|Formerly||Universal Cartoon Studios (1928-1972)|
|Successor||Universal Cartoon Studios|
|Defunct||September 1, 1972|
1986 (Universal merger)
|Fate||Folded into Universal Studios|
| Walter Lantz |
Paul J. Smith
|Products||Woody Woodpecker and other Walter Lantz's cartoons|
|Brands|| Woody Woodpecker |
|Parent|| Universal Studios |
Walter Lantz Productions was an American animation studio. It was in operation from 1928 to 1972, and was the principal supplier of animation for Universal Studios, now part of the media conglomerate NBCUniversal, owned by Comcast. Nowadays the company exists in name only as a subsidiary of Universal Animation Studios, handling the rights to the studio's characters and films.
The studio was formed originally as Universal Cartoon Studios on the initiative of Universal movie mogul Carl Laemmle, who was tired of the continuous company politics he was dealing with concerning contracting cartoons to outside animation studios. Walter Lantz, who was Laemmle's part-time chauffeur and a veteran of the John R. Bray Studios with considerable experience in all elements of animation production, was selected to run the department.
In 1935, the studio was severed from Universal and became Walter Lantz Studio under Lantz's direct control, and in 1939, renamed to Walter Lantz Productions. Lantz managed to gain the copyright for his characters. The cartoons continued to be distributed by Universal through 1947, changing to United Artists distribution in 1947–50, and by Universal again from 1950 to 1972.
The biggest characters for the studio were Woody Woodpecker, Andy Panda, Chilly Willy, and Oswald the Lucky Rabbit. The music-oriented Swing Symphony cartoons were another successful staple, but ended after swing music's popularity faded after the end of World War II.
Lantz began his career at the art department of William Randolph Hearst's New York American during the 1910s, having his start in the cartoon industry at Hearst's International Film Service, which in 1918 transferred its entire staff to Bray Productions. By the mid-1920s, Lantz was directing (and acting in) the studio's top cartoon, Dinky Doodle , also becoming a producer as Bray attempted to compete with Hal Roach and Mack Sennett by making live-action comedies. Bray Productions closed shop in 1928, and Lantz moved to Hollywood, trying to start his own studio while trying to make a living in a succession of odd jobs, including driving Universal owner Carl Laemmle's limousine. The chauffeur job also landed Lantz at the Winkler Studio, which produced cartoons for Universal.
In early 1929, Universal was distributing the Oswald the Lucky Rabbit cartoons by Charles Mintz and George Winkler (created by Walt Disney). However, the popularity of the series was beginning to decline because of the lower quality of the output. Laemmle then fired Mintz and Winkler and was now looking for someone to head an in-house animation studio. Lantz won the studio in a poker bet with Laemmle. The first Lantz-produced "Oswald" cartoon was Race Riot, released on September 1, 1929. The first animators for the studio included Winkler veterans Rollin Hamilton, Tom Palmer and "rubber-hose" pioneer Bill Nolan. Bert Fiske scored the first cartoons, having done this for the few Winkler sound "Oswalds". Additions to the staff included Pinto Colvig and Fred Avery.
The earliest Lantz cartoons from 1928 were built around set plots and stories, in the tradition of the earlier Disney and Winkler Productions shorts. The conversion of Oswald cartoons into musicals was a different matter. However, by mid-1930, Lantz and his staff achieved this goal. Unfortunately, in the process, Oswald's personality became less consistent. It could and did change drastically to fit a particular gag. Lantz's musical directors changed as well. To replace David Broekman, Lantz brought in James Dietrich, a member of the Paul Whiteman Orchestra, making the jazz-era sound of the 1920s a quintessential element in the early Lantz cartoons. He remained as the permanent studio musical director until 1937. Lantz and Nolan worked in a character called "Fanny the Mule" for a 13-cartoon series announced by Laemmle in early 1930, these cartoons however were never produced.
In 1931, Lantz faced economic difficulties and was forced to make cutbacks, shortening the lengths of his films and post-synchronizing a handful of the early Disney Oswalds. Another way out of the hole was to gain attention by creating a secondary series of shorts featuring a new star, Pooch the Pup. Lantz and Nolan would now divide the studio into two separate units. Lantz would direct the Pooch cartoons, while Nolan would work on the Oswalds, with both series referencing the dire straits of the Depression. However, Pooch never became very popular and the series was dropped in 1933. The following year, Nolan left the studio and the Cartune Classics series of Technicolor shorts began, lasting for a year.
Control of Universal by founder Carl Laemmle and his family was slipping away because of financial difficulties, and came to end in 1936. John Cheever Cowdin became Universal's new president. With the change in management, Lantz seized the opportunity to ask Universal for permission to make his studio independent. Universal agreed, and on November 16, 1935, Lantz broke off and claimed the studio for his own, even though it remained on the Universal lot.
During the mid-to-late 1930s, Oswald's popularity declined, and Lantz began to experiment with other characters to replace him. After a succession of failed attempts, the 1939 cartoon Life Begins for Andy Panda became an instant hit, and Andy Panda became a successful substitute for Oswald, who was retired in 1938. Lantz also switched to all-color production in 1939, shortly before Andy's debut.
In 1940, the Walter Lantz studio was in trouble. Universal once again was facing severe financial difficulties and a possible bankruptcy, and decided to cut their weekly advance to the now-independent Lantz studio. This left Lantz scrambling for alternative sources for funds, forcing him to shut down the studio for a while. Lantz was able to gain the rights to the characters of his films (including Oswald the Lucky Rabbit), and an Andy Panda cartoon, Crazy House , was developed into Lantz's first fully independent film. Lantz used the film as a final appeal to the heads of Universal and, in the end, was able to reach a satisfactory settlement with them. By autumn 1940, Lantz's studio was back in business again. 1940 also marked the debut of Lantz's biggest star: Woody Woodpecker, who debuted in the Andy Panda cartoon Knock Knock.
Woody quickly became extremely popular, being given his own series in early 1941, and became one of the most famous examples of the "brash bird" cartoon characters of the late 1930s/early 1940s such as Daffy Duck. The success of Scrub Me Mama With A Boogie Beat and Boogie-Woogie Bugle Boy (the former becoming subject to controversy and even protest in later years over racial stereotypes) also led to the introduction of the Swing Symphony series that fall, often featuring popular musicians of the time. The series ended in 1945 at the twilight of the big band era.
After the studio's 1930s cartoons were scored by a succession of composers, including James Dietrich, Victor Records producer Nat Shilkret and Harman-Ising veteran Frank Marsales, Darrell Calker took over in late 1940. Calker's arrangements became noted for their distinctive swing flavor.
After Disney's success with Snow White and the Seven Dwarfs , the Lantz studio planned to make its own feature, Aladdin and His Lamp, featuring the ascendant comedy duo of Abbott and Costello, but after Mr. Bug Goes to Town failed at the box office, Aladdin never made it to actual production.Late in the decade, Lantz attempted to do a feature-length cartoon again, but it never came to fruition.
In 1947, Lantz went to renegotiate his seven-year Universal contract with Matty Fox, the new vice-president of Universal. But the deal was interrupted when new ownership transformed the company into Universal-International and did away with most of Universal's company policies. The new management insisted on getting licensing and merchandising rights to Lantz's characters. Lantz refused and withdrew from the parent company by the end of 1947, releasing 12 cartoons independently through United Artists during 1947 and early 1949.
The cartoons from this period stand out for its slicker animation compared to the previous Universal releases, mostly because of the influence of director and Disney veteran Dick Lundy, as well as the addition of Disney veterans, such as Ed Love. This era also marked the end of the Andy Panda cartoons, whose popularity was waning.
Under the deal with United Artists, Lantz was supposed to receive percentages of box-office receipts to pay for the production costs of his cartoons. Unfortunately, UA attributed a very small portion of the dollar amounts to Lantz's shorts from the features. This was because UA was, at the time, a struggling studio attempting to re-establish the position in the industry it had in the 1920s. The result was that Lantz exceeded his standing loan of $250,000 from Bank of America (he had left Irving Trust in 1942). So, at the recommendation of BAC president Joe Rosenberg, Lantz decided to shut down his studio temporarily at the end of 1949 until the loan was reduced. He asked Universal to reissue his older films during the hiatus, a request that was accepted by Universal President Nate Blumberg.
Lantz made a series of film ads for Coca-Cola in the interim, and introduced "The Woody Woodpecker Song" as the theme song for the character. He also went to Europe in order to look for studios which could animate his films there, approaching government incentives not found stateside, as well as lower labor costs. However, the postwar economic situation of these countries as well as the presence of stronger unions than in Hollywood led him to back out and keep making films in America.
In 1950, the Walter Lantz studio opened its doors once again. The first effort the studio produced was a brief sequence featuring Woody Woodpecker for the George Pal feature Destination Moon , released on June 27, 1950. Lantz then renegotiated with Universal for seven cartoons to be released the following year, provided that they all feature Woody Woodpecker. Lantz and his crew immediately set to work on the new batch of shorts. Two of these new films — Puny Express and Sleep Happy — were previously storyboarded by Ben Hardaway and Heck Allen during the United Artists period. In 1951, the new cartoons were finally released and became instant hits with audiences. They were so successful, in fact, that Universal commissioned six more shorts for the following year. Overall, 1951 marked the beginning of a new era for the Walter Lantz studio.
During the mid 50s, the movie industry was suffering and losing money, meaning lower budgets for cartoons. By 1956, there were only seven animation producers in the short-subjects business, and by the end of the decade that number would dwindle to three. Walter Lantz and his distributor, Universal Pictures, knew that the only way to subsidize the rising costs of new shorts was to release their product to television. Norman Gluck, from Universal's short-subjects department, made a deal with the Leo Burnett Agency to release some older Lantz product on television. Burnett handled the Kellogg's cereal account, and Lantz soon met with the Kellogg's people to sign the contract. Lantz was not very eager at first and admitted that he was only working in the medium because he was “forced into TV” and “cartoons for theaters would soon be extinct.”
The Woody Woodpecker Show debuted on ABC on the afternoon of October 3, 1957 and lasted until September 1958. The series was seen once a week, on Thursday afternoons, replacing the first half hour of the shortened The Mickey Mouse Club . Lantz integrated his existing cartoons with new live-action footage, giving the show an updated look that satisfied both viewers and Lantz himself. The live action and animation segments created for the show, called ‘A Moment with Walter Lantz’, featured an informative look at how the animation process for his “cartunes” worked, as well as how the writers came up with stories and characters. The live-action segments were directed by Jack Hannah, who was fresh from the Disney Studio, where he had done similar live-action/animation sequences for the Disney show.
By 1969, other movie studios had discontinued their animation departments, leaving Walter Lantz as one of the only two producers still making cartoons for theaters. The other studio was the upstart DePatie–Freleng Enterprises working for Lantz' former contractor, United Artists.
From 1967 to the studio's closure in 1972, Universal distributed the Lantz cartoons as packages, and theaters would play them in no particular order. Lantz finally closed up shop in 1972; he later explained that by then, it was economically impossible to continue producing them and stay in business, as rising inflation had strained his profits, and Universal serviced the remaining demand with reissues of his older cartoons. Bye Bye Blackboard , a Woody Woodpecker cartoon, was part of the final slate of cartoons made at the Walter Lantz studio. Thirteen were completed for the 1972 season: one with Chilly Willy, four starring the Beary Family, and the rest with Lantz' star character, Woody Woodpecker. Upon discovering that it would take a decade for his shorts to show a profit, Lantz himself decided to shut down company operations, and threw a farewell luncheon with his staff at the announcement.
Unlike other major animation studios in America, the Lantz studio never continued full-time in existence during the classic period of American animation, closing down in 1949, and then reopening its doors two years later. It was finally shut down permanently in 1972, after the end of the Golden Age of American animation. Since then, the characters of the studio have continued to be used in syndicated television series, and in licensed merchandise. Lantz re-issued six of the 1931-32 Disney Oswald cartoons, including Trolley Troubles , Great Guns! and The Ocean Hop .
Throughout the studio's history, it maintained a reputation as an animation house of medium quality. Lantz's animated shorts (dubbed "Cartunes") were considered superior to Terrytoons and Famous Studios, but they never gained the artistic acclaim of Disney, Warner Bros., MGM, Fleischer Studios or UPA. However, the studio benefited from gaining talent from the other studios who were tired of the management there and usually found the Lantz studio a more enjoyable working environment. Tex Avery was just one of the many talents Walter Lantz Productions benefited from on the rebound.
In 1986, although Lantz sold everything outright to MCA Inc., he remained active in overseeing how Universal handled his characters (for merchandise, TV, home video, theme parks, limited edition cels, etc.) up until his death 8 years later.
In February 2006, NBCUniversal (who still owns the Lantz library) sold the trademark rights to Oswald the Lucky Rabbit along with the copyright to the original 26 cartoons produced by Walt Disney to The Walt Disney Company.The sale was part of a deal that centered around both the rights to Oswald and NBC's acquisition of the rights to the NFL's weekly Sunday night game; in exchange for NBCUniversal selling the rights to Oswald to Disney, Al Michaels was freed from his contractual obligations with ESPN and ABC so he could join NBC and become the Sunday Night Football play-by-play man.
In July 2007, Universal Studios released The Woody Woodpecker and Friends Classic Cartoon Collection , a three-disc DVD box-set compilation of Lantz Cartunes. A second volume was released in April 2008, followed by a vanilla release in 2009, Woody Woodpecker Favorites, which contained no new-to-DVD material. Animation historian Jerry Beck, partly involved in the production of the DVD releases, has stated that plans for further volumes are currently on hold.
In 2008, Illumination, an animation production company founded by Chris Meledandri, made a deal with Universal Studios which positioned Illumination as NBCUniversal's family entertainment arm that would produce one to two films per year starting in 2010. Like Walter Lantz Productions, Illumination retains creative control, and Universal exclusively distributes the films.
|Oswald the Lucky Rabbit||1929–1938||138|
|Pooch the Pup||1932–1933||14|
|Meany, Miny, and Moe||1936–1937||13|
|New Universal Cartoon||1938||16|
|Swing Symphony||1941–1945||14||musical cartoons, often featuring top boogie-woogie musicians|
|Musical Miniatures||1946–1948||6||offshoot of the Swing Symphony series, featuring classical melodies|
|Maw and Paw||1953–1955||4|
|Maggie and Sam||1955–1957||4|
|Windy & Breezy||1957–1959||5|
|Hickory, Dickory, and Doc||1959–1962||9|
|The Beary Family||1962–1972||28|
Oswald the Lucky Rabbit is a cartoon character created in 1927 by Walt Disney for Universal Pictures. He starred in several animated short films released to theaters from 1927 to 1938. 27 animated Oswald shorts were produced at the Walt Disney Studio. When the Disney studio was removed from the Oswald series and several of its animators departed to Winkler, Walt Disney and Iwerks created Mickey Mouse.
The golden age of American animation was a period in the history of U.S. animation that began with the popularization of sound cartoons in 1928 and gradually ended in the late 1960s, where theatrical animated shorts began losing popularity to the newer medium of television animation, produced on cheaper budgets and in a more limited animation style by companies such as Hanna-Barbera, UPA, Jay Ward Productions, and DePatie-Freleng.
Woody Woodpecker is a cartoon anthropomorphic woodpecker that has appeared in theatrical short films produced by the Walter Lantz Studio and distributed by Universal Studios between 1940 and 1972.
John Frederick "Jack" Hannah was an American animator, writer and director of animated shorts.
Walter Benjamin Lantz was an American cartoonist, animator, film producer, director and actor best known for founding Walter Lantz Productions and creating Woody Woodpecker.
Charles Bear Mintz was an American film producer and distributor, who assumed control over Margaret J. Winkler's Winkler Pictures after marrying her in 1924; the couple would have two children, Katherine and William. Between 1925 and 1939, Mintz produced over 370 cartoon shorts.
The Woody Woodpecker Show is a long-running 30-minute American television series mainly composed of the film series in animated cartoon escapades of Woody Woodpecker and other Walter Lantz characters including Andy Panda, Chilly Willy, and Inspector Willoughby released by Walter Lantz Productions. The series was revived and reformatted several times, but remained popular for nearly four decades and allowed the studio to continue making theatrical cartoons until 1973 when it shut down. It also kept the Walter Lantz/Universal "cartunes" made during the Golden Age of American animation a part of the American consciousness. The Woody Woodpecker Show was named the 88th best animated series by IGN.
Andy Panda is a cartoon character who starred in his own series of animated cartoon short subjects produced by Walter Lantz. These "cartunes" were released by Universal Pictures from 1939 to 1947, and United Artists from 1948 to 1949. The title character is an anthropomorphic cartoon character, a cute panda. Andy became the second star of the Walter Lantz cartoons after Oswald the Lucky Rabbit. He achieved considerable popularity until being eventually supplanted by Woody Woodpecker.
This is a list of Walter Lantz "Cartunes" starring Woody Woodpecker. All entries are part of the Woody Woodpecker series except as noted and are numbered in release order. Release date is noted for each film. In all there were 200 cartoons.
The Woody Woodpecker and Friends Classic Cartoon Collection is a three-disc DVD collection of theatrical cartoons produced by Walter Lantz Productions for Universal Pictures between 1940 and 1956. The set was released by Universal Studios Home Entertainment on July 24, 2007, and marks the first time a collection of cartoons starring Woody Woodpecker and the other Lantz characters have been widely available on home video.
This is a list of Walter Lantz "Cartunes" featuring Andy Panda. All are entries in Lantz's Andy Panda series, except for $21 a Day a Swing Symphony cartoon, Musical Moments from Chopin, a Musical Miniatures cartoon, and Banquet Busters and The Woody Woodpecker Polka, two Woody Woodpecker cartoons.
The Woody Woodpecker and Friends Classic Cartoon Collection: Volume 2 is a three-disc DVD collection of theatrical cartoons starring Woody Woodpecker and the other Lantz characters, produced by Walter Lantz Productions for Universal Pictures between 1932 and 1958. The set was released by Universal Studios Home Entertainment on April 15, 2008. Included in the set are seventy-five cartoon shorts, including the next forty-five Woody Woodpecker cartoons, continuing the production order from Volume 1. The other thirty cartoons include five Andy Panda shorts, five Chilly Willy shorts, five Oswald the Lucky Rabbit shorts, five Musical Favorites, and ten Cartune Classics.
Paul J. Smith was an American animator and director.
Emery Hawkins was an American animator who worked at various studios such as Walt Disney Animation, Screen Gems, Walter Lantz Productions, Warner Bros. Cartoons, the Metro-Goldwyn-Mayer cartoon studio, and UPA during the golden age of animation. His most prominent work is the Woody Woodpecker cartoons from the 1940s. He also worked with Art Babbitt and Ken Harris on Richard Williams's unfinished animated feature The Thief and the Cobbler. Hawkins was known for the speed in which he animated, completing scenes quickly, but with perfection. Hawkins is frequently mentioned in Richard Williams' book The Animator's Survival Kit.
Banquet Busters is the 27th animated cartoon short subject in the Woody Woodpecker series. Released theatrically on March 3, 1948 and reissued in 1957, the film was produced by Walter Lantz Productions and distributed by United Artists, while Universal-International for reissue.
Well Oiled is the 24th animated cartoon short subject in the Woody Woodpecker series. Released theatrically on June 30, 1947, the film was produced by Walter Lantz Productions and distributed by Universal Pictures.
Puny Express is an American cartoon, and the 33rd animated cartoon short subject in the Woody Woodpecker series. Released theatrically on January 22, 1951, the film was produced by Walter Lantz Productions and distributed by Universal-International.
Elmer the Great Dane is a Walter Lantz character in the Oswald the Lucky Rabbit cartoon series, who premiered in the 1935 short Elmer the Great Dane. The character's name is most likely a reference to Elmer, the Great, a 1933 film.
Swing Symphony is a group of musical 14 cartoon shorts, created in 1941 through 1945, which often featured top boogie-woogie musicians. Directed by Walter Lantz the Swing Symphony cartoons are a more contemporary pastiche on Disney's Silly Symphonies. Some of those short include the characters Woody Woodpecker and Andy Panda.
This is a list of events in 1941 in animation.