Dinty | |
---|---|
Directed by | |
Screenplay by | Marion Fairfax |
Story by | Marshall Neilan |
Produced by | Marshall Neilan |
Starring | Wesley Barry |
Cinematography | David Kesson Foster Leonard Charles Rosher |
Edited by |
|
Production company | |
Distributed by | Associated First National Pictures |
Release date |
|
Running time | 73 minutes |
Country | United States |
Language | Silent (English intertitles) |
Dinty is a 1920 American silent comedy drama film written by Marshall Neilan and John McDermott specifically for Wesley Barry, a young actor known for his freckled complexion. Prominent among the supporting players were Colleen Moore, Marjorie Daw, Pat O'Malley, and Noah Beery.
Together with the African American Aaron Mitchell and the Chinese-American Walter Chung, Barry creates the prototype of the multi-ethnic baby gang which will serve as a model for the successful series of Our Gang (1922–44) and in other feature films like Little Annie Rooney (1925) with Mary Pickford. [2]
The film is extant, archived in the Filmmuseum in Amsterdam. [3]
In a village in the Irish woods, young Doreen Adair (Colleen Moore) falls in love with a young man, Danny O'Sullivan (Tom Gallery). One day, Danny receives notice that he is offered a job in America. Before leaving, he marries Doreen. A year later, a son is born, and Doreen decides to follow her husband to America. Upon arriving in San Francisco from Ireland, Doreen discovers through Danny's landlady Mrs. O'Toole (Kate Price) that her husband has been killed in a car accident.
To support herself and her infant son Dinty, Doreen labors night shifts as a scrub woman until, at the age of twelve, Dinty (Wesley Barry) becomes the family's breadwinner by selling newspapers, forming his own street gang with other children. Doreen, meanwhile, suffers from tuberculosis and gets weaker by the day.
Meanwhile, in Chinatown, when Judge Whitely (J. Barney Sherry) imprisons the son of opium smuggler Wong Tai (Noah Beery), Wong Tai retaliates by kidnapping the judge's daughter (Marjorie Daw). Dinty, whose work as a newsboy has familiarized him with the Chinese underworld, leads police to Wong Tai's hideout and saves the judge's daughter from a bizarre death by torture. As Dinty's mother has succumbed to tuberculosis, the grateful Judge Whitely adopts Dinty.
In an earlier film, Go and Get It (1920), Barry played a supporting role as a paperboy named "Dinty". Neilan used the character to create a story in a similar vein as a starring vehicle for Barry, who was being groomed by the studio. [4]
Moore, on loan from Christie Film Company, would sign a lucrative contract with Neilan when production for Dinty was completed. [5] Anna May Wong appeared in an uncredited role that also led to more work with Neilan; after Dinty, he created a role for her in Bits of Life for which she earned her first screen credit. [6]
Portions of the film were shot on location in San Francisco including Chinatown and Adolph B. Spreckels' Spreckels Mansion. [1] [6] The end of the film was shot on location on Catalina Island. [5] Sets were designed by Ben Carré. [7]
Released November 29, 1920, Dinty was successful. [8] [9] A booklet on Wesley Barry's life was put out concurrently, part of the movie's promotional strategy. [10] Neilan also used the release of Dinty to debut a campaign to improve the artistic quality of film stills. [11]
Reviews of the film were generally favorable. The Dramatic Mirror called it "a photoplay of remarkable direction, excellent acting ... and perfect photography". [12] The reviewer for Motion Picture News wrote: "There are enough elements in this feature to please every type of picturegoer." [13] Positive reviews appeared in trade papers Variety , Wid's , and the Exhibitors Herald . [14]
Some of the positive reviews were conditional. The Photoplay reviewer commented that Neilan's "human touch ... however obvious and conventional it may become, is usually effective". The New York Times critic noted the "deliberateness" that led to a deficiency in "genuineness", especially in the dramatic and action scenes. [15]
Marion Fairfax was an American screenwriter, playwright, actress, and producer.
Marshall Ambrose "Mickey" Neilan was an American actor, director, producer, and screenwriter, whose work in films began in the early silent era.
Seena Owen was an American silent film actress and screenwriter.
Dorothy Mackaill was a British-American actress, most active during the silent-film era and into the pre-Code era of the early 1930s.
Wesley Barry was an American actor, director, and producer. Barry began his career as a child actor in silent motion pictures and later became a producer and director of both film and television. As a director, he was sometimes billed as Wesley E. Barry.
The Trail of the Lonesome Pine is a 1923 American silent Western film directed by Charles Maigne and starring Mary Miles Minter. It was adapted by Will M. Ritchey from the play and novel of the same name by John Fox Jr. This was the second time that Maigne had directed Minter in an adaptation of a Fox novel, the first being 1920's A Cumberland Romance. This was Minter's final film; her contract with Paramount Pictures was not renewed, and she stated that she was "through" with films. As with many of Minter's features, The Trail of the Lonesome Pine is thought to be a lost film.
Bits of Life is a 1921 American film produced and directed by Marshall Neilan. The cast included Lon Chaney and Noah Beery, Sr. For her performance in this film, Anna May Wong received her first screen credit. It is notable as an early anthology film, comprising four short stories: “The Bad Samaritan” by Thomas McMorrow, “The Man Who Heard Everything” by Walter Trumbull, “Hop” by Hugh Wiley, and “The Intrigue” by Marshall Neilan. The four stories were unrelated, shot with different casts, by different directors, and at different times. The poster called the format "The Magazine Idea brought to the screen". The film's tagline was "The Social World! The Underworld! and San Francisco's Chinatown!".
Her Wild Oat is a 1927 American silent comedy film made by First National Pictures, directed by Marshall Neilan, and starring Colleen Moore. The screenplay was written by Gerald C. Duffy, based on a story by Howard Irving Young.
The Lotus Eater is a 1921 American silent romantic drama film produced and directed by Marshall Neilan and released through Associated First National. The Lotus Eater starred John Barrymore with Colleen Moore as the female lead. The Lotus Eater is now considered lost.
Judy of Rogue's Harbor is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter. The film is based on the novel of the same name by Grace Miller White, with a scenario by Clara Beranger. It was produced by Famous Players–Lasky and distributed through Realart and Paramount Pictures. As with many of Minter's features, it is thought to be a lost film.
The Unpardonable Sin is a 1919 American silent drama/propaganda film set during World War I. The film was produced by Harry Garson, directed by Marshall Neilan, written by Kathryn Stuart, and stars Neilan's wife, Blanche Sweet, who portrays dual roles in the film. The Unpardonable Sin is based on the novel of the same name by Rupert Hughes. The Silent Era site reports that it is not known whether the film currently survives, suggesting that it is a lost film. However, prints and/or fragments did turn up in the Dawson Film Find in 1978, so some of it at least survives.
All Souls' Eve is a 1921 American silent drama film directed by Chester M. Franklin and starring Mary Miles Minter. The film is based on the mystical 1920 Broadway play of the same name by Anne Crawford Flexner, with a story by Elmer Blaney Harris. Much was made of the film's use of double, triple and quadruple exposures to enable Minter to play two parts within the same scenes. As with many of Minter's features, it is thought to be a lost film.
The Skyrocket is a 1926 American silent romantic drama film directed by Marshall Neilan and starring Peggy Hopkins Joyce. The film was based on the 1925 novel of the same name by Adela Rogers St. Johns and scripted by Benjamin Glazer.
A Fighting Colleen is a 1919 American silent comedy-drama film directed by David Smith and produced by Vitagraph Company of America. It stars Bessie Love and Charles Spere.
Pegeen is a 1920 American silent drama film based on the 1915 novel of the same name by Eleanor Hoyt Brainerd. It was produced by Vitagraph Studios and directed by David Smith. It stars Bessie Love in the title role.
Tillie is a 1922 American silent drama film directed by Frank Urson and starring Mary Miles Minter. The scenario was written by Alice Eyton, based on the novel Tillie, the Mennonite Maid by Helen Reimensnyder Martin. Tillie reunited Minter with Allan Forrest, her most frequent leading man from her time at Mutual Film and the American Film Company, for the first time since their 1919 picture Yvonne from Paris. As with many of Minter's features, Tillie is thought to be a lost film.
Go and Get It is a 1920 American silent comedy-drama mystery film directed by Marshall Neilan and Henry Roberts Symonds and written by Marion Fairfax. The film stars Pat O'Malley, Wesley Barry, Noah Beery Sr. and Agnes Ayres. The cinematographer was David Kesson. The film was released on July 18, 1920 by First National Exhibitors' Circuit.
Don't Ever Marry is a 1920 American comedy film directed by Marshall Neilan and Victor Heerman and written by Marion Fairfax. The film stars Matt Moore, Marjorie Daw, Thomas Jefferson, Mayme Kelso, Betty Bouton and Christine Mayo. The film was released on April 18, 1920, by First National Exhibitors' Circuit.
Bob Hampton of Placer is a 1921 American silent drama film directed by Marshall Neilan and written by Marion Fairfax. It is based on the 1910 novel Bob Hampton of Placer by Randall Parrish. The film stars James Kirkwood Sr., Wesley Barry, Marjorie Daw, Pat O'Malley, Noah Beery Sr., and Frank Leigh. The film was released on May 1, 1921, by Associated First National Pictures.
Hugh E. Dierker was an American film director and producer.