The Boy Who Turned Yellow | |
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Directed by | Michael Powell |
Written by | Emeric Pressburger |
Produced by | Emeric Pressburger |
Starring | Mark Dightam Robert Eddison Helen Weir Brian Worth |
Cinematography | Christopher Challis |
Edited by | Peter Boita |
Music by | Patrick Gowers David Vorhaus |
Production companies | Roger Cherrill Ltd, Children's Film Foundation |
Distributed by | Rank |
Release date |
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Running time | 55 minutes |
Country | United Kingdom |
Language | English |
Budget | slightly over £40,000 [1] |
The Boy Who Turned Yellow (1972) is the last film collaboration by the British filmmakers Michael Powell and Emeric Pressburger, and the last theatrical feature to be written by Emeric Pressburger or directed by Michael Powell. The film was made for the Children's Film Foundation.
John (Mark Dightam) loses one of his pet mice, Alice, while on a school trip to the Tower of London. Upset back in class, he is sent home by his teacher for not paying attention during a lesson on electricity. Later that day on the London Underground, the train and everyone in it suddenly turns bright, vivid yellow. John's doctor (Esmond Knight) declares that the condition is harmless and should wear off soon, but that evening John hears noises from his television set and meets the eccentric yellow-coloured Nick (short for Electronic) (Robert Eddison). The pair return to the Tower of London in an attempt to find Alice, but they are menaced by Yeoman Warders and John is threatened with execution. When John is finally reunited with his pet, he awakes in class. Was his adventure actually all just a dream?
The film was the last collaboration by Michael Powell and Emeric Pressburger, and the last feature film either were involved with. (Powell was involved with the 1978 short Return to the Edge of the World .) Powell and Pressburger also brought in some of their old colleagues from the days of The Archers, such as cinematographer Christopher Challis and actor Esmond Knight.
Location shooting took place at sites around London: [2]
The film won a "Chiffy" award from the Children's Film Foundation. [3] The "Chiffy" award was voted for by CFF audiences. [3]
Black Narcissus is a 1947 British psychological drama film jointly written, directed and produced by Michael Powell and Emeric Pressburger, and starring Deborah Kerr, Sabu, David Farrar, and Flora Robson, and featuring Esmond Knight, Jean Simmons, and Kathleen Byron.
The Red Shoes is a 1948 British drama film written, directed, and produced by Michael Powell and Emeric Pressburger. It follows Victoria Page, an aspiring ballerina who joins the world-renowned Ballet Lermontov, owned and operated by Boris Lermontov, who tests her dedication to the ballet by making her choose between her career and her romance with composer Julian Craster.
Michael Latham Powell was an English filmmaker, celebrated for his partnership with Emeric Pressburger. Through their production company The Archers, they together wrote, produced and directed a series of classic British films, notably The Life and Death of Colonel Blimp (1943), A Canterbury Tale (1944), I Know Where I'm Going! (1945), A Matter of Life and Death, Black Narcissus (1947), The Red Shoes (1948), and The Tales of Hoffmann (1951).
A Canterbury Tale is a 1944 British film by Michael Powell and Emeric Pressburger starring Eric Portman, Sheila Sim, Dennis Price and Sgt. John Sweet; Esmond Knight provided narration and played two small roles. For the post-war American release, Raymond Massey narrated and Kim Hunter was added to the film. The film was made in black and white, and was the first of two collaborations between Powell and Pressburger and cinematographer Erwin Hillier.
Emeric Pressburger was a Hungarian-British screenwriter, film director, and producer. He is best known for his series of film collaborations with Michael Powell, in a collaboration partnership known as the Archers, and produced a series of films, including 49th Parallel (1941), The Life and Death of Colonel Blimp (1943), A Matter of Life and Death, Black Narcissus (1947), The Red Shoes (1948), and The Tales of Hoffmann (1951).
A Matter of Life and Death is a 1946 British fantasy-romance film set in England during World War II.
I Know Where I'm Going! is a 1945 romance film by the British filmmakers Michael Powell and Emeric Pressburger. It stars Wendy Hiller and Roger Livesey, and features Pamela Brown and Finlay Currie.
The Life and Death of Colonel Blimp is a 1943 British romantic-war film written, produced and directed by the British film-making team of Michael Powell and Emeric Pressburger. It stars Roger Livesey, Deborah Kerr and Anton Walbrook. The title derives from the satirical Colonel Blimp comic strip by David Low, but the story is original. Although the film is strongly pro-British, it is a satire on the British Army, especially its leadership. It suggests that Britain faced the option of following traditional notions of honourable warfare or to "fight dirty" in the face of such an evil enemy as Nazi Germany.
The British film-making partnership of Michael Powell (1905–1990) and Emeric Pressburger (1902–1988)—together often known as The Archers, the name of their production company—made a series of influential films in the 1940s and 1950s. Their collaborations—24 films between 1939 and 1972—were mainly derived from original stories by Pressburger with the script written by both Pressburger and Powell. Powell did most of the directing while Pressburger did most of the work of the producer and also assisted with the editing, especially the way the music was used. Unusually, the pair shared a writer-director-producer credit for most of their films. The best-known of these are The Life and Death of Colonel Blimp (1943), A Canterbury Tale (1944), I Know Where I'm Going! (1945), A Matter of Life and Death (1946), Black Narcissus (1947), The Red Shoes (1948), and The Tales of Hoffmann (1951).
Contraband (1940) is a wartime spy film by the British director-writer team of Michael Powell and Emeric Pressburger, which reunited stars Conrad Veidt and Valerie Hobson after their earlier appearance in The Spy in Black the previous year. On this occasion, Veidt plays a hero, something he did not do very often, and there is also an early (uncredited) performance by Leo Genn.
49th Parallel is a 1941 British war drama film, the third made by the team of Michael Powell and Emeric Pressburger. It was released in the United States as The Invaders.
The Elusive Pimpernel is a 1950 British period adventure film by the British-based director-writer team of Michael Powell and Emeric Pressburger, based on the novel The Scarlet Pimpernel (1905) by Baroness Emmuska Orczy. It was released in the United States under the title The Fighting Pimpernel. The picture stars David Niven as Sir Percy Blakeney, Margaret Leighton as Marguerite Blakeney and features Jack Hawkins, Cyril Cusack and Robert Coote. Originally intended to be a musical, the film was re-worked as a light-hearted drama.
Gone to Earth is a 1950 British Technicolor film created by the director-writer team of Michael Powell and Emeric Pressburger. It stars Jennifer Jones, David Farrar, Cyril Cusack and Esmond Knight. The film was significantly changed for the American market by David O. Selznick and retitled The Wild Heart in 1952.
The Tales of Hoffmann is a 1951 British Technicolor comic opera film written, produced and directed by the team of Michael Powell and Emeric Pressburger working under the umbrella of their production company The Archers. It is an adaptation of Jacques Offenbach's 1881 opera The Tales of Hoffmann, itself based on three short stories by E. T. A. Hoffmann.
Oh... Rosalinda!! is a 1955 British musical comedy film by the British director-writer team of Michael Powell and Emeric Pressburger. The film stars Michael Redgrave, Mel Ferrer, Anthony Quayle, Ludmilla Tchérina and Anton Walbrook and features Anneliese Rothenberger and Dennis Price.
Ill Met by Moonlight (1957), released in the USA as Night Ambush, is a film by the British writer-director-producer team of Michael Powell and Emeric Pressburger, and the last movie they made together through their production company "The Archers". The film, which stars Dirk Bogarde and features Marius Goring, David Oxley, and Cyril Cusack, is based on the 1950 book Ill Met by Moonlight: The Abduction of General Kreipe by W. Stanley Moss, which is an account of events during the author's service on Crete during World War II as an agent of the Special Operations Executive (SOE). The title is a quotation from Shakespeare's A Midsummer Night's Dream, and the book features the young agents' capture and evacuation of the German general Heinrich Kreipe.
Esmond Penington Knight was an English actor. He had a successful stage and film career before World War II. For much of his later career Knight was half-blind. He had been badly wounded in 1941 while on active service on board HMS Prince of Wales when she fought the Bismarck at the Battle of the Denmark Strait, and remained totally blind for two years, though he later regained some sight in his right eye.
Miracle in Soho is a 1957 British drama film directed by Julian Amyes and starring John Gregson, Belinda Lee and Cyril Cusack. The film depicts the lives of the inhabitants of a small street in Soho and the romance between a local road-builder and the daughter of Italian immigrants.
Ian Christie is a British film scholar. He has written several books including studies of the works of Michael Powell and Emeric Pressburger, Martin Scorsese and the development of cinema. He is a regular contributor to Sight & Sound magazine and a frequent broadcaster. Christie is Professor of Film and Media History at Birkbeck, University of London.
Charles Orme was a British film producer. He worked regularly with Powell & Pressburger, Ralph Thomas, Basil Dearden and John Boorman. He has over 50 credits on a number of classics including The 39 Steps (1959), Khartoum (1966), Deliverance (1972), The Man with the Golden Gun (1974) and The Omen (1976). He was an original member of the multiple-award-winning Powell & Pressburger production team known as The Archers. He was a production assistant, production manager and assistant director on many of their classic productions, including The Red Shoes (1948), The Small Back Room (1949), Gone to Earth (1950) and The Elusive Pimpernel (1950), The Tales of Hoffmann (1951), Oh... Rosalinda!! (1955), The Battle of the River Plate (1956) and Ill Met by Moonlight (1957).