Contraband (Blackout) | |
---|---|
Directed by | Michael Powell |
Written by | Scenario: Michael Powell Brock Williams |
Screenplay by | Emeric Pressburger |
Story by | Emeric Pressburger |
Produced by | John Corfield |
Starring | Conrad Veidt Valerie Hobson |
Cinematography | Freddie Young |
Edited by | John Seabourne |
Music by | Richard Addinsell John Greenwood |
Production company | |
Distributed by | Anglo-American |
Release dates |
|
Running time | 92 minutes (UK) 80 minutes (U.S.) |
Country | United Kingdom |
Language | English |
Budget | £35,000 [1] |
Box office | 1,385,365 admissions (France) [2] |
Contraband is a 1940 wartime spy film by the British director-writer team of Michael Powell and Emeric Pressburger, which reunited stars Conrad Veidt and Valerie Hobson after their earlier appearance in The Spy in Black the previous year. On this occasion, Veidt plays a hero, something he did not do very often, and there is also an early (uncredited) performance by Leo Genn.
The title of the film in the United States was Blackout. Powell writes in his autobiography, A Life in Movies, as saying that the U.S. renaming was a better title and he wished he had thought of it.
It is November 1939: the Phoney War-stage of the World War II. Denmark is still neutral, but (Danish) Captain Andersen and his freighter Helvig are stopped in the English Channel by Lt. Commanders Ashton and Ellis for a cargo inspection in a British Contraband Control Port.
He receives two shore passes for himself and his First Officer Axel Skold to dine with Ashton and Ellis, but the passes (and Helvig's motorboat) are stolen by passengers Mrs. Sorensen and talent scout Mr. Pidgeon. From a cut-out newspaper train schedule, Andersen is able to figure out they are taking a train to London and catches up with them; but, when the train arrives in the blacked-out metropolis, he is only able to hold on to Mrs. Sorensen.
He invites her to dine at the restaurant of Skold's brother Erik. Then she takes him to the home of her aunt, where they are captured by a Nazi spy ring led by Van Dyne, a man Mrs. Sorensen has already had unpleasant dealings with in Düsseldorf, Germany. Van Dyne knows Mrs. Sorensen and Pidgeon are British agents. Van Dyne finds a message hidden on one of Mrs. Sorensen's cigarette papers, identifying her as "M47" and listing the names of neutral ships under which two German vessels are traveling. He decides to replace one of the names with that of an American ship to cause trouble, the United States being neutral at this time. Mrs. Sorensen and Andersen are tied up, but the captain manages to escape. He brings back reinforcements in the form of Erik Skold's staff and is able to free Mrs. Sorensen and knock out Van Dyne. With everything cleared up, Capt. Andersen and Mrs. Sorensen resume their sea voyage.
Contraband was intended as a followup to Powell and Pressburger's The Spy in Black , which was filmed at the end of 1938, but was not released by Alexander Korda for almost a year. [4] The current film was in production from 16 December 1939 through 27 January 1940 [5] at Denham Film Studios, with location shooting in London at Chester Square in Belgravia, and in Ramsgate in Kent. [6] [7]
The TV Guide online review called it "An odd little comic thriller - who, except perhaps Michael Powell, would cast 47-year-old Cabinet of Dr. Caligari (1920) star Conrad Veidt as a light romantic hero?" [8]
Time Out wrote that "Less stylish than The Spy in Black, this espionage thriller is more fun, with its tongue-in-cheek plot revelling in Hitchcockian eccentricities". Radio Times describes it as "A neat Second World War espionage thriller that depicts a London crawling with spies".
Dennis Schwartz of Ozus' World Movie Reviews had mixed feelings, giving it a grade of B−. "The brisk pace and its added touches of quaintness, made the film endearing in spite[ sic ] of the lack of any character study and the one-dimensional tone of the villains." However, he wondered "how much better a more romantically inclined hero would have fared in his [Veidt's] role." [9]
The Red Shoes is a 1948 British drama film written, produced and directed by Michael Powell and Emeric Pressburger. It follows Victoria Page, an aspiring ballerina who joins the world-renowned Ballet Lermontov, owned and operated by Boris Lermontov, who tests her dedication to the ballet by making her choose between her career and her romance with composer Julian Craster.
Michael Latham Powell was an English filmmaker, celebrated for his partnership with Emeric Pressburger. Through their production company The Archers, they together wrote, produced and directed a series of classic British films, notably The Life and Death of Colonel Blimp (1943), A Canterbury Tale (1944), I Know Where I'm Going! (1945), A Matter of Life and Death, Black Narcissus (1947), The Red Shoes (1948) and The Tales of Hoffmann (1951).
Hans Walter Conrad Veidt was a German, later naturalised British actor. He attracted early attention for his roles in the films Different from the Others (1919), The Cabinet of Dr. Caligari (1920), and The Man Who Laughs (1928). After a successful career in German silent films, where he was one of the best-paid stars of UFA, Veidt and his new Jewish wife Ilona Prager left Germany in 1933 after the Nazis came to power. The couple settled in Britain, where he took citizenship in 1939. Veidt subsequently appeared in many British films, including The Thief of Bagdad (1940). After emigrating to the United States around 1941, he was cast as Major Strasser in Casablanca (1942), his last film role to be released during his lifetime.
I Know Where I'm Going! is a 1945 romance film directed and written by the British filmmakers Michael Powell and Emeric Pressburger. It stars Wendy Hiller and Roger Livesey, and features Pamela Brown.
The Life and Death of Colonel Blimp is a 1943 British romantic-war film written, produced and directed by the British film-making team of Michael Powell and Emeric Pressburger. It stars Roger Livesey, Deborah Kerr and Anton Walbrook. The title derives from the satirical Colonel Blimp comic strip by David Low, but the story is original. Although the film is strongly pro-British, it is a satire on the British Army, especially its leadership. It suggests that Britain faced the option of following traditional notions of honourable warfare or to "fight dirty" in the face of such an evil enemy as Nazi Germany.
The British film-making partnership of Michael Powell (1905–1990) and Emeric Pressburger (1902–1988)—together often known as The Archers, the name of their production company—made a series of influential films in the 1940s and 1950s. Their collaborations—24 films between 1939 and 1972—were mainly derived from original stories by Pressburger with the script written by both Pressburger and Powell. Powell did most of the directing while Pressburger did most of the work of the producer and also assisted with the editing, especially the way the music was used. Unusually, the pair shared a writer-director-producer credit for most of their films. The best-known of these are The Life and Death of Colonel Blimp (1943), A Canterbury Tale (1944), I Know Where I'm Going! (1945), A Matter of Life and Death (1946), Black Narcissus (1947), The Red Shoes (1948), and The Tales of Hoffmann (1951).
The Spy in Black is a 1939 British film, and the first collaboration between the British filmmakers Michael Powell and Emeric Pressburger. They were brought together by Alexander Korda to make the World War I spy thriller novel of the same title by Joseph Storer Clouston into a film. Powell and Pressburger eventually made over 20 films during the course of their partnership.
One of Our Aircraft Is Missing is a 1942 British black-and-white war film, mainly set in the German-occupied Netherlands. It was the fourth collaboration between the British writer-director-producer team of Michael Powell and Emeric Pressburger and the first film they made under the banner of The Archers.
Blackout(s), black out, or The Blackout may refer to:
Leopold John Genn was an English actor and barrister. Distinguished by his relaxed charm and smooth, "black velvet" voice, he had a lengthy career in theatre, film, television, and radio; often playing aristocratic or gentlemanly, sophisticate roles.
Esma Ellen Charlotte Littmann, credited as Esme or Esma Cannon, was an Australian-born character actress and comedian, who moved to Britain in the early 1930s. Although she frequently appeared on television in her latter years, Cannon is best remembered as a film actress, with a lengthy career in British productions from the 1930s to the 1960s.
Esmond Penington Knight was an English actor. He had a successful stage and film career before World War II. For much of his later career Knight was half-blind. He had been badly wounded in 1941 while on active service on board HMS Prince of Wales when she fought the Bismarck at the Battle of the Denmark Strait, and remained totally blind for two years, though he later regained some sight in his right eye.
David Farrar was an English stage and film actor.
Eric Harold Portman was an English stage and film actor. He is probably best remembered for his roles in three films for Michael Powell and Emeric Pressburger during the 1940s.
The Thief of Bagdad is a 1940 British Technicolor historical fantasy film, produced by Alexander Korda and directed by Michael Powell, Ludwig Berger and Tim Whelan, with additional contributions by William Cameron Menzies and Korda brothers Vincent and Zoltán. The film stars Indian-born teen actor Sabu, Conrad Veidt, John Justin, and June Duprez. It was released in the US and the UK by United Artists.
Rome Express is a 1932 British thriller film directed by Walter Forde and starring Esther Ralston and Conrad Veidt. Based on a story by Clifford Grey, with a screenplay by Sidney Gilliat, the film is a tale about a European express train to Rome carrying diverse characters, including thieves, adulterers, blackmail victims, and an American film star. The film won the American National Board of Review award for Best Foreign Film. Rome Express was remade as Sleeping Car to Trieste (1948).
Hit the Deck is a 1955 American musical film directed by Roy Rowland and starring Jane Powell, Tony Martin, Debbie Reynolds, Walter Pidgeon, Vic Damone, Gene Raymond, Ann Miller, and Russ Tamblyn. It is based on the 1927 stage musical of the same name – which was itself based on the hit 1922 play Shore Leave by Hubert Osborne – and was shot in CinemaScope. Although the film featured some songs from the stage musical, the plot was different. Standards featured in the film include "Sometimes I'm Happy", "I Know that You Know", and "Hallelujah".
Squadron Leader X is a 1943 British World War II spy drama directed by Lance Comfort and starring Eric Portman and Ann Dvorak. The screenplay was adapted by Miles Malleson and Wolfgang Wilhelm from a short story by Emeric Pressburger. Unfortunately, the BFI National Archive currently considered this film as "missing, believed lost".
Rough Shoot, released in the USA as Shoot First, is a 1953 British thriller film directed by Robert Parrish and written by Eric Ambler, based on the 1951 novel by Geoffrey Household. The film stars Joel McCrea, in his only postwar non-Western role, with Evelyn Keyes as the leading lady, and featuring Herbert Lom, Marius Goring and Roland Culver. The scenario is set in Cold War England when tensions ran high regarding spying.
Hintertreppe is a 1921 silent film. This was the first movie by German director Leopold Jessner, in cooperation with Paul Leni. Carl Mayer specifically wrote this for Leopold Jessner, who would go on to direct Erdgeist (1923). Hintertreppe was a precursor of the 1920s German kammerspielfilm style.