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Smallfilms is a British television production company that made animated TV programmes for children from 1959 until the 1980s. [1] In 2014 the company began operating again, producing a new series of its most famous show, The Clangers , [2] but it became dormant again in 2017, after production of the show was slightly changed. It was originally a partnership between Oliver Postgate (who wrote the scripts, animated the characters, and voiced many of the characters) and Peter Firmin (who made the models of the characters and drew the artwork). Several popular series of short films were made using stop-motion animation, including Clangers , Noggin the Nog and Ivor the Engine . Another Smallfilms production, Bagpuss , came top of a BBC poll to find the favourite British children's programme of the 20th century. [3]
In 1957, Postgate was appointed a stage manager with Associated-Rediffusion, the company that then held the commercial weekday television franchise for London. [4] Attached to the children's programming section, he thought he could do better with the relatively low budgets of the then black and white television productions.
He wrote Alexander the Mouse, a story about a mouse born to be king. Using an Irish-produced magnetic system - on which animated characters were magnetically attached to a painted background, then filmed using a 45 degree mirror - he persuaded Peter Firmin, who was then teaching at the Central School of Art, [5] to create the painted backgrounds. Postgate later recalled that they broadcast around 26 of these programmes live-to-air, a task made harder by the production problems encountered by the use and restrictions of using magnets. [4]
After the relative success of Alexander the Mouse, Postgate agreed a deal to make his next series on film, for a budget of £175 per programme (a minuscule amount even at that time). [4] Making a stop motion animation table in his bedroom, he wrote the Chinese serial The Journey of Master Ho: a formal Chinese epic, about a small boy and a water-buffalo. [6] This was intended for deaf children, a distinct advantage in that the production required no soundtrack, which reduced production costs. He engaged a painter to produce the backgrounds, but as the painter was classically Chinese-trained he produced them in three-quarter view, rather than in the conventional Egyptian full-view manner needed for flat animation under a camera. [4] This resulted in Firmin's characters looking as if they were short in one leg, but the success of the production provided the foundation for Postgate and Firmin to start up their own company, solely producing animated children's television programmes, initially for ITV, but soon afterward with the BBC.
Postgate's initial BBC career was not solely concerned with Smallfilms. To gain experience, he accepted a contract as a television director in the BBC Children's Department in 1960, on a show entitled Little Laura, another animated series made on film, written and drawn by V. H. Drummond. [7] The series continued in production until 1962, with Postgate credited also as animator on the 1962 series. [8] He also wrote serials for long-running BBC children's programmes Blue Peter [9] and stories for Vision On. [10]
Setting up the business in a disused cowshed at Firmin's home in Blean near Canterbury, Kent, [4] [11] Postgate and Firmin made children's animation programmes, based on concepts that mostly originated from Postgate. Firmin did the artwork and built the models, whilst Postgate wrote the scripts, did the stop motion filming, and voiced many of the characters. Smallfilms was able to produce two minutes of TV-ready film per day, twelve times as much as a conventional stop motion animation studio, [11] with Postgate moving the (originally cardboard) characters himself, and working his 16mm camera frame-by-frame with a home-made clicker. As Postgate voiced so many of the productions, including the WereBear story tapes, his distinctive voice became familiar to generations of children.
They began in 1959 with Ivor the Engine , a series for ITV about a Welsh steam locomotive who wanted to sing in a choir, based on Postgate's wartime encounter with Welshman Denzyl Ellis, who was once a fireman on the Royal Scot. [4] It was remade in colour for the BBC in the 1970s. This was followed, also in 1959, by Noggin the Nog , their first production for the BBC, which established Smallfilms as a safe and reliable pair of hands to produce children's entertainment, in the days when the number of UK television channels was restricted to two.
Noggin the Nog was also remade in colour in 1982. However, only six episodes were produced, due to the BBC believing that Smallfilms’ work was “old-fashioned”. [12]
In 2000, Postgate and his friend Loaf set up a small publishing company called The Dragons Friendly Society, to look after Noggin the Nog, Pogles' Wood and Pingwings .
After Postgate's death in December 2008, Smallfilms was inherited by his son Daniel. Universal took the distribution rights to the works of Smallfilms. Any such agreement does not include the materials published through The Dragons Friendly Society.
In 2014, Daniel collaborated with Firmin on the production of a new series of Clangers , with Daniel writing many of the episodes. [13]
Postgate and Firmin recognised that their product was not sold to children, but to commissioning television executives. [14] Postgate described in a later interview the then "gentlemanly and rather innocent" business of programme commissioning thus: "We would go to the BBC once a year, show them the films we'd made, and they would say: 'Yes, lovely, now what are you going to do next?' We would tell them, and they would say: 'That sounds fine, we'll mark it in for eighteen months from now', and we would be given praise and encouragement and some money in advance, and we'd just go away and do it". [11] The only occasion that this informal arrangement caused any real difficulty emerged in the 1965 series The Pogles, which BBC management felt was too frightening for the intended audience, and led to their asking for a change of direction: resulting in a revised show, and a change of name to Pogles' Wood.
Postgate had strict views regarding storylines, which perhaps limited the possibilities for series development. When asked if the Clangers adventures were quite surreal sometimes, Postgate replied: "They're surreal but logical. I have a strong prejudice against fantasy for its own sake. Once one gets to a point beyond where cause-and-effect mean anything at all, then science fiction becomes science nonsense. Everything that happened was strictly logical, according to the laws of physics which happened to apply in that part of the world". [14]
In June 2015, the BBC's Mark Savage reported: "Firmin said the Clangers' surrealism had led to accusations that Postgate was taking hallucinogenic drugs". Firmin told Savage: "People used to say, 'Ooh, what's Oliver on, with all of these weird ideas?' And we used to say, 'He's on cups of tea and biscuits'". [15]
The Smallfilms system was reliant on the company's two key employees, Postgate and Firmin, and was devoid of modern considerations and essentials, as Postgate pointed out: "[We were] excused the interference of educationalists, sociologists and other pseudo-scientists, which produces eventually a confection of formulae which have no integrity. No, the mainspring of what we did was because it was fun". [14]
Recognising their commissioning audience, Smallfilms purposefully developed storylines that would engage both adults and children. While the storylines and production were remembered by children, the adult jokes, like those about the Welsh in Ivor the Engine, [14] or the fact that the Clangers swore occasionally, [4] gave the films an instant parental engagement, and a later nostalgic revival amongst former children re-watching their favourite programmes.
From October 2008 until 2013, production company Coolabi held the merchandising and distribution rights to a number of the Smallfilms productions. Coolabi hoped to introduce Bagpuss to a new generation, saying that there was "significant potential to build on the affection in which this classic brand is held". [16]
However, in the event it was Smallfilms itself that returned the classic shows to production, agreeing a deal with the BBC in 2014 to produce a new series of The Clangers for broadcasting in 2015 on CBeebies, which the company also pre-sold in the United States.
Bagpuss is a British animated children's television series which was made by Peter Firmin and Oliver Postgate through their company Smallfilms. The series of thirteen episodes was first broadcast from 12 February to 7 May 1974. The title character was "a saggy, old cloth cat, baggy, and a bit loose at the seams". Although only thirteen episodes were produced and broadcast, the programme remains fondly remembered, and was frequently repeated in the UK until 1986. In early 1999, Bagpuss topped a BBC poll for the UK's favourite children's television programme.
Clangers is a British stop-motion animated children's television series, consisting of short films about a family of mouse-like creatures who live on, and inside, a small moon-like planet. They speak only in a whistled language, and eat green soup and blue string pudding. The programmes were originally broadcast on BBC1 between 1969 and 1972, followed by a special episode which was broadcast in 1974.
Richard Oliver Postgate was an English animator, puppeteer, and writer. He was the creator and writer of some of Britain's most popular children's television programmes. Bagpuss, Pingwings, Noggin the Nog, Ivor the Engine, Clangers and Pogles' Wood, were all made by Smallfilms, the company he set up with collaborator, artist and puppet maker Peter Firmin. The programmes were originally broadcast by the BBC from the 1950s to the 1980s. In a 1999 BBC poll Bagpuss was voted the most popular children's television programme of all time.
Noggin the Nog is a fictional character appearing in a BBC Television series and a series of illustrated books, created by Oliver Postgate and Peter Firmin. The television series is considered a cult classic from the golden age of British children's television. Noggin himself is the simple, kind and unassuming "King of the Northmen" in a roughly Viking Age setting, with various fantastic elements such as dragons, flying machines and talking birds.
Peter Arthur Firmin was an English artist and puppet maker. He was the founder of Smallfilms, along with Oliver Postgate. Between them they created a number of popular children's TV programmes, The Saga of Noggin the Nog, Ivor the Engine, Clangers, Bagpuss and Pogles' Wood.
Ivor the Engine is a British cutout animation television series created by Oliver Postgate and Peter Firmin's Smallfilms company. It follows the adventures of a small green steam locomotive who lives in the "top left-hand corner of Wales" and works for The Merioneth and Llantisilly Railway Traction Company Limited. His friends include Jones the Steam, Evans the Song and Dai Station, among many other characters.
Cutout animation is a form of stop-motion animation using flat characters, props and backgrounds cut from materials such as paper, card, stiff fabric or photographs. The props would be cut out and used as puppets for stop motion. The world's earliest known animated feature films were cutout animations, as is the world's earliest surviving animated feature Die Abenteuer des Prinzen Achmed (1926) by Lotte Reiniger.
Pingwings is an animated black-and-white children's television series, comprising 18 ten-minute episodes, broadcast in the United Kingdom on ITV in three series of six programmes each, between 1961 and 1965. It first aired on Southern Television. Created by Oliver Postgate and Peter Firmin of Smallfilms, it starred a family of penguin-like creatures who lived at the back of a barn on the fictional Berrydown Farm. The Pingwing characters were knitted by Firmin's sister Gloria Wilson, and the animation was achieved using the stop motion technique.
Pogles' Wood is an animated British children's television show produced by Smallfilms between 1965 and 1967, first broadcast by the BBC between 1965 and 1968.
Blean is a village and civil parish in the Canterbury district of Kent, England. The civil parish is large and is mostly woodland, much of which is ancient woodland. The developed village within the parish is scattered along the road between Canterbury and Whitstable, in the middle of the Forest of Blean. The parish of St. Cosmus and St. Damian in the Blean was renamed "Blean" on 1 April 2019.
Vernon Pelling Elliott was a British bassoonist, conductor and composer.
Sam on Boffs' Island is a British educational television series, made by the BBC, and aimed at developing the reading skills of 6- to 8-year-olds.
United Kingdom animation began at the very origins of the artform in the late 19th century. British animation has been strengthened by an influx of émigrés to the UK; renowned animators such as Lotte Reiniger (Germany), John Halas (Hungary), George Dunning and Richard Williams (Canada), Terry Gilliam and Tim Burton have all worked in the UK at various stages of their careers. Notable full-length animated features to be produced in the UK include Animal Farm (1954), Yellow Submarine (1968), Watership Down (1978), and Wallace & Gromit: The Curse of the Were-Rabbit (2005).
Tottie: The Story of a Doll's House is a 1984 stop motion animated television series produced by Smallfilms, directed and narrated by Oliver Postgate. It is based on Rumer Godden's The Dolls' House, originally published in 1947, and focuses on the toys in a Victorian dolls' house belonging to sisters Emily and Charlotte Dane. The programme debuted on BBC1 in the UK on 6 February 1984.
Hannah May Firmin, is an illustrator and printmaker. She is notable for illustrating the book covers of Alexander McCall Smith's The No. 1 Ladies' Detective Agency series for which she was awarded "Book Cover of the Year" at the British Book Awards 2004.
The Seal of Neptune is a children's programme created by Oliver Postgate and Peter Firmin, also known for their works Ivor the Engine and Clangers. It was broadcast on BBC Television in 1960. Its plot featured the adventures of a seahorse and a shrimp and was similar in animation style to Ivor the Engine and Noggin the Nog.
The Postgate family is an English family that has been notable in a variety of different fields. It originated in the North York Moors and records go back to land held by Postgates in 1200. Fields and a farm bearing the name still exist. The name is rare outside Yorkshire.
Daniel Raymond Postgate is an English script writer, author, and illustrator. Some of his books include Smelly Bill, Engelbert Sneem and His Dream Vacuum Machine, and Big Mum Plum. In 2014, he collaborated with Oliver Postgate’s business partner and other founder of Smallfilms, Peter Firmin on the production of a new series of The Clangers, with Daniel Postgate writing many of the episodes and voicing the Iron Chicken, The Soup Dragon, and her son, Baby Soup Dragon. He won a Bafta for his episode 'I am the Eggbot'.
Pinny's House is a 1986 animated television series produced by Smallfilms, produced by Oliver Postgate. The show is based on a series of books written and illustrated by Peter Firmin and focuses on the toys in a Victorian dolls' house. The programme premiered on 22 October 1986 as part of the BBC's See-Saw programming block.
Events from 1974 in England