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This is a list of economics films. Economic film is a genre of film concerned with economics, typically about business, investing, and finance. It covers both fictional and documentary films.
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This is a list of economics films. Economic film is a genre of film concerned with economics, typically about business, investing, and finance. It covers both fictional and documentary films.
Michael Francis Moore is an American filmmaker, author and left-wing activist. His works frequently address the topics of globalization and capitalism.
A parody film or spoof film is a subgenre of comedy film that parodies other film genres or films as pastiches, works created by imitation of the style of many different films reassembled together. Although the subgenre is often overlooked by critics, parody films are commonly profitable at the box office.
Josh James Brolin is an American actor. He has appeared in films such as The Goonies (1985), Mimic (1997), Hollow Man (2000), Grindhouse (2007), No Country for Old Men (2007), American Gangster (2007), W. (2008), Milk (2008), True Grit (2010), Wall Street: Money Never Sleeps (2010), and Men in Black 3 (2012). He has also appeared in films such as Oldboy (2013), Inherent Vice (2014), Everest (2015), Sicario (2015), Hail, Caesar! (2016), and Deadpool 2 (2018) in addition to playing Marvel Comics supervillain Thanos in the Marvel Cinematic Universe.
Michael Kevin Paré is an American actor. He is best known for his roles in the films Eddie and the Cruisers (1983), Streets of Fire (1984), and The Philadelphia Experiment (1984), and on the series Starhunter (2000-2004).
Wall to Wall Media, part of Warner Bros. Television Studios UK, is an independent television production company that produces event specials and drama, factual entertainment, science and history programmes for broadcast by networks in both the United Kingdom and United States. Its productions include Who Do You Think You Are?, New Tricks, Child Genius, and Long Lost Family.
Michael Monroe Lewis is an American author and financial journalist. He has also been a contributing editor to Vanity Fair since 2009, writing mostly on business, finance, and economics. He is known for his nonfiction work, particularly his coverage of financial crises and behavioral finance.
Daragh Gerard Marion O'Malley is an Irish actor, director and producer. He was born in Dublin, Ireland.
Vlasta Vrána, is a Canadian actor of Czech descent.
Indiewood films are those made outside of the Hollywood studio system or traditional arthouse/ independent filmmaking yet managed to be produced, financed and distributed by the two with varying degrees of success and/or failure.
Capitalism: A Love Story is a 2009 American documentary film directed, written by, and starring Michael Moore. The film centers on the late-2000s financial crisis and the recovery stimulus, while putting forward an indictment of the then-current economic order in the United States and of unfettered capitalism in general. Topics covered include Wall Street's "casino mentality", for-profit prisons, Goldman Sachs' influence in Washington, D.C., the poverty-level wages of many workers, the large wave of home foreclosures, corporate-owned life insurance, and the consequences of "runaway greed". The film also features a religious component in which Moore examines whether or not capitalism is a sin and whether Jesus would be a capitalist; this component highlights Moore's belief that evangelical conservatives contradict themselves by supporting free market ideals while professing to be Christians.
Economics film is a film genre that features economics and its social implications as a central theme. The genre contains fiction, non-fiction, documentary and educational films. It is a broad category, with some films explicitly focussing on economic theory while others explore the broader impacts of it. Films often centre around a historical event like the global financial crisis or a famous businessperson such as William Randolph Hearst or Michael Burry. Classification of films into the genre was unclear for many years, as they either were purely educational, or the inclusion of economic content was overshadowed by other genre-defining features.