Go and Get It | |
---|---|
Directed by | Marshall Neilan Henry Roberts Symonds |
Written by | Marion Fairfax |
Starring | Pat O'Malley Wesley Barry Agnes Ayres |
Production company | Marshall Neilan Productions |
Distributed by | First National Exhibitors' Circuit |
Release date |
|
Running time | 70 minutes |
Country | United States |
Languages | Silent film (English intertitles) |
Go and Get It is a 1920 American silent comedy-drama mystery film directed by Marshall Neilan and Henry Roberts Symonds and written by Marion Fairfax. The film stars Pat O'Malley, Wesley Barry, Noah Beery Sr. and Agnes Ayres. The cinematographer was David Kesson. [1] The film was released on July 18, 1920 by First National Exhibitors' Circuit. [2] [3] [4]
Actor Bull Montana (a former professional wrestler) played Ferry, the Ape Creature, in the film. He later went on to play the ape-man in the 1925 Willis H. O'Brien classic The Lost World , which was also written by Marion Fairfax and starred Noah Beery's actor brother Wallace Beery. [5]
The film has a plot about brain transplants. A scientist transplanted the brain of a criminal into the body of a gorilla. The gorilla went on a killing spree against the criminal's enemies. A female newspaper owner decides to investigate the case.
Helen Allen (Agnes Ayres) inherits her deceased father's newspaper, but someone is trying to sabotage the business. She gets a job at the company under a false name, so that she can detect exactly who is trying to ruin her. She winds up instead investigating a number of gruesome murders with the help of a reporter named Kirk Connelly (Pat O'Malley).
One of the victims was a scientist named Dr. Ord (Noah Beery). Helen learns that Dr. Ord had been involved in an experiment in which he transplanted the brain of a criminal into the body of a gorilla. The beast turned on him and then went on a killing spree, hunting down and murdering all of his old enemies. In the end, Helen also finds out who it was who was trying to ruin her newspaper.
The film was considered a lost film for decades. [6] [7] A print was discovered at the Cineteca Italiana film archive in Italy. [8]
This is an overview of 1923 in film, including significant events, a list of films released and notable births and deaths.
This is an overview of 1922 in film, including significant events, a list of films released and notable births and deaths.
The year 1920 in film involved some significant events.
The year 1916 in film involved some significant events.
The year 1915 in film involved some significant events.
1913 was a particularly fruitful year for film as an art form, and is often cited one of the years in the decade which contributed to the medium the most, along with 1917. The year was one where filmmakers of several countries made great artistic advancements, producing notable pioneering masterpieces such as The Student of Prague, Suspense, Atlantis, Raja Harischandra, Juve contre Fantomas, Quo Vadis?, Ingeborg Holm, The Mothering Heart, Ma l’amor mio non muore!, L’enfant de Paris and Twilight of a Woman's Soul.
The year 1912 in film involved some significant events.
The year 1911 in film involved some significant events.
The year 1910 in film involved some significant events.
L'Homme qui vendit son âme au diable is a 1921 French silent film comedy directed by Pierre Caron. The plot was similar to Faust and The Student of Prague, about a man who makes a diabolical deal with the Devil.
The Mechanical Man is a 1921 Italian science fiction film directed by André Deed. It was produced in 1920 and released in November 1921. It is one of the first science fiction films produced in Italy, and the first film showing a battle between two robots. The cinematographer was Alberto Chentrens.
The Hunchback and the Dancer is a 1920 silent German horror film directed by F. W. Murnau and photographed by Karl Freund. This is now considered to be a lost film. The film was written by Carl Mayer, who also wrote The Cabinet of Dr. Caligari (1920). Karl Freund later emigrated to Hollywood where he directed such classic horror films as The Mummy (1932) and Mad Love (1935). It premiered at the Marmorhaus in Berlin.
The Other Person is a 1921 Dutch-British silent mystery film directed by Maurits Binger and B.E. Doxat-Pratt. It was a co-production between a Dutch film company and a British film company.
Esmeralda is a 1922 British silent film and an adaptation of the 1831 novel The Hunchback of Notre-Dame by Victor Hugo, with more emphasis on the character of Esmeralda rather than Quasimodo. It was directed by Edwin J. Collins and starred Sybil Thorndike as Esmeralda and Booth Conway as the hunchback. The film is considered lost, but extant still photos show a 40-year-old Thorndike who appears to be too old for the role of the young and virginal Esmeralda. This version emphasized romance and melodrama over horror.
The Drums of Jeopardy is a 1923 American silent mystery film directed by Edward Dillon, written by Arthur Hoerl and featuring Wallace Beery. It is based on the 1920 novel of the same name by Harold McGrath which was serialized in the Saturday Evening Post. The film was released by Tru-art Film Company in November 1923. The name of the villain in the story was originally called Boris Karlov, but when the actor Boris Karloff rose to prominence circa 1923, the character's name was changed to Gregor Karlov to avoid confusion. It was changed back to Boris again in the 1931 remake of the film which starred Warner Oland as the villain.
Orphan of Lowood is a 1926 German silent drama film directed by Curtis Bernhardt and starring Evelyn Holt, Olaf Fønss and Dina Diercks. It is based on the 1847 British novel Jane Eyre by Charlotte Brontë, and is the last of at least eight silent film adaptations of the novel. It was shot at the Terra Studios in Marienfelde. Director Bernhardt, a Jew wanted by the Gestapo, escaped from Nazi Germany and immigrated to Hollywood where he directed films for MGM, RKO, Columbia Pictures and Warner Brothers.
Figures of the Night (German:Nachtgestalten) is a 1920 German silent horror film written, directed and produced by Richard Oswald and starring Paul Wegener, Conrad Veidt, Reinhold Schünzel and Erna Morena. It is based on the novel Eleagabal Kuperus by Karl Hans Strobl. Strobl was the editor of a German horror fiction magazine called Der Orchideengarten which was said to have been influenced by the works of Edgar Allan Poe. Strobl was an anti-Semitic and later willingly joined the Nazi Party, which may explain why he has become an obscure literary figure today.
Spook Ranch is a 1925 American silent Western film directed by Edward Laemmle and starring Hoot Gibson. It was produced and distributed by Universal Pictures. The film featured white actor Ed Cowles in blackface playing Hoot Gibson's black sidekick, George Washington Black.
The Phantom of the Moulin Rouge is a 1925 French silent comedy fantasy film, directed by René Clair and starring Albert Préjean, Sandra Milovanoff and Paul Ollivier. It was based on a novel by Walter Schlee. The film's sets were designed by Robert Gys.
The Leopard Lady is a 1928 American silent horror film directed by Rupert Julian, written by Beulah Marie Dix, and starring Jacqueline Logan, Alan Hale and Robert Armstrong. The film, based on a play by Edward Childs Carpenter, is about a female animal trainer named Paula who goes undercover at a circus that has been beset by a number of unexplained horrific murders. A gorilla trained to kill people turns out to be the culprit, the simian being played by Charles Gemora. The cast boasted several name stars who went on to long acting careers, including Alan Hale, Robert Armstrong, and Richard Alexander. Rupert Julian directed this film late in his fading career, following it up with his final picture The Cat Creeps (1930), another lost film.