The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
Chester Cooper Conklin was an early American film comedian who started at Keystone Studios as one of Mack Sennett’s Keystone Cops, often paired with Mack Swain. He appeared in a series of films with Mabel Normand and worked closely with Charlie Chaplin, both in silent and sound films.
Glorious Betsy is a 1928 sound part-talkie drama film. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film is based on the 1908 play of the same name by Rida Johnson Young, and it stars Dolores Costello. It was produced by Warner Bros. and nominated for an Academy Award for Best Writing, Adaptation in 1929. The film was directed by Alan Crosland with cinematography by Hal Mohr.
The Show of Shows is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost almost $800,000 and was shot almost entirely in Technicolor.
Paris is a 1929 American pre-Code musical comedy film, featuring Irène Bordoni. It was filmed with Technicolor sequences: four of the film's ten reels were originally photographed in Technicolor.
My Man is a 1928 black and white sound part-talkie American comedy-drama musical film directed by Archie Mayo starring Fanny Brice and featuring Guinn "Big Boy" Williams. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
Glad Rag Doll is a 1929 American sound part-talkie pre-Code drama film directed by Michael Curtiz and starring Dolores Costello, Ralph Graves and Audrey Ferris. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. This is one of many lost films of the 1920s, no prints or Vitaphone discs survive, but the trailer survives. The film's working title was Alimony Annie, but was changed match the title of the theme song. The theme song is entilted Glad Rag Doll both played and sung throughout the soundtrack.
The Midnight Taxi is a 1928 American early sound part-talkie thriller picture from Warner Bros. directed by John G. Adolfi and starring Antonio Moreno, Helen Costello, and Myrna Loy. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
Fast Company is a 1929 American Pre-Code sports comedy film directed by A. Edward Sutherland and starring Jack Oakie and Evelyn Brent. It is based upon the 1928 play Elmer the Great by George M. Cohan and Ring Lardner. According to the Internet Movie Database, the UCLA Film and Television Archive has reels 1, 2, and 3 of this film, with reel 4 having disintegrated in 1990.
Outcast is a 1928 American sound drama film produced and distributed by First National Pictures. This sound film was released with a synchronized Vitaphone soundtrack of music and sound effects. It was directed by William A. Seiter and stars Corinne Griffith, often considered one of the most beautiful women in film. This story had been filmed in 1917 as The World and the Woman with Jeanne Eagels. In 1922 a Paramount film of the same name with Elsie Ferguson reprising her stage role was released. Both films were based on a 1914 play, Outcast, by Hubert Henry Davies which starred Ferguson. The Seiter/Griffith film was an all silent with Vitaphone music and sound effects. In the sound era the story was filmed once again as The Girl from 10th Avenue starring Bette Davis. According to the Library of Congress database shows a print surviving complete at Cineteca Italiana in Milan.
House of Horror is a 1929 American sound part-talkie comedy mystery film directed by Benjamin Christensen. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film stars Louise Fazenda and Chester Conklin. The film portion of the House of Horror is now presumed lost while the sound survives on Vitaphone discs.
A Kiss In A Taxi is a 1927 American silent comedy film starring Bebe Daniels and directed by Clarence Badger. It is based on a French play, A Kiss in a Taxi, produced on Broadway in 1925. Famous Players–Lasky produced and Paramount Pictures distributed the film.
Not Quite Decent is a 1929 American sound part-talkie Pre-Code film, produced and distributed by Fox Film Corporation, directed by Irving Cummings, and starring June Collyer and Louise Dresser. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Movietone sound-on-film system.
Varsity is a lost 1928 American comedy Part-talkie sound film directed by Frank Tuttle, written by Howard Estabrook, George Marion Jr. and Wells Root, and starring Charles "Buddy" Rogers, Mary Brian, Chester Conklin, Phillips Holmes, Robert Ellis and John Westwood. It was released on October 27, 1928, by Paramount Pictures.
Ham and Eggs at the Front is a 1927 American silent comedy film directed by Roy Del Ruth and starring Tom Wilson, Heinie Conklin and Myrna Loy - all in blackface. The film was released with a Vitaphone synchronized soundtrack with a music score and sound effects. Long thought to be a lost film, a print was screened at the Pordenone Silent Film Festival in 2021 courtesy of the Cineteca Italiana.
Hot Stuff is a 1929 American comedy film directed by Mervyn LeRoy and written by Robert S. Carr, Humphrey Pearson and Louis Stevens. It stars Alice White and features Louise Fazenda, William Bakewell, Doris Dawson, Ben Hall and Charles Sellon. The film was released by First National Pictures on May 5, 1929.
No Defense is a 1929 American sound part-talkie romantic drama film directed by Lloyd Bacon and starring Monte Blue. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film was distributed by Warner Brothers.
Five and Ten Cent Annie is a 1928 American sound part-talkie comedy film directed by Roy Del Ruth and starring Louise Fazenda, Clyde Cook and William Demarest. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
Making the Grade is a 1929 sound part-talkie American Pre-Code comedy film directed by Alfred E. Green. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Movietone sound-on-film system. The film stars Lois Moran, Edmund Lowe and Lucien Littlefield.
