Swashbuckler films are a subgenre of the action film genre, often characterised by swordfighting and adventurous heroic characters, known as swashbucklers. Real historical events often feature prominently in the plot, morality is often clear-cut, heroic characters are clearly heroic, and even villains tend to have a code of honour. Often, they have a damsel in distress and a romantic element.
Right from the advent of cinema, the silent era was packed with swashbucklers. The most famous of those were the films of Douglas Fairbanks, such as The Mark of Zorro (1920), which defined the genre. The stories came from romantic costume novels, particularly those of Alexandre Dumas and Rafael Sabatini. Triumphant, thrilling music was also an important part of the formula. [1] The three great cycles of swashbuckler films were the Douglas Fairbanks period from 1920 to 1929; the Errol Flynn period from 1935 to 1941; and a period in the 1950s heralded by films such as Ivanhoe (1952) and The Master of Ballantrae (1953), and the popularity of the British television series The Adventures of Robin Hood (1955–1959). [2] Richard Lester's Dumas adaptations revived the genre in the 1970s. [3]
The term "swashbuckler" originates from boisterous fighters who carried a sword and buckler (a buckler being a small shield). [4] "Swashbuckler" was a putdown, used to indicate a poor swordsman who covered his lack of skill with noise, bragging, and clamour. Novels, and then Hollywood, altered the word's connotation to make swashbuckler mean a loudmouthed but good braggart, and the hero of the plotline. [1]
Jeffrey Richards describes the genre as very stylized. The hero is one who "maintains a decent standard of behavior, fights for King and Country, believes in truth and justice, defends the honour of lady". [5] The values are those of a knight, so the setting is generally the 11th to 19th century.
Fencing was always a mainstay of this genre, and a dramatic duel was often a pivotal part of the storyline. Nowhere else is swordplay more apparent than in the swashbuckler film. Famous fencing instructors included Henry Uyttenhove, Fred Cavens, Jean Heremans, Ralph Faulkner, and Bob Anderson. They all had additional long careers in sport fencing. [6]
Television followed the films, and the British television series The Adventures of Robin Hood had produced 143 episodes by 1959 and became an outstanding success both in the United Kingdom and the United States.
British television production in the genre was prolific, and includes The Buccaneers (1956–1957), The Adventures of Sir Lancelot (1956–1957), Sword of Freedom (1958), The Adventures of William Tell (1958), The Adventures of the Scarlet Pimpernel (ITV, 1956), ITC's The Count of Monte Cristo (ITV, 1956), and George King's The Gay Cavalier (ITV, 1957), Quentin Durward (Studio Canal, 1971), Robin of Sherwood (ITV, 1984–1986), and Sharpe (ITV, since 1993).
American television produced two series of Zorro (1957 and 1990). Following the film The Mask of Zorro (1998), a television series about a female swashbuckler, the Queen of Swords , aired in 2000. [8]
The Spanish television series Águila Roja (Red Eagle), aired from 2009 to 2016, is an example of the swashbuckler genre. [9]
Italian and German televisions produced several series of Sandokan.
The Adventures of Robin Hood is a 1938 American Technicolor swashbuckler film from Warner Bros. Pictures. It was produced by Hal B. Wallis and Henry Blanke, directed by Michael Curtiz, and stars Errol Flynn, Olivia de Havilland, Basil Rathbone, Claude Rains, Patric Knowles, Eugene Pallette, and Alan Hale, Sr. The film is particularly noted for its Academy Award-winning score by Erich Wolfgang Korngold.
Zorro is a fictional character created in 1919 by American pulp writer Johnston McCulley, appearing in works set in the Pueblo of Los Angeles in Alta California. He is typically portrayed as a dashing masked vigilante who defends the commoners and indigenous peoples of California against corrupt and tyrannical officials and other villains. His signature all-black costume includes a cape, a hat known as a sombrero cordobés, and a mask covering the upper half of his face.
Sword-and-sandal, also known as peplum, is a subgenre of largely Italian-made historical, mythological, or Biblical epics mostly set in the Greco-Roman antiquity or the Middle Ages. These films attempted to emulate the big-budget Hollywood historical epics of the time, such as Samson and Delilah (1949), Quo Vadis (1951), The Robe (1953), The Ten Commandments (1956), Ben-Hur (1959), Spartacus (1960), and Cleopatra (1963). These films dominated the Italian film industry from 1958 to 1965, eventually being replaced in 1965 by spaghetti Western and Eurospy films.
A swashbuckler is a genre of European adventure literature that focuses on a heroic protagonist stock character who is skilled in swordsmanship, acrobatics, guile and possesses chivalrous ideals. A "swashbuckler" protagonist is heroic, daring, and idealistic: he rescues damsels in distress, protects the downtrodden, and uses duels to defend his honor or that of a lady or to avenge a comrade.
An action hero is the protagonist of an action film or other form of entertainment which portrays action, adventure, and often violence. Other media in which such heroes appear include swashbuckler films, Western films, old-time radio, adventure novels, dime novels, pulp magazines, and folklore.
The Mask of Zorro is a 1998 American swashbuckler film based on the character of the masked vigilante Zorro created by Johnston McCulley. It was directed by Martin Campbell and stars Antonio Banderas, Anthony Hopkins, Catherine Zeta-Jones, and Stuart Wilson. The film features the original Zorro, Don Diego de la Vega (Hopkins), escaping from prison to find his long-lost daughter (Zeta-Jones) and avenge the death of his wife at the hands of the corrupt governor Rafael Montero (Wilson). He is aided by his successor (Banderas), who is pursuing his own vendetta against the governor's right-hand man while falling in love with de la Vega's daughter.
An adventure film is a form of adventure fiction, and is a genre of film. Subgenres of adventure films include swashbuckler films, pirate films, and survival films. Adventure films may also be combined with other film genres such as action, comedy, drama, fantasy, science fiction, family, horror, war, or the medium of animation.
The Mark of Zorro is a 1940 American black-and-white swashbuckling Western film from 20th Century Fox directed by Rouben Mamoulian, produced by Darryl F. Zanuck, and starring Tyrone Power, Linda Darnell, and Basil Rathbone. The supporting cast features Eugene Pallette, Gale Sondergaard, and Robert Lowery.
The Mark of Zorro is a 1920 American silent Western romance film starring Douglas Fairbanks and Noah Beery. This genre-defining swashbuckler adventure was the first movie version of The Mark of Zorro. Based on the 1919 story The Curse of Capistrano by Johnston McCulley, which introduced the masked hero, Zorro, the screenplay was adapted by Fairbanks and Eugene Miller.
Louis Charles Hayward was a Johannesburg-born, British-American actor.
Robert James Gilbert Anderson was an English Olympic fencer and a renowned film fight choreographer, with a cinema career that spanned more than 50 years and included films such as Star Wars, Highlander, The Three Musketeers, The Princess Bride, The Mask of Zorro, The Lord of the Rings, and Die Another Day. He was regarded as the premier choreographer of Hollywood sword-fighting, and during his career he coached many actors in swordsmanship, including Errol Flynn, Sean Connery, Antonio Banderas, Viggo Mortensen, Adrian Paul, and Johnny Depp. He also appeared as a stunt double for Darth Vader's lightsaber battles in The Empire Strikes Back and Return of the Jedi.
The Son of Monte Cristo is a 1940 American black-and-white swashbuckling adventure film from United Artists, produced by Edward Small, directed by Rowland V. Lee, that stars Louis Hayward, Joan Bennett, and George Sanders. The Small production uses the same sets and many of the same cast and production crew as his previous year's production of The Man in the Iron Mask. Hayward returned to star in Small's The Return of Monte Cristo (1946).
Cinematic fight choreography or staged fights in cinema include performances of archery, classical fencing, historical fencing, martial arts, close combat, and duels in general, as well as choreography of full-scale battles with hundreds of combatants.
William Hobbs was a choreographer of stage combat.
Family Classics is a Chicago television series which began in 1962 when Frazier Thomas was added to another program at WGN-TV. Thomas not only hosted classic films, but also selected the titles and personally edited them to remove those scenes which he thought were not fit for family viewing. After Thomas' death in 1985, Roy Leonard took over the program. The series continued sporadically until its initial cancellation in 2000.
Luigi Capuano was an Italian film director and screenwriter. Born in Naples, he directed 43 films between 1947 and 1971.
Passport to Adventure, later retitled Passport, was a Canadian movie television series which aired on CBC Television from 1965 to 1967.
Simone Lovell is a British actress known for her television appearances of the 1950s and 60s.
Frédéric Adolphe Cavens was a Belgian-born fencing master who emigrated to Hollywood and worked as an actor, stuntman and fencing master from the silent film era, then in television. He trained Jean Peters in the film Anne of the Indies (1951) and Guy Williams in the television role of Zorro.
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