Out of the Inkwell | |
---|---|
Directed by | Max Fleischer Dave Fleischer |
Written by | Max Fleischer |
Produced by | Max Fleischer |
Release date | June 10, 1918 – August 26, 1929 |
Country | United States |
Languages | Silent film English (1960s reboot) |
Out of the Inkwell is an American animated film series of the silent era. It was produced by Max Fleischer from 1918 to 1929 and was called The Inkwell Imps at the end of that period. [1]
The series was the result of three short experimental films that Max Fleischer independently produced from 1914 to 1916 to demonstrate his invention, the rotoscope, a device consisting of a film projector and easel used to achieve realistic movement for animated cartoons. The rotoscope projected motion picture film through an opening in the easel, covered by a glass pane serving as a drawing surface. The image on the projected film was traced onto paper, advancing the film one frame at a time as each drawing was made. Fleischer's younger brother Dave Fleischer, who was working as a clown at Coney Island, served as the model for their first famous character, eventually known as Koko the Clown.
Out of the Inkwell began at the Bray Studio as a monthly entry in The Bray Pictograph Screen Magazine produced for Paramount from 1918, and later for Goldwyn Pictures from 1919 to 1921. In that same year, The Fleischer brothers started their own studio, and in 1923, the clown who previously had no name came to be known as Koko when animation veteran Dick Huemer became the new director of animation.
Huemer, who began his animation career with the Mutt and Jeff cartoons in 1916, brought the influence of the short and tall companions to Out of the Inkwell with the creation of a small canine companion named Fitz, who later evolved into Bimbo in the sound era. Huemer redesigned the clown for animation, which reduced Fleischer's dependency on the Rotoscope for fluid animation. He also defined the drawing style with his distinctive inking quality that the series was famous for, but it was the interaction of the live-action sequences with the artist/creator, Max Fleischer, and his pen and ink creations that were the foundation of the series. Typically, the cartoons start with live-action showing Max drawing the characters on paper, or opening the inkwell to release the characters into "reality".
The Out of the Inkwell series ran from 1919 to mid 1927, [2] and was renamed The Inkwell Imps for Paramount, continuing until 1929. [3] In all, 77 Out of the Inkwell and 57 Inkwell Imps films were produced in eleven years. The Inkwell Imps series was replaced by the "Talkartoons" in 1929, and Koko was retired until 1931, appearing as a supporting character with Bimbo and Betty Boop. Koko's last theatrical appearance was in the Betty Boop cartoon Ha-Ha-Ha (1934), a remake of the silent Out of the Inkwell film The Cure (1924). Koko had a brief cameo in his only color theatrical appearance in the Screen Song entry Toys will be Toys (1949).
In 1950, Stuart Productions released a number of the Inkwell Studios Out of the Inkwell cartoons, and a selection of the Paramount Inkwell Imps cartoons to television. [4] In 1955, the Inkwell Imps, along with 2,500 pre-October 1950 Paramount shorts and cartoons were sold to television packagers, the majority acquired by U.M. & M. TV Corporation.
In 1958, Max Fleischer revived his studio in a partnership with Hal Seeger, and in 1960 produced a series of one hundred Out Of The Inkwell five-minute cartoons. In the new color series, Koko had a clown girlfriend named Kokette, a pal named Kokonut, and a villain named Mean Moe. Larry Storch provided the voice for Koko and all of the supporting characters.
Many of the shorts in the original series are now in the public domain. One short in the series, 1922's The Hypnotist, was preserved by the Academy Film Archive in 2010. [5] In 2024, the short Ko-Ko's Earth Control was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". [6]
The following is an attempt to list the complete filmography of the Out of the Inkwell/Inkwell Imps shorts, assembled from the best surviving documentation. [7] [8]
Fleischer Studios was an American animation studio founded in 1929 by brothers Max and Dave Fleischer, who ran the pioneering company from its inception until its acquisition by Paramount Pictures, the parent company and the distributor of its films. In its prime, Fleischer Studios was a premier producer of animated cartoons for theaters, with Walt Disney Productions being its chief competitor in the 1930s.
Max Fleischer was a Polish-American animator and studio owner. Born in Kraków, Poland, Fleischer immigrated to the United States where he became a pioneer in the development of the animated cartoon and served as the head of Fleischer Studios, which he co-founded with his younger brother Dave. He brought such comic characters as Koko the Clown, Betty Boop, Popeye, and Superman to the movie screen, and was responsible for several technological innovations, including the rotoscope, the "follow the bouncing ball" technique pioneered in the Ko-Ko Song Car-Tunes films, and the "stereoptical process". Film director Richard Fleischer was his son.
Talkartoons is a series of 42 animated cartoons produced by Fleischer Studios and distributed by Paramount Pictures from 1929 to 1932.
Koko the Clown is an animated cartoon character created by Max Fleischer. His first appearance as the main protagonist in Out of the Inkwell (1918–1929), a major animated series of the silent era. Throughout the series, he goes on many adventures with his canine companion "Fitz the Dog", who would later evolve into Bimbo in the Betty Boop cartoons.
The silent age of American animation dates back to at least 1906 when Vitagraph released Humorous Phases of Funny Faces. Although early animations were rudimentary, they rapidly became more sophisticated with such classics as Gertie the Dinosaur in 1914, Felix the Cat, Oswald the Lucky Rabbit, and Koko the Clown.
Bray Productions was a pioneering American animation studio that produced several popular cartoons during the years of World War I and the early interwar era, becoming a springboard for several key animators of the 20th century, including the Fleischer brothers, Walter Lantz, Paul Terry, Shamus Culhane and Grim Natwick among others.
Frederick Schiller Faust was an American writer known primarily for his Western stories using the pseudonym Max Brand. As Max Brand, he also created the popular fictional character of young medical intern Dr. James Kildare for a series of pulp fiction stories. His Kildare character was subsequently featured over several decades in other media, including a series of American theatrical movies by Paramount Pictures and Metro-Goldwyn-Mayer (MGM), a radio series, two television series, and comics. Faust's other pseudonyms include George Owen Baxter, Evan Evans, Peter Dawson, David Manning, John Frederick, Peter Henry Morland, George Challis, and Frederick Frost. He also wrote under his real name. As George Challis, Faust wrote the "Tizzo the Firebrand" series for Argosy magazine. The Tizzo saga was a series of historical swashbuckler stories, featuring the titular warrior, set in Renaissance Italy.
Dave Fleischer was an American film director and producer who co-owned Fleischer Studios with his older brother Max Fleischer. He was a native of New York City.
Phonofilm is an optical sound-on-film system developed by inventors Lee de Forest and Theodore Case in the early 1920s.
Edythe Chapman was an American stage and silent film actress.
Bernard "Berny" Wolf was an American animator and television producer.
Ko-Ko Song Car-Tunes, Song Car-Tunes, or Sound Car-Tunes, is a series of short three-minute animated films produced by Max Fleischer and Dave Fleischer between May 1924 and September 1927, pioneering the use of the "Follow the Bouncing Ball" device used to lead audiences in theater sing-alongs. The Song Car-Tunes also pioneered the application of sound film to animation.
William V. Mong was an American film actor, screenwriter and director. He appeared in almost 200 films between 1910 and 1939. His directing (1911–1918) and screenwriting (1911–1922) were mostly for short films.
Agnes Herring was an American actress. She appeared in more than 100 films between 1915 and 1939.
Richard Huemer was an American animator in the Golden Age of Animation.
George Fawcett was an American stage and film actor of the silent era.
Shirley Mason was an American actress of the silent era.
Frida Richard was an Austrian actress. She was a prolific actress in both the silent and sound eras.
Hermann Picha was a German stage and film actor. Picha was extremely prolific, appearing in over 300 short and feature films during the silent and early sound eras. Picha played a mixture of lead and supporting roles during his career. He played the title role in the 1920 film Wibbel the Tailor, directed by Manfred Noa. He appeared in Fritz Lang's Destiny.