The Lotus Eater | |
---|---|
Directed by | Marshall Neilan |
Written by | Marion Fairfax (scenario) George Ade (intertitles) |
Story by | Albert Payson Terhune |
Produced by | Marshall Neilan John McCormick |
Starring | John Barrymore Colleen Moore Anna Q. Nilsson |
Cinematography | David Kesson |
Edited by | Daniel J. Gray |
Production company | |
Distributed by | Associated First National |
Release date |
|
Running time | 70 mins. |
Country | United States |
Language | Silent (English intertitles) |
The Lotus Eater is a 1921 American silent romantic drama film produced and directed by Marshall Neilan and released through Associated First National. The Lotus Eater starred John Barrymore with Colleen Moore as the female lead. The Lotus Eater is now considered lost. [1] [2] [3]
As described in a film magazine, [4] raised aboard a ship, Jacques Leroi (Barrymore) has never seen a woman until after the death of his father, a man who had been disappointed in love. As the only heir, the will stipulates that he is to remain on board until he reaches 25 years of age. On his 25th birthday, he arrives in New York City to consult his lawyer, and meets the gold-digging Madge Vance (Nilsson), who is being courted by John Carson (Sherry). While off the coast of Florida on his yacht with Miss Vance, Jacques has the captain marry them and they go on a long cruise. Upon returning to New York City Jacques discovers that, according to the will, he will not inherit anything until he is 30 years old if he marries in haste. Madge then leaves him. Jacques becomes despondent, and agrees to attempt to cross the Pacific Ocean in a dirigible balloon with the patentee of a new form of gas. The blimp fails to rise above the air currents and he is forced to land on a small island. There he comes upon the strange occupants of the island, people who have been saved from various shipwrecks. They all wear Greek style clothing, eat at restaurants free of charge, and no one works. He falls in love with the native girl Mavis (Moore), but confesses that he has a wife and must return to the United States. The islanders loan him a boat, and he soon returns to New York City, where he discovers that Madge has become engaged to John Carson. Jacques and John await for Madge to keep an appointment only to receive word that she has eloped with a third man. Jacques is elated and returns to the island for the company of his beautiful native maiden.
The film was shot in part in Florida, Marshall Neilan and his troupe having chartered a yacht in New York and sailing south. [5]
Returning to New York after Florida, interiors for The Lotus Eater were shot at the old Biograph studio in the Bronx. Portions of the film were completed at Santa Catalina Island, though Barrymore was not there, as he was busy with the play Clair de Lune which had opened on April 18. [6]
This is an overview of 1921 in film, including significant events, a list of films released and notable births and deaths.
Colleen Moore was an American film actress who began her career during the silent film era. Moore became one of the most fashionable stars of the era and helped popularize the bobbed haircut.
Anna Quirentia Nilsson was a Swedish-American actress who achieved success in American silent movies.
Marion Fairfax was an American screenwriter, playwright, actress, and producer.
Marshall Ambrose "Mickey" Neilan was an American actor, director, producer, and screenwriter, whose work in films began in the early silent era.
Dorothy Mackaill was a British-American actress, most active during the silent-film era and into the pre-Code era of the early 1930s.
J. Barney Sherry was an American actor of the silent film era. He appeared in more than 210 films between 1905 and 1929. He was born in Germantown, Pennsylvania and died in Philadelphia, Pennsylvania from cardiovascular disease.
The Sky Pilot is a 1921 American silent drama film based on the novel of the same name by Ralph Connor. It is directed by King Vidor and features Colleen Moore. In February 2020, the film was shown in a newly restored version at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career.
Bits of Life is a 1921 American film produced and directed by Marshall Neilan. The cast included Lon Chaney and Noah Beery, Sr. For her performance in this film, Anna May Wong received her first screen credit. It is notable as an early anthology film, comprising four short stories: “The Bad Samaritan” by Thomas McMorrow, “The Man Who Heard Everything” by Walter Trumbull, “Hop” by Hugh Wiley, and “The Intrigue” by Marshall Neilan. The four stories were unrelated, shot with different casts, by different directors, and at different times. The poster called the format "The Magazine Idea brought to the screen". The film's tagline was "The Social World! The Underworld! and San Francisco's Chinatown!".
Her Wild Oat is a 1927 American silent comedy film made by First National Pictures, directed by Marshall Neilan, and starring Colleen Moore. The screenplay was written by Gerald C. Duffy, based on a story by Howard Irving Young.
Flaming Youth is a 1923 American silent drama film directed by John Francis Dillon and starring Colleen Moore and Milton Sills, based on the novel of the same name by Samuel Hopkins Adams. Associated First National produced and distributed the film. In his retrospective essay "Echoes of the Jazz Age", writer F. Scott Fitzgerald cited Flaming Youth as the only film that captured the sexual revolution of the Jazz Age.
We Moderns is a 1925 American silent comedy film directed by John Francis Dillon and starring Colleen Moore. The film was produced by Moore's husband John McCormick and was released through First National Pictures. It was based on the play and novel by Israel Zangwill, which ran for 22 performances in 1924 at the Gaiety Theatre in New York, produced and directed by Harrison Grey Fiske and starring Helen Hayes and Isabel Irving.
Slippy McGee is a 1923 American silent drama film directed by Wesley Ruggles and based on the book Slippy McGee: Sometimes Known as the Butterfly Man by Marie Conway Oemler that was published in 1917. The film was an Oliver Morosco Production released by Associated First National and featured actress Colleen Moore as Mary Virginia. It is not known whether the film survives.
Dinty is a 1920 American silent comedy drama film written by Marshall Neilan and John McDermott specifically for Wesley Barry, a young actor known for his freckled complexion. Prominent among the supporting players were Colleen Moore, Marjorie Daw, Pat O'Malley, and Noah Beery.
Social Register is an American 1934 pre-Code comedy-drama musical film starring Colleen Moore. The film re-united her with her old friend and one of the first directors to give her film career a start, Marshall Neilan. The film was based on the 1931 play of the same name by Anita Loos and John Emerson.
The Unpardonable Sin is a 1919 American silent drama/propaganda film set during World War I. The film was produced by Harry Garson, directed by Marshall Neilan, written by Kathryn Stuart, and stars Neilan's wife, Blanche Sweet, who portrays dual roles in the film. The Unpardonable Sin is based on the novel of the same name by Rupert Hughes. The Silent Era site reports that it is not known whether the film currently survives, suggesting that it is a lost film. However, prints and/or fragments did turn up in the Dawson Film Find in 1978, so some of it at least survives.
Island Wives is a lost 1922 American silent adventure drama film directed by Webster Campbell and starring Corinne Griffith. The Vitagraph Company of America produced and distributed. Some of the film was shot in Florida.
Broadway After Dark is a 1924 American silent comedy film directed by Monta Bell and starring Adolphe Menjou, Norma Shearer, and Anna Q. Nilsson.
Come on Over is a 1922 American comedy silent black and white film directed by Alfred E. Green and based on the stage musical by Rupert Hughes. It stars Colleen Moore. Its release beat The Wall Flower to the theaters and it was well received.
No More Women is a 1924 American silent comedy film directed by Lloyd Ingraham and starring Matt Moore, Madge Bellamy, and Kathleen Clifford.