The Vagabond Lover | |
---|---|
Directed by | Marshall Neilan |
Written by | James Ashmore Creelman |
Produced by | William LeBaron |
Starring | Rudy Vallee Sally Blane Marie Dressler Charles Sellon |
Cinematography | Leo Tover |
Edited by | Arthur Roberts |
Music by | Victor Baravalle (music director) Harry M. Woods (songwriter) |
Distributed by | RKO Radio Pictures |
Release dates | |
Running time | 65 minutes |
Country | United States |
Language | English |
Budget | $204,000 [2] |
Box office | $756,000 [2] |
The Vagabond Lover is a 1929 American pre-Code black-and-white musical comedy-drama film about a small-town boy who finds fame and romance when he joins a dance band. The film was directed by Marshall Neilan and is based on the novel of the same name written by James Ashmore Creelman, who also wrote the screenplay. It stars Rudy Vallee, in his first feature film, along with Sally Blane, Marie Dressler and Charles Sellon. [3]
The film premiered in New York City on November 26, 1929, and was released widely on December 1. A DVD version was released on March 29, 2005. The Vagabond Lover is an early example of a vehicle created for a popular music star, in a style echoed by later films such as Jailhouse Rock with Elvis Presley and A Hard Day's Night with the Beatles.
Rudy Bronson is a senior in a small college in the Midwest who completes a correspondence course in the saxophone given by the nationally known Ted Grant. Bronson and his friends form a band but have difficulty finding work. Believing that Grant will help them land professional jobs, the band heads to his Long Island home. They pester Grant for an interview so relentlessly that Grant and his manager must escape to New York City until Bronson finally relents and returns home.
After Grant has left, his neighbor Mrs. Whitehall grows suspicious of the unknown young men hanging around his house. Thinking that they might be burglars, she calls the police. Whitehall and her niece Jean confront Bronson. Thinking quickly, one of Bronson's friends introduces him as Ted Grant, whom Whitehall has never met. The police are still suspicious, but when Bronson and his band play for them, they believe that he is Grant. Whitehall is so impressed that she hires Bronson's band to play at a charity concert.
As they are waiting for the day of the concert, Bronson and Jean become romantically involved, and the band becomes relatively successful. However, on the night before the charity event, Jean is upset to discover that Bronson has been impersonating Grant. Another socialite reports Bronson to the police, but before he can be arrested, Grant returns and claims credit for discovering Bronson and his band. The band becomes a great success, and Bronson is reconciled with Jean.
Vallee's band, the Connecticut Yankees, made their film debut in The Vagabond Lover. [1]
Vallee was angry after viewing the film's trailer, which contained the slogan, "Men Hate Him—Women Love Him." However, it was too late into production for it to be changed. [4]
The film was a box-office success and returned a profit of $335,000. [2] It was one of four top hits for RKO in 1929. [5]
Mordaunt Hall of The New York Times wrote a positive review, noting that film "... relies on fun, tuneful songs and appealing music." He applauded Rudy Vallee's and Marie Dressler's performances, although he did have some negative points regarding the dialogue and was ambivalent regarding some of the acting. [3]
A negative review was published in Motion Picture Magazine : "Once and for all, this movie should refute the theory apparently held by picture producers that a celebrity in any line is good movie material," the reviewer summed up. The reviewer did, however, praise Marie Dressler's performance and wrote in conclusion, "If you like sentimental songs that rhyme 'Moonbeams' with 'June-dreams,' you'll love the ones in 'The Vagabond Lover.'" [6] [7]
In Screenland , Delight Evans wrote: "It's true that the crooning lad of the radio has not quite mastered all of the celluloid technique, but you forget that when he sings," wrote . She concluded, "Marie Dressler romps away with a personal hit in hilarious comedy scenes. But it's Rudy's show, and when he sings you can let the rest of the world go by." The picture was given Screenland's Seal of Approval. [8]
Reviewing the film for The Nation, Alexander Bakshy wrote: "[Rudy Vallée] gives his admirers what they long for—a succession of songs to the accompaniment of a jazz band which makes their hearts melt and fills their beings with a glow of 'romance.'" [9]
Vallée did not like the film. In a 1980 interview he said: "They're still fumigating the theaters where it was shown. Almost ruined me. In fact, I think it's only shown in penitentiaries and comfort stations." [10]
In his book The Speed of Sound: Hollywood and the Talkie Revolution, Scott Eyman wrote: "Neilan's The Vagabond Lover features the adenoidal singing and ungodly dance-band music of Ruby Vallee, who displays the preoccupied concern of a man trying to pass a kidney stone; his acting ability was of the sort usually found only in sixth-grade plays. Vallee makes Crosby look like Cagney and plays the kind of music that Spike Jones mercilessly parodied. It's the film of a director at a total loss; actors stumble over their lines but plow gamely ahead, and Neilan keeps the footage in the film. It might not all be Neilan's fault; the original negative of the film was burned in a studio fire, and the film survives today as reconstructed with outtakes." [11]
The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
Wilbur Herschel Jennings was an American lyricist. He was known for writing the songs "Up Where We Belong", "Higher Love", "Tears in Heaven" and "My Heart Will Go On". He was inducted into the Songwriters Hall of Fame and won several awards including three Grammy Awards, two Golden Globe Awards, and two Academy Awards.
Hubert Prior Vallée, known professionally as Rudy Vallée, was an American singer, saxophonist, bandleader, actor, and entertainer. He was the first male singer to rise from local radio broadcasts in New York City to national popularity as a "crooner".
This is a list of notable events in music that took place in the year 1929.
RKO Records and Unique Jazz are two record labels which began in 1955 as Unique Records, a New York City pop music record label. After several small pop hits, such as "Man in the Raincoat" by fourteen-year-old Priscilla Wright, the label was acquired by General Tire subsidiary RKO Teleradio in 1957 and placed its owner, Stanley Borden, in charge of its music entertainment division. From 1957 on, the label was billed as RKO/Unique.
Richard Armstrong Whiting was an American composer of popular songs, including the standards "Hooray for Hollywood", "Ain't We Got Fun?" and "On the Good Ship Lollipop". He also wrote lyrics occasionally, and film scores most notably for the standard "She's Funny That Way".
Marshall Ambrose "Mickey" Neilan was an American actor, director, producer, and screenwriter, whose work in films began in the early silent era.
Glorifying the American Girl is a 1929 American pre-Code musical comedy film produced by Florenz Ziegfeld that highlights Ziegfeld Follies performers. The last third of the film, which was filmed in early Technicolor, is basically a Follies production, with appearances by Rudy Vallee, Helen Morgan, and Eddie Cantor.
"P.S. I Love You" is a popular song with music by Gordon Jenkins and lyrics by Johnny Mercer. published in 1934.
Victor Baravalle (1885–1939) was an Italian-born composer, music director, and conductor, best known for his work on both the stage and film productions of the Jerome Kern and Oscar Hammerstein II musical Show Boat.
The bouncing ball is a virtual device used in motion picture films and video recordings to visually indicate the rhythm of a song, helping audiences to sing along with live or prerecorded music. As the song's lyrics are displayed on the screen in a lower third of projected or character-generated text, an animated ball bounces across the top of the words, landing on each syllable when it is to be sung.
"Life Is Just a Bowl of Cherries" is a popular song with music by Ray Henderson and lyrics by Lew Brown, published in 1931. Ethel Merman introduced this song in George White's Scandals of 1931. A Rudy Vallée version, recorded in 1931, achieved success. The song was revived in 1953 by singer Jaye P. Morgan.
"Nobody's Sweetheart", also known as "Nobody's Sweetheart Now" and "You're Nobody's Sweetheart Now", is a popular song, written in 1924, with music by Billy Meyers and Elmer Schoebel, and lyrics by Gus Kahn and Ernie Erdman. The song is a jazz and pop standard.
"I Guess I'll Have to Change My Plan" is a popular song published in 1929, with music by Arthur Schwartz and lyrics by Howard Dietz.
People Are Funny is a 1946 American musical comedy film directed by Sam White and starring Jack Haley, Helen Walker and Rudy Vallee. It is based on the popular radio show of the same name and was produced by Pine-Thomas Productions for release by Paramount Pictures.
"Deep Night" is a song and jazz standard with a melody composed in 1929 by Charles E. Henderson and lyrics written by Rudy Vallee. The tune is written in a minor key.
Will Osborne was a Canadian-born American bandleader, trombonist, and crooner.
Crooner is a 1932 American pre-Code musical drama film directed by Lloyd Bacon and starring David Manners along with Ann Dvorak and Ken Murray. It concerns the abrupt rise and fall of a popular crooner, Teddy Taylor.
The Stein Song is a 1930 animated short film which is presented by Max Fleischer and was directed by Dave Fleischer. The film, which was animated by Rudy Zamora and Jimmie Culhane, features a sing-along version to "The Stein Song", which was written by Lincoln Colcord and was originally published in 1910. The song is also the school song for the University of Maine.
"The Thrill Is Gone" is a popular song composed by Ray Henderson with lyrics by Lew Brown which was first sung by Everett Marshall in the Broadway revue George White's Scandals in 1931.