The animated documentary (also known as anidoc) is a moving image form that combines animation and documentary. This form should not be confused with documentaries about movie and TV animation history that feature excerpts.
The first recognized example of this genre is Winsor McCay's 1918 12-minute-long film The Sinking of the Lusitania , [1] which uses animation to portray the 1915 sinking of RMS Lusitania after it was struck by two torpedoes launched by a German U-boat; an event of which no recorded film footage is known to exist. [2] Since the 1920s, animation has been used in educational and social guidance films, and has often been used to illustrate abstract concepts in mainly live-action examples of these genres. Early examples of fully animated educational films are The Einstein Theory of Relativity and Evolution (both 1923) by Max and Dave Fleischer. [2] Walt Disney used it in films such as Victory Through Air Power (1943), How to Catch a Cold (1951) and Our Friend the Atom (1957). [2]
In 1953, Norman McLaren's Neighbours won the Academy Awards for Best Documentary (Short Subject). The award is somewhat considered a mistake, but the fact that it was not only indicated into that category, but also won, shows that, somehow, the animated images spoke to the judges almost like a documentary.
Of Stars and Men , a 1964 animated feature by John Hubley which tells of humankind's quest to find its place in the universe, won an award in the documentary category at the San Francisco Film Festival. [2]
Mosaic Films promoted the use of animated documentaries in the United Kingdom in 2003 with the award-winning series Animated Minds. Commissioned by Channel 4 and directed by Andy Glynne, it uses real testimony from survivors of mental illness, combined with engaging visuals, to climb inside the minds of the mentally distressed. The first series won the award for Best Animation at the Banff World Media Festival (2004). [3]
The 2007 International Documentary Film Festival Amsterdam featured a programme of "documentaries that partly or completely consist of animation". [4] In the article written to accompany the event, Kees Driessen talked about the "least controversial" form of the genre; the "illustrated radio documentary", citing Aardman Animation's 1987 film Lip Synch: Going Equipped (directed by Peter Lord) as an example. [5] One of the most consistent creators of this form of animated documentary today is Paul Fierlinger. [6] His films from the late 1980s-onward typically feature recordings of people talking about certain topics in their lives (such as alcohol abuse or loneliness), accompanied by Fierlinger's animation which mainly illustrates the stories in a realistic way. This is a contrast from films and series such as Aardman's Creature Comforts , which recontextualise such audio recordings by combining them with more fanciful, non-realistic animated interpretations.
Fierlinger's 1995 animated feature-length autobiography Drawn from Memory, in which he is the main subject as well as the director, voice actor and only animator, [7] was also called a documentary by Driessen. [5] This technique of animating interviews has also been used by other filmmakers, such as Chris Landreth in his Oscar-winning 2004 short film Ryan (mainly based on an interview done with animator Ryan Larkin) and Jonas Odell in the 2006 Swedish film Aldrig som första gången! (Never Like the First Time!, consisting of animated segments of people's descriptions of their first time engaging in sex). The film Chicago 10 , about the Chicago Seven incident, received some acclaim for recreating courtroom scenes using animation. Another documentary with animated elements is the German film Neukölln Unlimited , which uses animation to depict past traumas of its protagonists.
The Oscar-nominated 2008 Israeli film Waltz with Bashir [8] was advertised as being the first feature-length animated documentary. [9]
Some animated documentaries that were nominated or won for Oscars are So Much for So Little (1949), [10] Sunrise Over Tiananmen Square (1998), [11] The Moon and the Son: An Imagined Conversation (2005), I Met the Walrus (2007), Last Day of Freedom (2015) [12] and Flee (2021).
Stop motion is an animated filmmaking technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back. Any kind of object can thus be animated, but puppets with movable joints or plasticine figures are most commonly used. Puppets, models or clay figures built around an armature are used in model animation. Stop motion with live actors is often referred to as pixilation. Stop motion of flat materials such as paper, fabrics or photographs is usually called cutout animation.
Aardman Animations Limited is a British animation studio based in Bristol. It is known for films and television series made using stop motion and clay animation techniques, particularly those featuring its plasticine characters from Wallace & Gromit, Chicken Run, Shaun the Sheep, and Morph. After some experimental computer-animated short films during the late 1990s, beginning with Owzat (1997), Aardman entered the computer animation market with Flushed Away (2006). As of February 2020, it had earned $1.1 billion worldwide, with an average $135.6 million per film.
The Academy Award for Best Animated Feature is given each year for the best animated film. An animated feature is defined by the academy as a film with a running time of more than 40 minutes in which characters' performances are created using a frame-by-frame technique, a significant number of the major characters are animated, and animation figures in no less than 75 percent of the running time. The Academy Award for Best Animated Feature was first awarded in 2002 for films released in 2001.
Nicholas Wulstan Park is an English filmmaker and animator who created Wallace & Gromit, Creature Comforts, Chicken Run, Shaun the Sheep, and Early Man. Park has been nominated for an Academy Award a total of six times and won four with Creature Comforts (1989), The Wrong Trousers (1993), A Close Shave (1995) and Wallace & Gromit: The Curse of the Were-Rabbit (2005).
Richard Edmund Williams was a Canadian-British animator, voice actor, and painter. A three-time Academy Award winner, he is best known as the animation director on Who Framed Roger Rabbit (1988) -- for which he won two Academy Awards -- and as the director of his unfinished feature film The Thief and the Cobbler (1993). His work on the short film A Christmas Carol (1971) earned him his first Academy Award. He was also a film title sequence designer and animator. Other works in this field include the title sequences for What's New Pussycat? (1965) and A Funny Thing Happened on the Way to the Forum (1966), title and linking sequences in The Charge of the Light Brigade, and the intros of the eponymous cartoon feline for two of the later Pink Panther films. In 2002 he published The Animator's Survival Kit, an authoritative manual of animation methods and techniques, which has since been turned into a 16-DVD box set as well as an iOS app. From 2008 he worked as artist in residence at Aardman Animations in Bristol, and in 2015 he received both Oscar and BAFTA nominations in the best animated short category for his short film Prologue.
Creature Comforts is a British adult stop-motion comedy mockumentary franchise originating in a 1989 British humorous animated short film of the same name. The film matched animated zoo animals with a soundtrack of people talking about their homes, making it appear as if the animals were being interviewed about their living conditions. It was created by Nick Park and Aardman Animations. The film later became the basis of a series of television advertisements for the electricity boards in the United Kingdom. In 2003, a television series in the same style was released. An American version of the series was also made. A sequel series, Things We Love, first aired on BBC One in 2024.
The term independent animation refers to animated shorts, web series, and feature films produced outside a major national animation industry.
Rotoscoping is an animation technique that animators use to trace over motion picture footage, frame by frame, to produce realistic action. Originally, live-action movie images were projected onto a glass panel and traced onto paper. This projection equipment is referred to as a rotoscope, developed by Polish-American animator Max Fleischer. This device was eventually replaced by computers, but the process is still called rotoscoping.
Paul Fierlinger is a creator of animated films and shorts, especially animated documentaries. He is also a part-time lecturer at University of Pennsylvania School of Design.
Ryan is a 2004 short animated documentary film created and directed by Chris Landreth about Canadian animator Ryan Larkin, who had lived on skid row in Montreal as a result of drug and alcohol abuse. Landreth's chance meeting with Larkin in 2000 inspired him to develop the film, which took 18 months to complete. It was co-produced by Copper Heart Entertainment and the National Film Board of Canada (NFB), and its creation and development is the subject of the NFB documentary Alter Egos. The film incorporated material from archive sources, particularly Larkin's works at the NFB.
Adult animation, also known as mature animation, and infrequently as adult-oriented animation, is any type of animated motion work that is catered specifically to adult interests and is mainly targeted and marketed towards adults and adolescents, as opposed to children or all-ages audiences.
Paul Augustin Driessen is a Dutch film director, animator and writer.
The Sinking of the Lusitania (1918) is an American silent animated short film by cartoonist Winsor McCay. It is a work of propaganda re-creating the never-photographed 1915 sinking of the British liner RMS Lusitania. At twelve minutes, it has been called the longest work of animation at the time of its release. The film is the earliest surviving animated documentary and serious, dramatic work of animation. The National Film Registry selected it for preservation in 2017.
Waltz with Bashir is a 2008 Israeli adult animated war docudrama film written, produced, and directed by Ari Folman. It depicts Folman's search for lost memories of his experience as a soldier during the 1982 Lebanon War and the Sabra and Shatila massacre.
Ari Folman is an Israeli film director, screenwriter, animator, and film-score composer. He directed the Oscar-nominated animated documentary film Waltz with Bashir (2008) and the live-action/animated film The Congress. He is a member of the Academy of Motion Picture Arts and Sciences.
Yoni Goodman is an Israeli animator.
Down and Out is a 1977 short film created by Aardman Animations. It is part of the Animated Conversations series. In this short, creators David Sproxton and Peter Lord "applied the groundbreaking technique of using recorded conversations of real people as the basis for the script".
TVPaint Animation is a 2D paint and digital animation software package developed by TVPaint Developpement SARL based in Lorraine, France. Originally released for Amiga in 1991, version 3.0 (1994) introduced support for other platforms. In 1999, the last Amiga version 3.59 was released as free download. TVPaint Animation currently runs on Mac, Windows, Linux, and Android operating systems.
Flee is a 2021 independent adult animated documentary film directed by Jonas Poher Rasmussen. An international co-production with Denmark, France, Norway, and Sweden, it follows the story of a man under the alias Amin Nawabi, who shares his hidden past of fleeing his home country of Afghanistan to Denmark for the first time. Riz Ahmed and Nikolaj Coster-Waldau serve as executive producers and narrators for the English-language dub version.