| History of animation in the United States |
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American animation is animation created in the United States or by American animators.
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Animation is a filmmaking technique by which still images are manipulated to create moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets (cels) to be photographed and exhibited on film. Animation has been recognized as an artistic medium, specifically within the entertainment industry. Many animations are computer animations made with computer-generated imagery (CGI). Stop motion animation, in particular claymation, has continued to exist alongside these other forms.
Anime is hand-drawn and computer-generated animation originating from Japan. Outside Japan and in English, anime refers specifically to animation produced in Japan. However, in Japan and Japanese, anime describes all animated works, regardless of style or origin. Many works of animation with a similar style to Japanese animation are also produced outside Japan. Video games sometimes also feature themes and art styles that can be considered as anime.
Hanna-Barbera was an American animation studio and production company, which was active from 1957 until its absorption into Warner Bros. Animation in 2001. Founded on July 7, 1957 by Tom and Jerry creators William Hanna and Joseph Barbera, it was headquartered on Cahuenga Blvd from 1960 to 1998, then subsequently at the Sherman Oaks Galleria in Sherman Oaks. In 1958, the studio debuted The Huckleberry Hound Show, followed by The Flintstones in 1960.
United Productions of America, better known as UPA, was an American animation studio and later distribution company founded in 1941 as Industrial Film and Poster Service by former Walt Disney Productions employees. Beginning with industrial and World War II training films, UPA eventually produced theatrical shorts for Columbia Pictures such as the Mr. Magoo series. In 1956, UPA produced a television series for CBS, The Boing-Boing Show, hosted by Gerald McBoing Boing. In the 1960s, UPA produced syndicated Mr. Magoo and Dick Tracy television series and other series and specials, including Mister Magoo's Christmas Carol. UPA also produced two animated features, 1001 Arabian Nights and Gay Purr-ee, and distributed Japanese films from Toho Studios in the 1970s and 1980s.
Animation in the United States in the television era was a period in the history of American animation that slowly set in with the decline of theatrical animated shorts and the popularization of television animation that started in the late 1950s, reached its peak during the 1970s, and ended around the mid-1980s. This era is characterized by low budgets, limited animation, an emphasis on television over the theater, and the general perception of cartoons being primarily for children. Due to the perceived cheap production values, poor animation, and mixed critical and commercial reception, the era is generally looked back upon negatively by critics and animation historians. The television animation of this period is often referred to as the dark age of American animation, while the theatrical animation from the time is sometimes referred as the bronze age.
Modern animation in the United States from the late 1980s to the early 2000s is frequently referred to as the renaissance age of American animation. During this period, many large American entertainment companies reformed and reinvigorated their animation departments, following the dark age, and the United States had an overall profound effect on animation globally.
Walter Lantz Productions was an American animation studio. It was in operation from 1928 to 1972 and was the principal supplier of animation for Universal Pictures.
The silent age of American animation dates back to at least 1906 when Vitagraph released Humorous Phases of Funny Faces. Although early animations were rudimentary, they rapidly became more sophisticated with such classics as Gertie the Dinosaur in 1914, Felix the Cat, Oswald the Lucky Rabbit, and Koko the Clown.
The Roaring Twenties, sometimes stylized as Roaring '20s, refers to the 1920s decade in music and fashion, as it happened in Western society and Western culture. It was a period of economic prosperity with a distinctive cultural edge in the United States and Europe, particularly in major cities such as Berlin, Buenos Aires, Chicago, London, Los Angeles, Mexico City, New York City, Paris, and Sydney. In France, the decade was known as the années folles, emphasizing the era's social, artistic and cultural dynamism. Jazz blossomed, the flapper redefined the modern look for British and American women, and Art Deco peaked.
The history of Canadian animation involves a considerable element of the realities of a country neighbouring the United States and both competitiveness and co-operation across the border.
Classical Hollywood cinema is a term used in film criticism to describe both a narrative and visual style of filmmaking that first developed in the 1910s to 1920s during the later years of the silent film era. It then became characteristic of American cinema during the Golden Age of Hollywood, between roughly 1927 and 1960. It eventually became the most powerful and pervasive style of filmmaking worldwide.
A golden age is a period considered the peak in the history of a country or people, a time period when the greatest achievements were made. The term originated from early Greek and Roman poets, who used it to refer to a time when mankind lived in a better time and was pure.
Transformers: Victory is an animated series produced by Toei Animation. It is a Japanese-produced spin-off of the well-known original Transformers animated series, and the final complete animated series from the original "Generation 1" era.
Crest Animation Productions was an Indian-American animation studio located in Burbank, California, United States. The studio's most well known work include Alpha and Omega and The Swan Princess.
Don Bluth Entertainment was an Irish-American animation studio established in 1979 by animator Don Bluth. Bluth and several colleagues, all of whom were former Disney animators, left Disney on September 13, 1979, to form Don Bluth Productions, later known as the Bluth Group. This studio produced the short film Banjo the Woodpile Cat, the feature film The Secret of NIMH, a brief animation sequence in the musical Xanadu, and the video games Dragon's Lair and Space Ace. Bluth then co-founded Sullivan Bluth Studios with American businessman Gary Goldman, John Pomeroy and Morris Sullivan in 1985.
The Disney Renaissance was a period from 1989 to 1999 during which Walt Disney Feature Animation returned to producing critically and commercially successful animated films. These were mostly musical adaptations of well-known stories, similar to the films produced during the era of Walt Disney from the 1930s to 1960s. The resurgence allowed Disney's animated films to become a powerhouse of successes at the domestic and foreign box office, earning much greater profits than most of the Disney films of previous eras.
Disney's Nine Old Men were a group of Walt Disney Productions' core animators, who worked at the studio from the 1920s to the 1980s. Some of the Nine Old Men also worked as directors, creating some of Disney's most popular animated movies from Snow White and the Seven Dwarfs to The Rescuers. The group was named by Walt Disney himself, and they worked in both short and feature films. Disney delegated more and more tasks to them in the animation department in the 1950s when their interests expanded, and diversified their scope. Eric Larson was the last to retire from Disney, after his role as animation consultant on The Great Mouse Detective in 1986. All nine members of the group were acknowledged as Disney Legends in 1989 and all would receive the Winsor McCay Award for their lifetime or career contributions to the art of animation.
Live-action animated is a film genre that combines live-action filmmaking with animation. Projects that are both live-action and computer-animated tend to have fictional characters or figures represented and characterized by cast members through motion capture and then animated and modeled by animators. Films that are live-action and traditionally animated use hand-drawn, computer-generated imagery (CGI), or stop-motion animation.
Czech animation has been a tradition for over 100 years. Czech animators are considered pioneers in film animation. Czech animation dates back to the 1920s, and its "Golden Era" spans between the 1950s and the 1980s. Notable Czech animators include Jiří Trnka, Karel Zeman, Břetislav Pojar, Jan Švankmajer, Vera Neubauer, Hermína Týrlová, and Jiří Barta. Czech animators have employed cel animation, cutout animation, puppet animation, and clay animation. 3D animation is seldom used due to lack of finances and trained 3D animators. This led to a decline in the years following 1989.
