Company type | Private |
---|---|
Industry | Visual effects, Computer animation |
Predecessor | Rhythm & Hues |
Founded | 2014 |
Founders | John Hughes, Mandeep Singh, and Walt Jones |
Headquarters | United States, Malaysia, India, China, Canada. [1] |
Services | Visual effects, Computer animation |
Website | taufilms.com |
Tau Films is an American visual effects and animation company with locations in the United States, Malaysia, India, China, and Canada.
Tau Films was founded in 2014 by John Hughes, [2] Mandeep Singh, [3] and Walt Jones. [1] [4] In 2015, it was nominated for Outstanding Visual Effects in a Special Venue Project at the 13th Visual Effects Society Awards for its work on the amusement park special venue-ride film The Lost Temple (Movie Park Germany) . [5] [6] It has since produced other special venue-ride films such as The Forbidden Caves (Bobbejaanland) [7] and Racing Legends at Ferrari Land (PortAventura World:Ferrari Land) . [8] It also created Delusion: Lies Within (virtual reality episodic storytelling). [9] Tau has worked on films such as Evil Nature (2018), [10] Baahubali: The Beginning (2015), [11] [12] [13] [14] [15] 2.0 (2018), [16] [17] Crazy Alien (2019), [18] [19] the 2019 Nicolas Cage film Primal , [20] [21] Simon West's Skyfire (2019), [22] and Li Weiran's The Yinyang Master (2021). [23] [24]
Framestore is a British animation and visual effects studio based on Chancery Lane in London, England. The company was founded in 1986. Framestore specialises in effects for film and prestige TV, advertising, rides and immersive experiences. It is the largest production house in Europe, employing roughly 3,000 staff, including 1,000 in London, and 1,500 across studios in Chicago, New York, Los Angeles, Montreal, Melbourne and Mumbai.
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Robert Blalack was a Panama-born American mass-media visual artist, independent filmmaker, and producer. He is one of the founders of Industrial Light & Magic. Blalack received the Academy Award for Best Visual Effects in 1978 for his work on the first Star Wars film. He also received the Primetime Emmy Award for Outstanding Special Visual Effects in 1984 for his work on the 1983 television film The Day After. Blalack directed experimental films and mixed-media television commercials, and he produced visual effects for theme park rides.
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