Gregory Scott | |
---|---|
Born | Gregory Scott Frances 15 December 1879 |
Other names | Gregory Scott |
Occupation(s) | Stage and screen actor |
Gregory Scott Frances (b. 15 December 1879), known professionally as Gregory Scott, was a British film actor of the silent era. He worked for a number of film production companies, most significantly for Neptune Films in the early years of World War I and Broadwest Films during 1916-7 and the post-war years to 1921. Scott featured in mainly dramatic roles playing a variety of characters, including villainous roles.
Gregory Scott Frances was born on 15 December 1879 in Sandy, 8 miles (13 km) to the east of Bedford in Bedfordshire, England. [1] [2]
Gregory Frances adopted the stage name of Gregory Scott and commenced acting in the theatre from 1898. [1] His first theatrical engagement was with the Ben Greet company "which played a series of Shakespearean, Sheridan and Goldsmith productions at Brighton". [3] He later toured with the Ben Greet company. [4]
Scott spent three years as a theatre actor at the St. James's Theatre under the management of Sir George Alexander. He also worked at the Haymarket Theatre under the co-management of Frederick Harrison and Cyril Maude. During his theatrical career he was also associated with the actor-manager Lewis Waller. [4]
Scott commenced film work with the London Film Company in a string of short films. [4] He played walk-on parts for six months before he got a credited role. [5] Scott's first role was playing 'Lieutenant Seton Boyne' in the production of Beauty and the Barge , directed by Harold M. Shaw and released in February 1914. [6] [7] He appeared in six more films by London Film Productions, both comedy and drama productions, most of them released in the first half of 1914 prior to the outbreak of World War I. [8] [4] In an interview in 1920 Scott detailed why he preferred the screen to the stage, claiming: "I hate the stage, chiefly because I dislike the sound of my own voice". [9]
In about mid-1914 Scott was engaged by Percy Nash for the newly established Neptune Film Company. He played the role of 'Frank Morland' in The Harbour Lights (released in October 1914), Neptune's first feature film directed by Nash. [4] [10] Scott appeared in several short films made about the same time, including Twin Trunks playing the male lead opposite Nash's actress wife Joan Ritz. [11] Shortly afterwards Scott also had a role in Neptune's second feature production Enoch Arden , made on location at Polperro in Cornwall and also directed by Nash. [10] Over the following twelve months Scott appeared in another eleven films for the Neptune Film Company, both short and feature films, the majority of which were directed by Percy Nash. [8]
In August 1915 Nash resigned from Neptune after a difference of opinion and joined the Trans-Atlantic Film Company (the British agent of Universal Films of America). [10] Scott played lead roles in two films directed by Nash for Trans-Atlantic, Royal Love, released in Britain in October 1915, and The Devil's Bondman, released in Britain in November 1915 (and in the United States in June 1916 as The Scorpion's Sting). [12] [13]
In 1916 Scott was engaged by the Broadwest Film Company. He was initially cast in The Answer , directed by Walter West and released in May 1916. [14] In the following twelve months Scott appeared in five more films produced by Broadwest. [8]
Scott enlisted in the British Army (probably in about mid-1917) and served in France in the Royal Garrison Artillery during World War I. [15] He later described his military service as "a long series of parades, route marches, fatigues, and other scenes familiar to the man in khaki". [3]
Scott appeared in the Broadwest film Not Negotiable , directed by Walter West and released just a month after Armistice. [16] He was still under contract with Broadwest Films, but after Not Negotiable it appears that in the immediate post-war period the company did not have roles for him. In his words: "As they were not ready for me, however, they released me from my contract to play in the Violet Hopson film, The Gentleman Rider ". [3] Scott returned to Broadwest Films for A Great Coup , released in November 1919, and appeared in leading roles in another nine films for the company over the following two years. [8] In 1920 Scott played 'Philip Trent' in Trent's Last Case , a Broadwest Films production based on E. Clerihew Bentley's novel of the same name. [17] Scott's final film for Broadwest was The Penniless Millionaire, released in September 1921. [18]
During his years with Broadwest Films Scott acquired a reputation for villainous screen roles. In a December 1920 interview Scott confided that the reason he often played the part of a villain was because "I'm entirely in the hands of the producer"; he added: "I long to try some other role". [19] The director Walter West commented in 1924: "I also plead guilty to having trained several leading artistes in film villainy, among them being Cameron Carr, Gregory Scott, Arthur Walcott, Bob Vallis, Lewis Gilbert and Mercy Hatton". [20]
Scott was cast in five films produced during 1922, made by four different production companies, each released in the latter part of the year. [8] Two were short films in the series 'The Romance of British History' for the British & Colonial Kinematograph Company (Sea Dogs of Good Queen Bess and The Story of Mary Robsart). [21] Another was also a short film (Wheels of Fate), the third release in 'The Sporting Twelve' series of one-reel sporting dramas. [22]
In an article in the August 1924 Pictures and Picturegoer magazine about the "stars of yesteryear", it was reported about Gregory Scott: "When last heard from, he was chicken farming somewhere in Sussex and apparently Movieland will see him no more". [23] Scott's final appearances on the screen was in five short silent films produced by British Screen Classics and released in October 1926, each of them comedies featuring George Bellamy and all directed by Frank Miller. [8] [1]
|
|
William Henry Pratt, known professionally as Boris Karloff and occasionally billed as Karloff the Uncanny, was an English actor. His portrayal of Frankenstein's monster in the horror film Frankenstein (1931), his 82nd film, established him as a horror icon, and he reprised the role for the sequels Bride of Frankenstein (1935) and Son of Frankenstein (1939). He also appeared as Imhotep in The Mummy (1932), and voiced the Grinch in, as well as narrating, the animated television special of Dr. Seuss' How the Grinch Stole Christmas! (1966), which won him a Grammy Award.
Daniel Michael DeVito Jr. is an American actor and filmmaker. He gained prominence for his portrayal of the taxi dispatcher Louie De Palma in the television series Taxi (1978–1983), which won him a Golden Globe Award and an Emmy Award. He plays Frank Reynolds on the FXX sitcom It's Always Sunny in Philadelphia (2005–present).
Herbert Brenon was an Irish-born U.S. film director, actor and screenwriter during the era of silent films through 1940.
Joel Edgerton is an Australian actor and filmmaker. He is known for his portrayal of Will McGill on the first two seasons of the Australian drama series The Secret Life of Us (2001–02), and for playing Owen Lars in the Star Wars films Attack of the Clones (2002) and Revenge of the Sith (2005), a role he reprised in the Disney+ series Obi-Wan Kenobi (2022). For his portrayal of Richard Loving in the 2016 historical drama Loving, he received a nomination for the Golden Globe Award for Best Actor in a Motion Picture.
Spaceways is a 1953 British second feature ('B') science fiction drama film directed by Terence Fisher and starring Howard Duff, Eva Bartok and Alan Wheatley. It was produced by Michael Carreras for Hammer Film Productions Ltd. and Lippert Productions Inc., with Robert L. Lippert as uncredited co-producer. The screenplay was written by Paul Tabori and Richard Landau, based on the 1952 radio play by Charles Eric Maine. The film was distributed in the UK by Exclusive Films Ltd. and in the United States by Lippert Pictures.
Gordon S. Griffith was an American assistant director, film producer, and one of the first child actors in the American movie industry. Griffith worked in the film industry for five decades, acting in over 60 films, and surviving the transition from silent films to talkies—films with sound. During his acting career, he worked with Charlie Chaplin, and was the first actor to portray Tarzan on film.
Sidney Bracey was an Australian-born American actor. After a stage career in Australia, on Broadway and in Britain, he performed in more than 320 films between 1909 and 1942.
Herbert Yost was an American actor who in a career that spanned nearly half a century performed predominantly on stage in stock companies and in numerous Broadway productions. Yost also acted in motion pictures, mostly in one-reel silent shorts released by the Biograph Company and Edison Studios between November 1908 and July 1915. By the time he began working in the film industry, Yost already had more than a decade of stage experience in hundreds of dramatic and comedic roles and was widely regarded in the theatre community "as one of the country's finest stock actors". Reportedly, to reduce the risk of tarnishing his reputation as a professional actor by being identified as a screen performer, Yost often billed himself as "Barry O'Moore" while working in films. He was ultimately cast in scores of motion pictures in the early silent era, although with the exceptions of appearing in three more films in the sound era, Yost spent the remaining decades of his career acting in major theatre productions, almost exclusively on Broadway.
Picturegoer was a fan magazine published in the United Kingdom between 1911 and 23 April 1960.
Agnes Vernon was an American film actress of the silent era. While still in her teens, she experienced a meteoric ascent from obscurity to box-office sensation. After turning twenty-three and a movie career fading away, she abandoned the silver screen forever. Vernon performed in over 90 films between 1913 and 1922. She completed most of her roles under contract with Universal Pictures.
Guy Newall was a British actor, screenwriter and film director in a career that encompassed the silent era of film-making to the early years of sound films.
Charles Lapworth was a British-born socialist activist, journalist and film promoter.
Albert Victor Bramble (1884–1963) was an English actor and film director. He began his acting career on the stage. He started acting in films in 1914 and subsequently turned to directing and producing films. He died on 17 May 1963.
Violet Hopson was an actress and producer who achieved fame on the British stage and in British silent films. She was born Elma Kate Victoria Karkeek in Port Augusta, South Australia on 16 December 1887. Violet Hopson was her stage name, while in childhood she was known as Kate or Kitty to her family.
Harold Marvin Shaw was an American stage performer, film actor, screenwriter, and director during the silent era. A native of Tennessee, he worked in theatrical plays and vaudeville for 16 years before he began acting in motion pictures for Edison Studios in New York City in 1910 and then started regularly directing shorts there two years later. Shaw next served briefly as a director for Independent Moving Pictures (IMP) in New York before moving to England in May 1913 to be "chief producer" for the newly established London Film Company. During World War I, he relocated to South Africa, where in 1916 he directed the film De Voortrekkers in cooperation with African Film Productions, Limited. Shaw also established his own production company while in South Africa, completing there two more releases, The Rose of Rhodesia in 1918 and the comedy Thoroughbreds All in 1919. After directing films once again in England under contract with Stoll Pictures, he finally returned to the United States in 1922 and later directed several screen projects for Metro Pictures in California before his death in Los Angeles in 1926. During his 15-year film career, Shaw worked on more than 125 films either as a director, actor, or screenwriter.
Bertram Burleigh was a British actor of the silent era. After early theatrical roles, Burleigh performed in leading roles in a series of British films from 1914 to 1927. He retired from acting in the late 1920s, after which he managed cinemas and hotels in the West Midlands area.
Daisy Burrell was a British stage actress and Edwardian musical comedy performer who also appeared as a leading lady in silent films and in pantomime.
Steve Conte was an Italian-born American actor who immigrated with his family to the United States in the early 1920s. He often played henchmen, thugs, and criminal types, besides playing ethnicities. His career lasted nearly thirty-seven years in both film and television. He appeared in approximately fifty different television series and more than thirty films. He worked at least a half dozen times with B Grade director Jerry Warren.
William Robert Daly was an actor and director of silent films.
Dorothy Batley was a British actress of the stage and screen, with a notable period as a child actor in the period 1910 to 1916. Both her parents directed films in the period before and during World War I, often featuring Dorothy as the spirited and resourceful child heroine. As a young adult in the post-war years Batley worked as a theatre actress. In 1930 she married the film actor and director Guy Newall. The couple had a daughter, born in 1932, but her husband died in 1937. Batley had returned to the stage by 1941. She resumed her film career after 30 years when she was cast in minor roles in several motion pictures from 1949. From the late 1950s to the mid-1960s Batley was cast in a number of minor roles in a various television series.