The following is an overview of 1928 in film, including significant events, a list of films released and notable births and deaths. Although some films released in 1928 had sound, most were still silent. This year is notable for the introduction of the official mascot of The Walt Disney Company, Mickey Mouse, in the animated short Steamboat Willie , the first film to include a soundtrack completely created in post production.
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The top ten 1928 released films by box office gross in North America are as follows:
Rank | Title | Distributor | Domestic rentals |
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1 | The Singing Fool | Warner Bros. | $3,821,000 [1] |
2 | The Circus | United Artists | $1,820,000 [2] |
3 | Street Angel | Fox Film | $1,700,000 [3] |
4 | Lilac Time | Warner Bros. | $1,675,000 [4] |
5 | Four Sons Ramona | Fox Film United Artists | $1,500,000 [3] [5] |
6 | Noah's Ark | Warner Bros. | $1,367,000 [1] |
7 | The Red Dance In Old Arizona | Fox Film | $1,300,000 [3] |
8 | The Terror | Warner Bros. | $1,221,000 [1] |
9 | Lights of New York | $1,160,000 [1] | |
10 | My Man | $1,099,000 [1] |
Note: Prior to 1933, awards were not based on calendar years, which is why there is no 'Best Picture' for a 1928 film.
United States unless stated
This is an overview of 1929 in film, including significant events, a list of films released and notable births and deaths.
The following is an overview of 1926 in film, including significant events, a list of films released, and notable births and deaths.
This is an overview of 1925 in film, including significant events, a list of films released and notable births and deaths.
This is an overview of 1924 in film, including significant events, a list of films released and notable births and deaths.
This is an overview of 1923 in film, including significant events, a list of films released and notable births and deaths.
This is an overview of 1922 in film, including significant events, a list of films released and notable births and deaths.
This is an overview of 1921 in film, including significant events, a list of films released and notable births and deaths.
The year 1920 in film involved some significant events.
The year 1919 in film involved some significant events.
The year 1918 in film involved some significant events.
1917 in film was a particularly fruitful year for the art form, and is often cited as one of the years in the decade which contributed to the medium the most, along with 1913. Secondarily the year saw a limited global embrace of narrative film-making and featured innovative techniques such as continuity cutting. Primarily, the year is an American landmark, as 1917 is the first year where the narrative and visual style is typified as "Classical Hollywood".
The year 1916 in film involved some significant events.
The year 1915 in film involved some significant events.
1913 was a particularly fruitful year for film as an art form, and is often cited one of the years in the decade which contributed to the medium the most, along with 1917. The year was one where filmmakers of several countries made great artistic advancements, producing notable pioneering masterpieces such as The Student of Prague, Suspense, Atlantis, Raja Harischandra, Juve contre Fantomas, Quo Vadis?, Ingeborg Holm, The Mothering Heart, Ma l’amor mio non muore!, L’enfant de Paris and Twilight of a Woman's Soul.
The year 1912 in film involved some significant events.
The year 1911 in film involved some significant events.
The year 1910 in film involved some significant events.
The Mechanical Man is a 1921 Italian science fiction film directed by André Deed. It was produced in 1920 and released in November 1921. It is one of the first science fiction films produced in Italy, and the first film showing a battle between two robots. The cinematographer was Alberto Chentrens.
Madness (German:Wahnsinn) is a 1919 German silent horror film directed by Conrad Veidt and starring Veidt, Reinhold Schünzel and Grit Hegesa. The film's art direction was by Willi Herrmann.
The Lost Shadow is a 1921 German silent film directed by Rochus Gliese and starring Paul Wegener, Wilhelm Bendow and Adele Sandrock. The cinematographer was Karl Freund. The film's sets were designed by the art director Kurt Richter. It was shot at the Tempelhof Studios in Berlin. For some reason, the film was only released in the US in 1928. It is today considered a lost film.
The United Artists balance sheet of domestic film rentals through the end of 1931 show that The Gold Rush had accumulated $2.15 million in rentals, while The Circus had garnered $1.82 million.
"Ramona" plugged a middling romantic drama starring Delores Del Rio, who sang the delicate title theme, and helped it to a gross of more than $1.5 million.