My Sister Eileen | |
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Directed by | Richard Quine |
Screenplay by |
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Based on | My Sister Eileen 1940 play by Joseph A. Fields Jerome Chodorov |
Produced by | Fred Kohlmar |
Starring | |
Cinematography | Charles Lawton Jr. |
Edited by | Charles Nelson |
Music by | George Duning |
Color process | Technicolor |
Production company | Columbia Pictures |
Distributed by | Columbia Pictures |
Release date |
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Running time | 108 minutes |
Country | United States |
Language | English |
Box office | $1.8 million (US) [1] |
My Sister Eileen is a 1955 American CinemaScope comedy musical film directed by Richard Quine. It stars Janet Leigh, Betty Garrett, and Jack Lemmon.
The screenplay by Quine and Blake Edwards is based on the 1940 play by Joseph A. Fields and Jerome Chodorov, which was inspired by a series of autobiographical short stories by Ruth McKenney originally published in The New Yorker . The play originally was filmed in 1942. (This musical film is totally different from the 1953 Broadway musical Wonderful Town , though both are based on the original Ruth McKenney source material.)
Witty Ruth and pretty Eileen Sherwood, sisters from Columbus, Ohio, relocate to New York City and settle in a rundown basement studio apartment in a Greenwich Village building owned by Papa Appopoulos. Ruth aspires to be a writer, while Eileen hopes to achieve success as an actress. They become acquainted with their neighbor Ted Loomis, an athlete who lives with his fiancée Helen.
Ruth has a letter of introduction to Bob Baker, editor-in-chief of Manhatter magazine. As he rushes off for vacation, he counsels her to write about things she knows rather than the artificial stories she had sent him. Meanwhile, after finding herself the target of unwanted advances from a theatre producer, Eileen goes to the local Walgreens for lunch. Soda fountain manager Frank Lippincott lends her a sympathetic ear and offers his assistance, assuring her many theatrical people eat at the counter.
As time progresses, Ruth collects a lot of rejection slips and Eileen fails to secure any auditions. When newspaper reporter Chick Clark overhears Frank telling Eileen about an audition, he claims to know the show's producer and assures her he can get her an interview with him. Upon arrival at the theater, they discover it is a burlesque house where striptease is the main attraction. Mortified, Eileen rushes out.
Bob returns from vacation and meets with Ruth to tell her his favorite of her stories is about Eileen and her romantic misadventures. Ruth claims her sister is simply a product of her imagination and the experiences she described actually are her own. Intrigued, Bob asks her for a date, but Ruth declines, and later tells Eileen she finds him dull and unattractive.
Ted asks the girls if he can stay with them while Helen's mother visits and Eileen agrees despite Ruth's uncertainty. Eileen invites Chick and Frank to dinner, but when her spaghetti sauce is ruined by a plumber, Chick suggests they go to El Morocco, where he tells Eileen he will introduce Ruth to his editor, and Ruth sees Bob with a glamorous woman.
Bob's secretary is certain Ruth's stories are not as autobiographical as she claims. He invites her to dinner to discuss the publication of a story, and when he tries to kiss her she runs off, suggesting she may be less experienced than her stories suggest. Eileen tells Frank unless Ruth's story is published, the impoverished sisters will have to return to Ohio. Frank is in love with her but, mistakenly thinking Ted lives with the girls, accuses Eileen of being a bohemian and departs.
The following day, Ruth receives a phone call asking her to cover the arrival of the Brazilian Navy for the local paper. Unaware it was Chick, who made the call in order to ensure being alone with Eileen, she rushes off. Chick comes to the apartment, and is thrown out by Ted when Eileen needs help fending off the reporter's advances. Helen sees Ted comforting Eileen, and mistakenly assumes the worst.
Ruth is pursued by the Brazilian naval cadets, who have misunderstood her intent in meeting their ship. In order to calm them down, Ruth and Eileen initiate a Conga line, which rapidly evolves into a wild dance party in the street that draws the attention of the police, and everyone is arrested. The Brazilian Consul intervenes on their behalf, and the girls return home to pack their belongings. Bob arrives at the apartment, professes his love for Ruth, and tells her he is publishing her stories. Frank arrives with a box of chocolates for Eileen, Ted and Helen reconcile, and the sisters decide to remain in New York.
In 1953, Joseph A. Fields and Jerome Chodorov adapted their 1940 play for Wonderful Town , with lyrics by Betty Comden and Adolph Green and music by Leonard Bernstein. Its success on Broadway prompted Harry Cohn, head of Columbia Pictures, which had released the 1942 screen adaptation of the play, to seek the film rights to the musical. When they proved to be too costly, he decided to hire Jule Styne and Leo Robin to write a different score. [2] Because the film couldn't bear any resemblance to Wonderful Town, a studio attorney was assigned to make sure there were no similarities between the two. Even the musical numbers had to be positioned at different places in the storyline. [3]
Screenwriter/director Richard Quine, who had portrayed Frank Lippincott in the 1940 stage play and the 1942 screen adaptation, [3] originally cast Judy Holliday in the role of Ruth Sherwood. When the actress got into a contract dispute with the studio, she was replaced by Betty Garrett, who had been essentially, but not officially, blacklisted due to her marriage to Larry Parks, a one-time member of the Communist Party, who had been forced to testify before the House Un-American Activities Committee. As a result, this was Garrett's first screen appearance since On the Town six years earlier. [4] The musical sequences were choreographed by Bob Fosse, who played Frank Lippincott in the film. A little over a year after the film's release, Garrett and Parks replaced Judy Holliday and Sydney Chaplin, respectively, on Broadway for a month in the smash hit Comden-Green-Styne musical Bells Are Ringing .
Aldo Ray turned down his part of Ted as being too small and it was given to Dick York, a Columbia contract star. [5]
Atmosphere — Chorus
As Soon As They See Eileen — Performed by Betty Garrett
I'm Great — Performed by Betty Garrett, Janet Leigh, Kurt Kaszner and Dick York
There's Nothin' Like Love — Performed by Bob Fosse and Janet Leigh
It's Bigger Than You and Me — Performed by Jack Lemmon
Give Me a Band and My Baby — Performed by Betty Garrett, Janet Leigh, Bob Fosse and Tommy Rall
Conga — Performed by Betty Garrett, Janet Leigh, Kurt Kaszner and the Brazilian Navy
Bosley Crowther of The New York Times observed, "Happily let it be stated that Miss Garrett and Miss Leigh are okay. In fact Miss Garrett is okay in shining letters . . . [She] has the proper skepticism and the right desperation for the role. Her way with a line is homicidal. What's more, she can dance and sing. These are essential talents in this production, in which Miss Leigh . . . is particularly nimble on her legs — and for which Mr. Styne and Mr. Robin have dished up some apt and lively songs . . . But it is Jack Lemmon . . . who generates the most amusement and upholds the tarnished dignity of males. Mr. Lemmon is a charming comedy actor, getting more so in each successive film. And his off-hand maneuvering around Miss Garrett to shatter her resistance is grand. When the two, in a scene of mad seduction, sing "It's Bigger Than You and Me," the breadth of the spoof is established and the high point of the comedy is reached." [6]
In his review of the DVD release of the film, Steve Daly of Entertainment Weekly graded it B. He thought "some Bob Fosse choreography and Jule Styne–Leo Robin songs wittily capture the Village esprit" but felt the subplot involving Lemmon was "alarmingly chauvinistic." Comparing this version to the 1942 original, he said it "seems a testament to '50s feminist backlash." [7]
Sony Pictures Home Entertainment released the film on Region 1 DVD on February 22, 2005. It is in anamorphic widescreen format with audio tracks in English and Portuguese and subtitles in Japanese. Twilight Time released the film on blu-ray on June 19, 2018. [8]
Jule Styne was an English-American songwriter and composer widely known for a series of Broadway musicals, including several famous frequently-revived shows that also became successful films: Gypsy,Gentlemen Prefer Blondes, and Funny Girl.
Gwyneth Evelyn "Gwen" Verdon was an American actress and dancer. She won four Tony Awards for her musical comedy performances, and she served as an uncredited choreographer's assistant and specialty dance coach for theater and film. Verdon was a critically acclaimed performer on Broadway in the 1950s, 1960s, and 1970s, having originated many roles in musicals, including Lola in Damn Yankees, the title character in Sweet Charity, and Roxie Hart in Chicago.
Betty Comden was an American lyricist, playwright, and screenwriter who contributed to numerous Hollywood musicals and Broadway shows of the mid-20th century. Her writing partnership with Adolph Green spanned six decades: "the longest running creative partnership in theatre history." The musical-comedy duo of Comden and Green collaborated most notably with composers Jule Styne and Leonard Bernstein, as well enjoyed success with Singin' in the Rain, as part of the famed "Freed unit" at MGM.
My Sister Eileen is a series of autobiographical short stories by Ruth McKenney, originally published in The New Yorker, which eventually inspired many other works: her 1938 book My Sister Eileen, a play, a musical, a radio play, two motion pictures, and a CBS television series in the 1960–1961 season.
Judy Holliday was an American actress, comedian and singer.
Jeanette Helen Morrison, known professionally as Janet Leigh, was an American actress. Raised in Stockton, California, by working-class parents, Leigh was discovered at 18 by actress Norma Shearer, who helped her secure a contract with Metro-Goldwyn-Mayer. With MGM, she appeared in films such as the dramas The Romance of Rosy Ridge (1947), the crime-drama Act of Violence (1948), the drama Little Women (1949), the comedy Angels in the Outfield (1951), the romance Scaramouche (1952), and the Western drama The Naked Spur (1953).
Leo Robin was an American composer, lyricist and songwriter. He is probably best known for collaborating with Ralph Rainger on the 1938 Oscar-winning song "Thanks for the Memory," sung by Bob Hope and Shirley Ross in the film The Big Broadcast of 1938, and with Jule Styne on "Diamonds Are a Girl's Best Friend," a song whose witty, Cole Porter style of lyric came to be identified with its famous interpreter Marilyn Monroe.
Wonderful Town is a 1953 musical with book written by Joseph A. Fields and Jerome Chodorov, lyrics by Betty Comden and Adolph Green, and music by Leonard Bernstein. The musical tells the story of two sisters who aspire to be a writer and actress respectively, seeking success from their basement apartment in New York City's Greenwich Village. It is based on Fields and Chodorov's 1940 play My Sister Eileen, which in turn originated from autobiographical short stories by Ruth McKenney first published in The New Yorker in the late 1930s and later published in book form as My Sister Eileen. Only the last two stories in McKenney's book were used, and they were heavily modified.
Betty Garrett was an American actress, comedian, singer and dancer. She originally performed on Broadway, and was then signed to a film contract with Metro-Goldwyn-Mayer. She appeared in several musical films, then returned to Broadway and made guest appearances on several television series.
Richard Quine was an American director, actor, and singer.
Give a Girl a Break is a 1953 American musical romantic comedy film directed by Stanley Donen, starring Debbie Reynolds and the dance team of Marge and Gower Champion. A young Bob Fosse has a featured role.
Bring Your Smile Along is a 1955 American Technicolor comedy film by Blake Edwards. It was Edwards' directorial debut and the motion picture debut of Constance Towers. Edwards wrote the script for this Frankie Laine musical with his mentor, director Richard Quine. Songs Laine sang in the film included his 1951 hit "The Gandy Dancers' Ball."
Ruth Marguerite McKenney was an American author and journalist, best remembered for My Sister Eileen, a memoir of her experiences growing up in Ohio and moving to Greenwich Village with her sister Eileen McKenney.
Janet Blair was an American big-band singer who later became a popular film and television actress.
Joseph Albert Fields was an American playwright, theatre director, screenwriter, and film producer.
Neptune's Daughter is a 1949 American Technicolor musical romantic comedy film released by Metro-Goldwyn-Mayer starring Esther Williams, Red Skelton, Ricardo Montalbán, Betty Garrett, Keenan Wynn, Xavier Cugat and Mel Blanc. It was directed by Edward Buzzell, and features the debut of the Academy Award–winning song "Baby, It's Cold Outside" by Frank Loesser.
Mother Wore Tights is a 1947 American Technicolor musical film starring Betty Grable and Dan Dailey as married vaudeville performers, directed by Walter Lang.
My Sister Eileen is a 1942 American comedy film directed by Alexander Hall and starring Rosalind Russell, Brian Aherne and Janet Blair. The screenplay by Joseph A. Fields and Jerome Chodorov is based on their 1940 play of the same title, which was inspired by a series of autobiographical short stories by Ruth McKenney originally published in The New Yorker. The supporting cast features George Tobias, Allyn Joslyn, Grant Mitchell, Gordon Jones and, in a cameo appearance at the end, The Three Stooges.
My Sister Eileen is an American comedy stage production, written by Joseph A. Fields and Jerome Chodorov, based on autobiographical short stories by Ruth McKenney. The stories were originally published in The New Yorker and then collected and published as the book My Sister Eileen in 1938.
My Sister Eileen is an American sitcom broadcast during the 1960–1961 television season. It depicts the lives of two sisters, one a writer and the other an actress, who move to New York City to further their careers.