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Outsourcing of animation has become widespread. Starting in the late 1950s, the animation for many low-budget American animated productions has been done by animation studios in foreign countries such as Japan, South Korea, Taiwan, Hong Kong, Canada, Mexico, Australia, the Philippines, India, and France. This is done to reduce the cost of animation production.
One of the earliest known examples of animation outsourcing in the United States was carried out by Jay Ward Productions for The Adventures of Rocky and Bullwinkle and Friends . Though initially envisioned as a Japanese co-production, animation for the series was done by Mexican animation studio Gamma Productions from 1959 to 1964. [1] During the 1960s, Rankin/Bass Productions adopted similar practices. Their stop-motion Animagic productions were headed by Japanese stop-motion animator Tadahito Mochinaga at his studio, MOM Production. Nearly all of the Rankin/Bass' traditional animation was outsourced to at least five Japanese animation companies: MOM Production, Toei Animation, TCJ (Television Corporation of Japan), Mushi Production and Topcraft. [2] [3] Hanna-Barbera was another early example of animation outsourcing; In 1978, Taiwan's Wang Film Productions (originally known as Cuckoo's Nest Studio) was founded as an overseas facility for the studio. In 1988, Hanna-Barbera also started a subsidiary in the Philippines, Fil-Cartoons.
Many entertainment giants such as The Walt Disney Company and IMAX are beginning to outsource an increasing amount of their animation production to Asian countries, particularly India, while other companies are outsourcing animation from India for commercials and computer games. A factor making India an outsourcing destination for animation films is its vast base of English speaking workforce. Animation, which requires understanding of the English language in order to lip-sync the animated media to the audio dialogue, benefits from this particular talent that the Indian workforce possesses. A number of animation companies in the country are also creating skilled manpower for the animation market through various training programs. [4] [5] [6]
Overall though, the main reason why foreign entertainment firms are flocking to India is the cost advantage the country offers. As an example, American animators can cost about $125 an hour; in India, they cost $25 an hour. The total cost for making a full-length animated film in America is estimated to be $100 million to $175 million. In India, it can be made for $15 million to $25 million. Studios in India are also able to provide a large supply of low-cost, high-quality software engineers, even going so far as to establish studios outfitted with state-of-the-art hardware and software to carry out production overseas. [7]
The Walt Disney Company has outsourced a number of major animation projects to studios throughout India.[ clarification needed ] Cable and satellite station Cartoon Network is buying animation films made in South Korea while MTV has added India to its outsourcing center along with the Philippines and South Korea. Applied Gravity, a multimedia company in New Zealand, has outsourced almost 90% of it animation work to Satyam Computer Services’ business process outsourcing subsidiary, Nipuna Services. An animatronics dog for the Discovery Channel’s Animal Planet from popular episode called “K9 to11” and animatronics models for New Zealand theme parks were some of the best-known creations of Applied Gravity in India.
Hanna-Barbera Cartoons, Inc. was an American production company that was active from 1957 until its absorption into Warner Bros. Animation in 2001. Founded on July 7, 1957 by Tom and Jerry creators William Hanna and Joseph Barbera along with George Sidney, it was headquartered at the Kling Studios from 1957 to 1960, then on Cahuenga Blvd from 1960 to 1998 and subsequently at the Sherman Oaks Galleria in Sherman Oaks from 1998 to 2001.
Limited animation is a process in the overall technique of traditional animation that reuses frames of character animation.
Animation in the United States in the television era was a period in the history of American animation that gradually started in the late 1950s with the decline of theatrical animated shorts and popularization of television animation, reached its peak during the 1970s, and ended around the late 1980s. This era is characterized by low budgets, limited animation, an emphasis on television over the theater, and the general perception of cartoons being primarily for children.
Modern animation in the United States from the late 1980s to 2004 is frequently referred to as the renaissance age of American animation. During this period, many large American entertainment companies reformed and reinvigorated their animation departments, following the dark age, and the United States had an influence on global and worldwide animation.
Rudolf Carl "Rudy" Ising was an American animator best known for collaborating with Hugh Harman to establish the Warner Bros. and MGM Cartoon studios during the early years of the golden age of American animation. In 1940, Ising produced William Hanna and Joseph Barbera's first cartoon, Puss Gets the Boot, a cartoon featuring characters later known as Tom and Jerry.
Traditional animation is an animation technique in which each frame is drawn by hand. The technique was the dominant form of animation of the 20th century, until there was a shift to computer animation in the industry, such as digital ink and paint and 3D computer animation.
Rankin/Bass Animated Entertainment was an American production company located in New York City. It was known for its seasonal television specials, usually done in stop motion animation. Rankin/Bass's stop-motion productions are recognizable by their visual style of doll-like characters with spheroid body parts and ubiquitous powdery snow using an animation technique called Animagic.
William Denby Hanna was an American animator, voice actor, and occasional musician who is best known for co-creating Tom and Jerry and providing the vocal effects for the series' title characters. Alongside Joseph Barbera, he also founded the animation studio and production company Hanna-Barbera.
Warner Bros. Animation Inc. is an American animation studio which is part of the Warner Bros. Television Group, a division of Warner Bros. Entertainment, which is a subsidiary of Warner Bros. Discovery and serves as the animation division and label of Warner Bros.
Joseph Roland Barbera was an American animator and cartoonist, best known as the co-founder of the animation studio Hanna-Barbera.
Jackson 5ive is a Saturday morning cartoon series that aired for two seasons on ABC from September 11, 1971 to October 14, 1972. Produced by Rankin/Bass and Motown Productions, it is a fictionalized portrayal of the careers of Motown recording group the Jackson 5. The series was rebroadcast in syndication in 1984–85, during a period when Michael Jackson was riding a major wave of popularity as a solo artist. It also briefly re-aired in 1999 on TV Land as part of their "Super Retrovision Saturdaze" lineup. The series was animated mainly in London at the studios of Halas and Batchelor, and some animation done at Estudios Moro and Topcraft.
Wang Film Productions Co., Ltd. is one of the oldest and most prolific Taiwanese-American animation studios since 1978. The company, based in Xindian, Taipei and Los Angeles, California, has done traditional hand-drawn 2D animation/ink and paint for various TV shows and films for studios across North America, Europe and Asia-Pacific.
Young Robin Hood is an animated series produced for television by Hanna-Barbera, CINAR and France Animation and aired in syndication in 1991. It ran for one season as part of the Sunday-morning programming block, The Funtastic World of Hanna-Barbera (1985–94). The show takes place when Robin Hood is a teenager, Richard the Lion Heart is on his "first crusade" and Robin's father, the Earl of Huntington, joins him. Young Robin Hood was Hanna-Barbera's second adaptation of the legend of Robin Hood, after their 1972 television special The Adventures of Robin Hoodnik.
Filipino animation, also known as Pinoy animation, is a body of original cultural and artistic works and styles applied to conventional Filipino storytelling, combined with talent and the appropriate application of classic animation principles, methods, and techniques, which recognizes their relationship with Filipino culture, comics, and films. It also delves into relying on traditional and common Filipino "sense of going about things" or manner of coping with Filipino life and environment.
Events in 2007 in animation.
Robert Herman Givens was an American animator and character designer, responsible for the creation of Bugs Bunny. He was the leading character designer for Leon Schlesinger, creating over 25 successful characters for both Leon Schlesinger Productions and later Warner Bros. Cartoons. He also did the storyboards and layout designs. He worked for numerous animation studios during his career, including Walt Disney Animation Studios, Warner Bros. Cartoons, Hanna-Barbera, and DePatie–Freleng Enterprises, beginning his career during the late 1930s and continuing until the early 2000s. He was a collaborator with the Merrie Melodies/Looney Tunes directors at Warner Bros. and Chuck Jones' production company.
These lists of animated feature films compile animated feature films from around the world and are organized alphabetically under the year of release. Theatrical releases as well as made-for-TV (TV) and direct-to-video (V) movies of all types of animation are included. Currently, the lists don't recognize one release form from another.
Events in 1912 in animation.
Events in 1911 in animation.
The 1982 animators' strike was a labor strike conducted by American animators in the Greater Los Angeles area. The strike, organized by the Motion Picture Screen Cartoonists Local 839, was caused by disagreements between the labor union and studios over runaway productions, a term referring to outsourcing production work to outside of the metropolitan area. The strike ran from August to October and ended in failure for the union, who failed to win concessions from the studios.