1920 in film

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The year 1920 in film involved some significant events.

Contents

Top-grossing films (U.S.)

The top five films released in 1920 by U.S. gross are as follows:

Highest-grossing films of 1920
RankTitleDistributorDomestic rentals
1 Way Down East United Artists $2,000,000 [1]
2 Why Change Your Wife? Paramount $1,046,286 [2]
3 Passion (Madame DuBarry) UFA/First National $1,000,000 [1]
4 Something to Think About Paramount$915,848 [2]
5 The Mark of Zorro United Artists$500,000 [3]

Events

Notable films released in 1920

Austria

For a complete list see: List of Austrian films of the 1920s

France

For a complete list see: French films of 1920

Germany

For a complete list see: List of German films of 1920

Hungary

Ireland

Italy

Japan

Philippines

For a complete list see: List of Philippine films before 1940

Sweden

For a complete list see: Swedish films before 1930

United Kingdom

For a complete list see: British films of 1920

United States

For a complete list see: American films of 1920

A

B

  • Black Shadows, directed by Howard M. Mitchell [6]

C

D

F

G

H

I

J

L

M

N

O

P

R

S

T

W

Film serials

Short film series

Animated short film series

The following is a list of animated shorts of the year 1920 that belong to series that lasted several years.

A major animated series of the silent era produced by Max Fleischer from 1918 to 1929 in which it appeared Koko the Clown :

Births

Deaths

Film debuts

Films set in 1920

There are films released in later years whose plot is developed totally or partially in 1920:

1920 (2008)
1920: The Evil Returns (2012)
1920: London (2016)

See also

Related Research Articles

This is an overview of 1923 in film, including significant events, a list of films released and notable births and deaths.

This is an overview of 1922 in film, including significant events, a list of films released and notable births and deaths.

This is an overview of 1921 in film, including significant events, a list of films released and notable births and deaths.

1917 in film was a particularly fruitful year for the art form, and is often cited as one of the years in the decade which contributed to the medium the most, along with 1913. Secondarily the year saw a limited global embrace of narrative film-making and featured innovative techniques such as continuity cutting. Primarily, the year is an American landmark, as 1917 is the first year where the narrative and visual style is typified as "Classical Hollywood".

The year 1916 in film involved some significant events.

The year 1915 in film involved some significant events.

The year 1914 in film involved some significant events, including the debut of Cecil B. DeMille as a director.

1913 was a particularly fruitful year for film as an art form, and is often cited one of the years in the decade which contributed to the medium the most, along with 1917. The year was one where filmmakers of several countries made great artistic advancements, producing notable pioneering masterpieces such as The Student of Prague, Suspense, Atlantis, Raja Harischandra, Juve contre Fantomas, Quo Vadis?, Ingeborg Holm, The Mothering Heart, Ma l’amor mio non muore!, L’enfant de Paris and Twilight of a Woman's Soul.

The year 1912 in film involved some significant events.

The year 1911 in film involved some significant events.

The year 1910 in film involved some significant events.

The year 1903 in film involved many significant events in cinema.

L'Homme qui vendit son âme au diable is a 1921 French silent film comedy directed by Pierre Caron. The plot was similar to Faust and The Student of Prague, about a man who makes a diabolical deal with the Devil.

<i>Satan</i> (1920 film) 1920 film

Satan is a 1920 silent German drama film in three parts, directed by F. W. Murnau, written and produced by Robert Wiene. It was one of Murnau's first directorial attempts, and along with his 1920 Der Januskopf, is today considered a lost film. The film starred Fritz Kortner, Sadjah Gezza and Conrad Veidt. Karl Freund was the cinematographer.

The Other Person is a 1921 Dutch-British silent mystery film directed by Maurits Binger and B.E. Doxat-Pratt. It was a co-production between a Dutch film company and a British film company.

Harry Agar Lyons was an Irish-born British actor. He was born in Cork, Ireland in 1878 and died in Wandsworth, London, England in 1944 at age 72.

<span class="mw-page-title-main">Alwin Neuß</span> German actor and film director

Carl Alwin Heinrich Neuß was a German film director and actor, noted for playing Sherlock Holmes in a series of silent films during the 1910s. He also played the dual role of Jekyll and Hyde in the 1910 Danish silent film version of Dr. Jekyll and Mr. Hyde, directed by August Blom. He played Jekyll and Hyde again in the 1914 German silent film Ein Seltsamer Fall, scripted by Richard Oswald.

Figures of the Night (German:Nachtgestalten) is a 1920 German silent horror film written, directed and produced by Richard Oswald and starring Paul Wegener, Conrad Veidt, Reinhold Schünzel and Erna Morena. It is based on the novel Eleagabal Kuperus by Karl Hans Strobl. Strobl was the editor of a German horror fiction magazine called Der Orchideengarten which was said to have been influenced by the works of Edgar Allan Poe. Strobl was an anti-Semitic and later willingly joined the Nazi Party, which may explain why he has become an obscure literary figure today.

Madness (German:Wahnsinn) is a 1919 German silent horror film directed by Conrad Veidt and starring Veidt, Reinhold Schünzel and Grit Hegesa. The film's art direction was by Willi Herrmann.

<i>The Phantom Melody</i> 1920 film by Douglas Gerrard

The Phantom Melody is a 1920 American silent drama film directed by Douglas Gerrard, and starring Monroe Salisbury, Henry A. Barrows, Ray Gallagher, Charles West and Jean Calhoun. The film was released by Universal Film Manufacturing Company on January 27, 1920. The film's "premature burial" plotline tilts it in the direction of being a horror film as well as a melodrama. Director Gerrard emigrated to Hollywood from Ireland in 1913 to become an actor, but quickly gravitated to film directing in 1916 with his The Price of Victory, but gave up directing soon after filming The Phantom Melody.

References

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  3. Vance, Jeffrey; Maietta, Tony (2008). Douglas Fairbanks. ISBN   978-0-5202-5667-5. The Mark of Zorro was produced at a cost of $169,187.05 and in its initial release grossed over three times that amount domestically; it was Fairbanks' most profitable film up to that time.
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