The Solid Gold Cadillac | |
---|---|
Directed by | Richard Quine |
Written by | Abe Burrows |
Based on | The Solid Gold Cadillac 1953 play by George S. Kaufman Howard Teichmann |
Produced by | Fred Kohlmar |
Starring | Judy Holliday Paul Douglas Fred Clark |
Narrated by | George Burns |
Cinematography | Charles Lang |
Edited by | Charles Nelson |
Music by | Cyril J. Mockridge |
Production company | |
Distributed by | Columbia Pictures |
Release date |
|
Running time | 99 minutes |
Country | United States |
Language | English |
Box office | $2.4 million (US) [1] |
The Solid Gold Cadillac is a 1956 American comedy film directed by Richard Quine and written by Abe Burrows, Howard Teichmann, and George S. Kaufman. It was adapted from the hit Broadway play of the same name by Teichmann and Kaufman that pillories big business and corrupt businessmen. The film stars Judy Holliday and Paul Douglas. The film is in black-and-white except for the final scene, which is presented in Technicolor.
At a shareholders meeting for International Projects, a billion-dollar corporation, John T. Blessington announces that he is replacing Edward L. McKeever, the company's founder, president and chairman of the board who is resigning to serve as Secretary of Defense in Washington D.C. Laura Partridge, a stockholder with just ten shares, infuriates the company's arrogant, self-serving executives by repeatedly exercising her right to ask questions during the meeting.
Blessington devises a plan to hire Laura for the meaningless position of director of shareholder relations in order to keep her occupied and out of the executives' business. He assigns her a secretary named Amelia with secret instructions to obstruct Laura as much as possible. With no substantial job duties, Laura begins to write letters to the stockholders. She gains Amelia's friendship and assistance by helping her develop a romantic relationship with the office manager.
When the directors discover that Amelia is helping Laura, they fire Amelia. However, Laura discovers that Blessington's unqualified brother-in-law Harry Harkness has driven an apparent competitor into bankruptcy, unaware that International Projects actually owns the smaller company. With that as leverage, she gets Amelia rehired.
Still determined to neutralize Laura, the board sends her to Washington to persuade McKeever to award them some government contracts. She agrees to go, but secretly intends to convince McKeever to return and retake control from the crooked board even though, when assuming his Cabinet position, he had sold his shares in the company to avoid any conflict of interest. After Laura tells him about Harry's blunder, McKeever agrees to leave his government post and try to wrest control of the company. However, Blessington and his men block his attempt, and Laura quits.
McKeever takes the company to court, arguing that sending Laura to persuade him violated the lobbying laws, as she was not a registered lobbyist. When Laura is forced to admit on the stand that she had a romantic reason for seeing McKeever, the judge throws the case out. However, many of the smaller investors with whom Laura had forged relationships through her letters have sent her their proxy votes, granting Laura the right to vote their shares. Laura and McKeever use these votes to replace the entire board. At a meeting of the new board, it is revealed that Laura has married McKeever.
For its final scene, the film changes from black-and-white to color, showing the small stockholders' wedding gift to Laura, a gleaming solid gold Cadillac that she drives around Manhattan.
Bosley Crowther of The New York Times praised Holliday, stating, "[T]he invincible Miss Holliday has dared to project her youthful figure and personality into the character shaped by Miss Hull" (Josephine Hull, then in her seventies, played the role in the Broadway play) and is "knocking the role completely dead." [2] However, he felt that the villains were neither particularly convincing ("not precisely representatives of the workaday financial world"), original ("cut from a fairly familiar stencil of Kaufmanesque farce") or formidable enough ("The problems set up by the play-wrights are little barriers of cardboard farce"). [2] He concluded, "[I]t will give you an entertaining ride, but don't expect it to take you or your intelligence very far." [2]
A Film4 reviewer agreed that the story was not particularly convincing ("Yeah – like global capitalism gets overthrown that easily"), but "even so, it's undemanding and amusing." [3]
Jean Louis won the Academy Award for Best Costume Design, Black and White. Ross Bellah, William Kiernan and Louis Diage were nominated for the Academy Award for Best Art Direction, Black and White. [4]
Holliday was nominated for the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy, and the film was nominated for Best Motion Picture – Musical or Comedy.[ citation needed ]
Judy Holliday was an American actress, comedian and singer.
Marie Josephine Hull was an American stage and film actress who also was a director of plays. She had a successful 50-year career on stage while taking some of her better known roles to film. She won an Academy Award for Best Supporting Actress for the movie Harvey (1950), a role she originally played on the Broadway stage. She was sometimes credited as Josephine Sherwood.
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Francis Bosley Crowther Jr. was an American journalist, writer, and film critic for The New York Times for 27 years. His work helped shape the careers of many actors, directors and screenwriters, though his reviews were criticized as unnecessarily harsh. Crowther was an advocate of foreign-language films in the 1950s and 1960s, particularly those of Roberto Rossellini, Vittorio De Sica, Ingmar Bergman, and Federico Fellini.
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Jean Louis was a French-American costume designer. He won an Academy Award for The Solid Gold Cadillac (1956).
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