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Cutout animation is a form of stop-motion animation using flat characters, props and backgrounds cut from materials such as paper, card, stiff fabric or photographs. The props would be cut out and used as puppets for stop motion. The world's earliest known animated feature films were cutout animations (made in Argentina by Quirino Cristiani), [1] as is the world's earliest surviving animated feature Die Abenteuer des Prinzen Achmed (1926) by Lotte Reiniger.[ citation needed ]
The technique of most cutout animation is comparable to that of shadow play, but with stop motion replacing the manual or mechanical manipulation of flat puppets. Some films, including Die Abenteuer des Prinzen Achmed, also have much of their silhouette style in common with shadow plays. Cutout animation pioneer Lotte Reiniger studied the traditions of shadow play and created several shadow play film sequences, including a tribute to François Dominique Séraphin in Jean Renoir's film La Marseillaise (1938). [2]
While sometimes used as a relatively simple and cheap animation technique in children's programs (for instance in Ivor the Engine ), cutout animation has also often been used as a highly artistic medium that distinguishes itself more clearly from hand-drawn animation.
Cutout animation can be made with figures that have joints made with a rivet or pin or, when simulated on a computer, an anchor. These connections act as mechanical linkage, which have the effect of a specific, fixed motion. Similar flat, jointed puppets have been in use in shadow plays for many centuries, such as in the Indonesian wayang tradition and in the "ombres chinoises" that were especially popular in France in the 18th and 19th century. The subgenre of silhouette animation is more closely related to these shadow shows and to the silhouette cutting art that has been popular in Europe especially in the 18th and 19th centuries.
While many cutout animation puppets and other material is often purposely-made for films, ready-made imagery has also been heavily used in collage/photomontage styles, for instance in Terry Gilliam's famous animations for Monty Python's Flying Circus (1969-1975).
Lotte Reiniger, and movies like Twice Upon a Time (1983), used backlit animation, where the source of light comes from below. Animators like Terry Gilliam use light coming from above. [3] [4]
Cutout techniques were relatively often used in animated films until cel animation became the standard method (at least in the United States). Before 1934, Japanese animation mostly used cutout techniques rather than cel animation, because celluloid was too expensive. [5] [6]
Today, cutout-style animation is frequently produced using computers, with scanned images or vector graphics taking the place of physically cut materials. South Park is a notable example of the transition, since its pilot episode was made with paper cutouts before switching to computer software.
Jim Blashfield used cutout animation in his music videos for Talking Heads' And She Was (1985), Paul Simon's Boy in the Bubble , Michael Jackson's Leave Me Alone (1989, winning a Grammy Award, a Cannes Golden Lion and an MTV Award), Tears for Fears' Sowing the Seeds of Love (1989, winning two MTV Awards) and others.
The video for Röyksopp's Eple (2003), features a specific kind of cutout animation, continuously zooming out and panning through many old (still) pictures that are seamlessly combined. The technique is a variation of the Ken Burns effect, which has often been used in documentary films to add motion to still imagery, but rarely as a standalone animated production.
Other music videos featuring cutout animation include Skindred's "Pressure" (2006),[ citation needed ] Serj Tankian's "Lie Lie Lie" (2007),[ citation needed ] B.o.B's "Nothing on You" (2009), and Redbone's "Come and Get Your Love".
Animation is a filmmaking technique by which still images are manipulated to create moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets (cels) to be photographed and exhibited on film. Animation has been recognized as an artistic medium, specifically within the entertainment industry. Many animations are either tradtional animations or computer animations made with computer-generated imagery (CGI). Stop motion animation, in particular claymation, has continued to exist alongside these other forms.
Stop motion is an animated filmmaking and special effects technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back. Any kind of object can thus be animated, but puppets with movable joints or plasticine figures are most commonly used. Puppets, models or clay figures built around an armature are used in model animation. Stop motion with live actors is often referred to as pixilation. Stop motion of flat materials such as paper, fabrics or photographs is usually called cutout animation.
Terrence Vance Gilliam is an American-British filmmaker, comedian, collage animator, and actor. He gained stardom as a member of the Monty Python comedy troupe alongside John Cleese, Eric Idle, Michael Palin, Terry Jones, and Graham Chapman. Together they collaborated on the sketch series Monty Python's Flying Circus (1969–1974) and the films Monty Python and the Holy Grail, Life of Brian (1979) and The Meaning of Life (1983). In 1988, they received the BAFTA Award for Outstanding British Contribution to Cinema. In 2009, Gilliam received the BAFTA Fellowship for lifetime achievement.
Carl Koch or Karl Koch was a German art historian, film director and writer with many secondary credits including collaborations with his wife Lotte Reiniger, the animator of The Adventures of Prince Achmed (1926). In these collaborations, Koch often managed the camera work, which was mounted above Reiniger's animation table.
The history of animation, the method for creating moving pictures from still images, has an early history and a modern history that began with the advent of celluloid film in 1888. Between 1895 and 1920, during the rise of the cinematic industry, several different animation techniques were developed or re-invented, including stop-motion with objects, puppets, clay or cutouts, and drawn or painted animation. Hand-drawn animation, which mostly consisted of a succession of still images painted on cels, was the dominant technique of the 20th century and became known as traditional animation.
Berthold Bartosch was a film-maker, born in Polaun, in the Bohemia region of Austria-Hungary.
Charlotte "Lotte" Reiniger was a German film director and the foremost pioneer of silhouette animation. Her best known films are The Adventures of Prince Achmed, from 1926, the oldest surviving feature-length animated film, and Papageno (1935). Reiniger is also noted for having devised, from 1923 to 1926, the first form of a multiplane camera, one of the most important devices in pre digital animation. Reiniger worked on more than 40 films throughout her career.
The multiplane camera is a motion-picture camera that was used in the traditional animation process that moves a number of pieces of artwork past the camera at various speeds and at various distances from one another. This creates a sense of parallax or depth.
Thomas Köner is a multimedia artist whose main interest lies in combining visual and auditory experiences. The BBC, in a review of Köner's work in 1997, calls him a "media artist," one who works between installation, sound art, ambient music and as one half of Porter Ricks dub techno. A noted characteristics of Köner's dark ambient style are low drones and static soundscapes evocative of desolate, Arctic places.
Humdrum is a 1998 British animated comedy short film directed by Peter Peake. It was released in 1998 and produced by Aardman Animations and received an Academy Award nomination for Best Animated Short Film and a BAFTA nomination in the same category.
Walter Ruttmann was a German cinematographer and film director, an important German abstract experimental film maker, along with Hans Richter, Viking Eggeling and Oskar Fischinger. He is best known for directing the semi-documentary 'city symphony' silent film, with orchestral score by Edmund Meisel, in 1927, Berlin: Symphony of a Metropolis. His audio montage Wochenende (Weekend) (1930) is considered a major contribution in the development of sound collages and audio plays.
The Adventures of Prince Achmed is a 1926 German animated fairytale film by Lotte Reiniger. It is the oldest surviving animated feature film. The Adventures of Prince Achmed features a silhouette animation technique Reiniger had invented that involved manipulated cutouts made from cardboard and thin sheets of lead under a camera. The technique she used for the camera is similar to Wayang shadow puppets, though hers were animated frame by frame, not manipulated in live action. The original prints featured color tinting. Reiniger also used the first form of a multiplane camera in making the film, one of the most important devices in pre digital animation.
Strata-cut animation, also spelled stratcut or straticut, is a form of clay animation, itself one of many forms of stop motion animation.
Silhouette animation is animation in which the characters are only visible as black silhouettes. This is usually accomplished by backlighting articulated cardboard cut-outs, though other methods exist. It is partially inspired by, but for a number of reasons technically distinct from, shadow play.
Heaven and Earth Magic is a 1962 American avant-garde independent cutout animation film directed by visual artist, filmmaker and mystic Harry Everett Smith. Jonas Mekas gave the film its title Heaven and Earth Magic in 1964/65.
The following outline is provided as an overview of and topical guide to animation:
United Kingdom Animation began at the very origins of the art form in the late 19th century. British animation has been strengthened by an influx of émigrés to the UK; renowned animators such as Lotte Reiniger (Germany), John Halas (Hungary), George Dunning and Richard Williams (Canada), Terry Gilliam and Tim Burton have all worked in the UK at various stages of their careers. Notable full-length animated features to be produced in the UK include Animal Farm (1954), Yellow Submarine (1968), Watership Down (1978), and Wallace & Gromit: The Curse of the Were-Rabbit (2005).
Monty Python's Flying Circus is a British surreal sketch comedy series created by and starring Graham Chapman, John Cleese, Eric Idle, Terry Jones, Michael Palin, and Terry Gilliam, who became known collectively as "Monty Python", or the "Pythons". The first episode was recorded at the BBC on 7 September 1969 and premiered on 5 October on BBC1, with 45 episodes airing over four series from 1969 to 1974, plus two episodes for German TV. A feature film adaptation of several sketches, And Now for Something Completely Different, was released in 1971.
The Clown and His Donkey is a 1910 animated short film featuring silhouette animation. It was written, directed, and produced by the British animator Charles Armstrong. It was his third known silhouette animated film, following The Sporting Mice (1909) and Votes for Women: A Caricature (1909). The Clown and His Donkey is Armstrong's only surviving film, though he continued directing animated films until 1915. All of Armstrong's animated films were distributed by the Charles Urban Trading Company.
Events in 1899 in animation.