Gertie the Dinosaur is a 1914 animated short film by American cartoonist and animator Winsor McCay. It is the earliest animated film to feature a dinosaur. McCay first used the film before live audiences as an interactive part of his vaudeville act; the frisky, childlike Gertie did tricks at the command of her master. McCay's employer William Randolph Hearst curtailed McCay's vaudeville activities, so McCay added a live-action introductory sequence to the film for its theatrical release renamed Winsor McCay, the Famous Cartoonist, and Gertie. McCay abandoned a sequel, Gertie on Tour, after producing about a minute of footage.
Zenas Winsor McCay was an American cartoonist and animator. He is best known for the comic strip Little Nemo and the animated film Gertie the Dinosaur (1914). For contractual reasons, he worked under the pen name Silas on the comic strip Dream of the Rarebit Fiend.
Fleischer Studios was an American animation studio founded in 1929 by brothers Max and Dave Fleischer, who ran the pioneering company from its inception until its acquisition by Paramount Pictures, the parent company and the distributor of its films. In its prime, Fleischer Studios was a premier producer of animated cartoons for theaters, with Walt Disney Productions being its chief competitor in the 1930s.
Max Fleischer was a Polish-American animator and studio owner. Born in Kraków, Poland, Fleischer immigrated to the United States where he became a pioneer in the development of the animated cartoon and served as the head of Fleischer Studios, which he co-founded with his younger brother Dave. He brought such comic characters as Koko the Clown, Betty Boop, Popeye, and Superman to the movie screen, and was responsible for several technological innovations, including the rotoscope, the "follow the bouncing ball" technique pioneered in the Ko-Ko Song Car-Tunes films, and the "stereoptical process". Film director Richard Fleischer was his son.
Felix the Cat is a cartoon character created in 1919 by Pat Sullivan and Otto Messmer during the silent film era. An anthropomorphic young black cat with white eyes, a black body, and a giant grin, he is often considered one of the most recognized cartoon characters in history. Felix was the first fully realized recurring animal character in the history of American film animation.
Koko the Clown is an animated cartoon character created by Max Fleischer. His first appearance as the main protagonist in Out of the Inkwell (1918–1929), a major animated series of the silent era. Throughout the series, he goes on many adventures with his canine companion "Fitz the Dog", who would later evolve into Bimbo in the Betty Boop cartoons.
While the history of animation began much earlier, this article is concerned with the development of the medium after the emergence of celluloid film in 1888, as produced for theatrical screenings, television and (non-interactive) home video.
Émile Eugène Jean Louis Cohl was a French caricaturist of the Incoherent Movement, cartoonist, and animator, called "The Father of the Animated Cartoon".
Vital Achille Raoul Barré was a Canadian cartoonist, animator of the silent film era, and painter. Initially known as a political cartoonist, he originated the French Canadian comic strip, then crossed over into animated film and started his own studio, a pioneering effort. As a painter, he is considered an Impressionist, evoking atmosphere and light with visible, choppy strokes of paint, whose paintings are in the Musée national des beaux-arts du Québec.
Bray Productions was a pioneering American animation studio that produced several popular cartoons during the years of World War I and the early interwar era, becoming a springboard for several key animators of the 20th century, including the Fleischer brothers, Walter Lantz, Paul Terry, Shamus Culhane and Grim Natwick among others.
Margaret J. Winkler Mintz was a key figure in silent animation history, having a crucial role to play in the histories of Max and Dave Fleischer, Pat Sullivan, Otto Messmer, and Walt Disney. She was the first woman to produce and distribute animated films. Winkler was the subject of the feature film Walt Before Mickey.
Out of the Inkwell is an American animated film series of the silent era. It was produced by Max Fleischer from 1918 to 1929 and was called The Inkwell Imps at the end of that period.
Patrick Peter Sullivan was an Australian cartoonist, pioneer animator, and film producer best known for producing the first Felix the Cat silent cartoons.
"The Story of the Animated Drawing" is an episode of the Walt Disney's Disneyland television program originally broadcast on November 30, 1955.
The Sinking of the Lusitania (1918) is an American silent animated short film by cartoonist Winsor McCay. It is a work of propaganda re-creating the never-photographed 1915 sinking of the British liner RMS Lusitania. At twelve minutes, it has been called the longest work of animation at the time of its release. The film is the earliest surviving animated documentary and serious, dramatic work of animation. The National Film Registry selected it for preservation in 2017.
John Randolph Bray was an American animator, cartoonist, and film producer.
Richard Huemer was an American animator in the Golden Age of Animation.
Feline Follies is a 1919 animated short silent film, distributed by Paramount Pictures. It marked the first appearance of the character Felix the Cat.
How a Mosquito Operates is a 1912 silent animated film by American cartoonist Winsor McCay. The six-minute short depicts a giant mosquito tormenting a sleeping man. The film is one of the earliest works of animation, and its technical quality is considered far ahead of its time. It is also known under the titles The Story of a Mosquito and Winsor McCay and his Jersey Skeeters.
Winsor McCay: The Famous Cartoonist of the N.Y. Herald and His Moving Comics, more commonly known as Little Nemo, is a 1911 silent animated short film by American cartoonist Winsor McCay. One of the earliest animated films, it was McCay's first, and featured characters from McCay's comic strip Little Nemo in Slumberland. Its expressive character animation distinguished the film from the experiments of earlier animators.
