The Elusive Pimpernel (The Fighting Pimpernel) | |
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Directed by | Michael Powell Emeric Pressburger |
Written by | Baroness Orczy (novels) Michael Powell Emeric Pressburger |
Produced by | Michael Powell Emeric Pressburger |
Starring | David Niven Margaret Leighton Jack Hawkins Cyril Cusack Robert Coote |
Cinematography | Christopher Challis |
Edited by | Reginald Mills |
Music by | Brian Easdale |
Production company | |
Distributed by | British Lion Films |
Release dates |
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Running time | 109 minutes |
Country | United Kingdom |
Language | English |
Budget | £477,000 [1] [2] |
Box office | £133,354 (UK) [3] |
The Elusive Pimpernel is a 1950 British period adventure film by the British-based director-writer team of Michael Powell and Emeric Pressburger, based on the novel The Scarlet Pimpernel (1905) by Baroness Emmuska Orczy. It was released in the United States under the title The Fighting Pimpernel. The picture stars David Niven as Sir Percy Blakeney (a.k.a. The Scarlet Pimpernel), Margaret Leighton as Marguerite Blakeney and features Jack Hawkins, Cyril Cusack and Robert Coote. Originally intended to be a musical, the film was re-worked as a light-hearted drama.
During the French Revolution, the Scarlet Pimpernel, who is really Sir Percy Blakeney in disguise, risks his life to rescue French aristocrats from the guillotine and take them across the English Channel to safety. As cover, Sir Percy poses as a fop at Court, and curries favour with the Prince of Wales by providing advice about fashion, but secretly he leads The League, a group of noblemen with similar views.
Chauvelin, the French ambassador to England, wants to find out who the Pimpernel is, so he can be brought to French justice. He blackmails Blakeney's French wife Marguerite into helping him by threatening to have her brother Armand (an associate of the Pimpernel) arrested and tortured. She intercepts a letter intended for the Pimpernel and gives it to Chauvelin, unaware that she has betrayed her husband. When she discovers the truth, she sets out to warn him of his great peril.
The Elusive Pimpernel was financed by Samuel Goldwyn and Alexander Korda. Neither director Michael Powell nor star David Niven was very interested in doing the film, but had their minds changed by threats of contract suspension. (Rex Harrison had been originally announced as the star.) [5] Powell wanted to make the film as a musical, but was not allowed to, and Margaret Leighton was cast despite his objection. Goldwyn forced numerous additions and changes to the film but when Powell delivered the final cut, Goldwyn refused to make the final payment, which caused Korda to sue him. [6]
The film was shot in 1949 [7] at various British film studios in Boreham Wood, Elstree and Shepperton, Surrey. Location shooting took place in Bath, Dover, in Savernake Forest, on the Marlborough Downs, and in the stables of Carlton House Terrace, St. James's, London. In France, filming took place in the chateaux of the Loire Valley and on Mont Saint-Michel. [6] [8]
The Elusive Pimpernel was released in the UK in 1950, but because of the falling out between Korda and Goldwyn, did not gain an American distributor until July 1953 when Carroll Pictures acquired the rights. The film then premiered in New York City on 17 April 1954. [6]
Niven's unhappiness at being forced to make the film later led to him severing his contract with Samuel Goldwyn. [9]
The Scarlet Pimpernel is the first novel in a series of historical fiction by Baroness Orczy, published in 1905. It was written after her stage play of the same title enjoyed a long run in London, having opened in Nottingham in 1903.
Baroness Emma Orczy, usually known as Baroness Orczy or to her family and friends as Emmuska Orczy, was a Hungarian-born British novelist and playwright. She is best known for her series of novels featuring the Scarlet Pimpernel, the alter ego of Sir Percy Blakeney, a wealthy English fop who turns into a quick-thinking escape artist in order to save French aristocrats from "Madame Guillotine" during the French Revolution, establishing the "hero with a secret identity" in popular culture.
The British film-making partnership of Michael Powell (1905–1990) and Emeric Pressburger (1902–1988)—together often known as The Archers, the name of their production company—made a series of influential films in the 1940s and 1950s. Their collaborations—24 films between 1939 and 1972—were mainly derived from original stories by Pressburger with the script written by both Pressburger and Powell. Powell did most of the directing while Pressburger did most of the work of the producer and also assisted with the editing, especially the way the music was used. Unusually, the pair shared a writer-director-producer credit for most of their films. The best-known of these are The Life and Death of Colonel Blimp (1943), A Canterbury Tale (1944), I Know Where I'm Going! (1945), A Matter of Life and Death (1946), Black Narcissus (1947), The Red Shoes (1948), and The Tales of Hoffmann (1951).
The Scarlet Pimpernel is a musical with music by Frank Wildhorn and lyrics & book by Nan Knighton, based on the 1905 novel of the same name by Baroness Orczy. The show is set in England and France during the Reign of Terror of the French Revolution. The story is a precursor to the spy fiction and the superhero genres, where a hero hides under a mild-mannered alias.
The Scarlet Pimpernel is a series of television drama programmes loosely based on Baroness Emmuska Orczy's series of novels, set during the French Revolution.
Eldorado, by Baroness Orczy is a sequel book to the classic adventure tale, The Scarlet Pimpernel. It was first published in 1913. The novel is notable in that it is the partial basis for most of the film treatments of the original book.
The League of the Scarlet Pimpernel is a sequel book to the classic adventure tale, The Scarlet Pimpernel. Written by Baroness Orczy and first published in 1919, the book consists of eleven short stories about Sir Percy Blakeney's exploits in rescuing various aristos and French citizens from the clutches of the guillotine.
First published in 1908, The Elusive Pimpernel by Baroness Orczy is the 4th book in the classic adventure series about the Scarlet Pimpernel.
Sir Percy Hits Back is (chronologically) the ninth book in the Scarlet Pimpernel series by Baroness Orczy. It was first published in 1927.
Citizen Armand Chauvelin is the villain in Baroness Emmuska Orczy's classic novel The Scarlet Pimpernel and the various plays and films derived from the work.
The Way of the Scarlet Pimpernel, by Baroness Orczy, is another sequel book to the adventure tale, The Scarlet Pimpernel. First published in 1933, it is 6th in the series and one of the shorter Scarlet Pimpernel books. A French-language version, translated and adapted by Charlotte and Marie-Louise Desroyses, was also produced under the title Les Métamorphoses du Mouron Rouge.
The Triumph of the Scarlet Pimpernel, first published in 1922, is a book in the series about the Scarlet Pimpernel's adventures by Baroness Orczy. Again Orczy interweaves historic fact with fiction, this time through the real life figures of Thérésa Cabarrus, and Jean-Lambert Tallien; inserting the Scarlet Pimpernel as an instigator of the role Tallien played in the Thermidorian Reaction in July 1794.
Adventures of the Scarlet Pimpernel is the second collection of short stories written by Baroness Orczy about the gallant English hero, the Scarlet Pimpernel and his League. Written in 1929 the stories, which are listed below, are set in 1793 but appear in no particular order. They occasionally refer to events in other books in the series and Orczy frequently reuses plot lines and ideas from the longer Pimpernel novels.
The Scarlet Pimpernel is a 1934 British adventure film directed by Harold Young and starring Leslie Howard, Merle Oberon, and Raymond Massey. Based on the 1905 play by Baroness Orczy and Montagu Barstow and the classic 1905 adventure novel by Orczy, the film is about an eighteenth-century English aristocrat (Howard) who leads a double life, passing himself off as an effete aristocrat while engaged in a secret effort to rescue French nobles from Robespierre's Reign of Terror. The film was produced by Alexander Korda. Howard's portrayal of the title character is often considered the definitive portrayal of the role. In 1941, he played a similar role in "'Pimpernel' Smith" but this time set in pre-WWII Germany.
The Scarlet Pimpernel is a 1982 British romantic adventure television film set during the French Revolution. It is based on the novels The Scarlet Pimpernel (1905) and Eldorado (1913) by Baroness Emmuska Orczy, and stars Anthony Andrews as Sir Percy Blakeney/the Scarlet Pimpernel, the protagonist, Jane Seymour as Marguerite St. Just, the love interest, and Ian McKellen as Chauvelin, the antagonist.
The Adventures of the Scarlet Pimpernel is a British television series based on the 1905 adventure novel of the same name by Baroness Emmuska Orczy. The series was created by writer Michael Hogan and produced by the Towers of London for Incorporated Television Programmes. It was first screened in Britain in 1955 to 1956 in an eighteen-episode run beginning on 28 September 1955. It was one of the first drama series shown on the fledging network, which had only begun transmission in London the week before.
The Return of the Scarlet Pimpernel is a 1937 British film directed by Hanns Schwarz and starring Barry K. Barnes, Sophie Stewart, Margaretta Scott and James Mason. It is a sequel to the 1934 film The Scarlet Pimpernel based on the stories by Baroness Emmuska Orczy.
The Triumph of the Scarlet Pimpernel is a 1928 British silent costume drama film directed by T. Hayes Hunter and starring Matheson Lang, Juliette Compton and Nelson Keys. It was based on the 1922 novel The Triumph of the Scarlet Pimpernel by Baroness Emma Orczy. It was made at Cricklewood Studios, with art direction by Clifford Pember.
The Elusive Pimpernel is a 1919 British silent adventure film directed by Maurice Elvey and starring Cecil Humphreys, Marie Blanche and Norman Page. It was based on the 1908 novel The Elusive Pimpernel by Baroness Orczy.
Walter Percy Day O.B.E. (1878–1965) was a British painter best remembered for his work as a matte artist and special effects technician in the film industry. Professional names include W. Percy Day; Percy Day; "Pop" or "Poppa" Day, owing to his collaboration with sons Arthur George Day (1909–1952) draughtsman, Thomas Sydney Day (1912–1985), stills photographer and cameraman, and stepson, Peter Ellenshaw, who also worked in this field.