Netherworld (1992). In May, 2012, Schmoeller was awarded a Lifetime Achievement Award by the Fantaspoa Film Festival in Porto Alegre, Brazil where his new feature film, 2 Little Monsters (2012) was screened along with his other notable films.