Interference | |
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Directed by | Lothar Mendes, (silent version) Roy J. Pomeroy, (sound version) |
Written by | Roland Pertwee (play) Harold Dearden (play) Louise Long Hope Loring (screenplay) Ernest Pascal (dialogue) Julian Johnson (titles) |
Produced by | J. G. Bachmann |
Starring | Clive Brook, William Powell Evelyn Brent |
Cinematography | Henry W. Gerrard Farciot Edouart J. R. Hunt |
Edited by | George Nichols Jr. |
Music by | W. Franke Harling |
Production company | |
Distributed by | Paramount Pictures |
Release dates |
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Running time | 10 reels |
Country | United States |
Languages | English Also silent version with English intertitles |
Interference is a 1928 American pre-Code drama film directed by Lothar Mendes, as Paramount Pictures' first feature-length all-talking motion picture. It stars Clive Brook, William Powell, Evelyn Brent, and Doris Kenyon, all making their sound film debuts. In England, when a first husband turns out not to be dead, blackmail leads to murder. [1] [2]
At a Remembrance Day service in London, Deborah Kane spots her old flame Philip Voaze who was supposedly killed during World War I. She discovers that he has actually survived the fighting and has been living under an assumed identity. Aware that his wife Faith is now remarried to Sir John Marlay, a famous heart surgeon, she tries to force Philip to return to her by threatening to reveal Faith's inadvertent bigamy. Philip eventually concludes that the only way to defend Faith's present happiness is to kill Deborah.
The film was originally produced as a silent which was directed by Lothar Mendes. However, after its completion, Paramount halted its release and decided to remake the film completely in sound. [3] The sound version was directed by special effects technician-turned-director Roy J. Pomeroy, as the basis for Paramount Pictures' first feature-length all-talking motion picture. Since Pomeroy lacked experience as a director, he was assisted by William deMille during the filming. It was based on the 1927 West End play Interference by Roland Pertwee and Harold Dearden. It was shot on a budget of $250,000. A silent version was also released to cater for theaters that had not yet wired for sound. While the sound version survives, the silent version is now lost. [4]
In 1935, it was remade by Paramount as Without Regret .
The film was praised in the New York Times as "a specimen of the strides made by the talking picture". However, a Variety review was more negative, describing Interference as "indifferent entertainment". [5]
At the London premiere, Clive Brook's mother remembered a gaff during the screening that put the crowd in an uproar. In one scene, Brook receives a postcard, tears it up and says, "Another one of those damn postcards." The needle on the disk for sound got stuck and kept repeating, "Another one of those damn postcards," over and over again while Brook, on-screen, took his wife into his arms and kissed her. [6]
Wings is a 1927 American silent and synchronized sound film known for winning the first Academy Award for Best Picture. Due to the general public's apathy towards silent films, the film was quickly re-released in 1928 with synchronized sound. While the sound version of the film has no audible dialogue, it was released with a synchronized musical score with sound effects. The original soundtrack to the sound version is preserved at UCLA.
The Jazz Singer is a 1927 American part-talkie musical drama film directed by Alan Crosland and produced by Warner Bros. Pictures. It is the first feature-length motion picture with both synchronized recorded music and lip-synchronous singing and speech. Its release heralded the commercial ascendance of sound films and effectively marked the end of the silent film era with the Vitaphone sound-on-disc system, featuring six songs performed by Al Jolson. Based on the 1925 play of the same title by Samson Raphaelson, the plot was adapted from his short story "The Day of Atonement".
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. Before sound-on-film technology became viable, soundtracks for films were commonly played live with organs or pianos.
Clifford Hardman "Clive" Brook was an English film actor.
Mary Brian was an American actress who made the transition from silent films to sound films.
A part-talkie is a sound film that includes at least some "talking sequences" or sections with audible dialogue. The remainder of the film is provided with a synchronized musical score with sound effects. These films more often than not contain a main theme song that is played during key scenes in the film and is often sung offscreen on the musical soundtrack. During the portion without audible dialogue, speaking parts are presented as intertitles—printed text briefly filling the screen—and the soundtrack is used only to supply musical accompaniment and sound effects.
Chinatown Nights, also known as Tong War, is a 1929 film starring Wallace Beery and begun as a silent film then finished as an all-talking sound one via dubbing. Directed by William A. Wellman and released by Paramount Pictures, Chinatown Nights also stars Florence Vidor, former wife of director King Vidor, who did not dub her own voice and quit the movie business immediately afterward, preferring not to work in sound films; her voice in Chinatown Nights was supplied by actress Nella Walker. The supporting cast includes Warner Oland as a Chinese gangster and Jack Oakie as a stuttering reporter. The movie was based upon the story "Tong War" by Samuel Ornitz.
4 Devils is a lost 1928 American synchronized sound drama film directed by German director F. W. Murnau and starring Janet Gaynor. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film movietone process.
Beggars of Life is a 1928 American part-talkie sound film that was directed by William Wellman. Although the film featured sequences with audible dialogue, the majority of the film had a synchronized musical score with sound effects. The film was released on both sound-on-disc and sound-on-film formats. Currently circulating are mute prints from the sound-on-disc version. The majority of the sound discs are believed to be lost.
The Four Feathers is a 1929 American sound war film directed by Merian C. Cooper and starring William Powell, Richard Arlen, Clive Brook and Fay Wray. This was the third of numerous film versions of the 1902 novel The Four Feathers written by A. E. W. Mason. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The 1929 version of The Four Feathers premiered at the Criterion Theatre in New York City on June 12, 1929.
The Canary Murder Case is a 1929 American pre-Code crime-mystery film based on the 1927 novel of the same name by S.S. Van Dine. The film was directed by Malcolm St. Clair, with a screenplay by Wright, Albert Shelby LeVino, and Florence Ryerson. William Powell starred in the role of detective Philo Vance, with Louise Brooks co-starred as "The Canary"; Jean Arthur, James Hall, and Charles Lane also co-starred in other principal roles.
A Dangerous Woman is a 1929 American Pre-Code film released by Paramount, based on the Margery Lawrence story, A Woman Who Needed Killing. It was directed by Gerald Grove and Rowland V. Lee from a script by John Farrow and Edward E. Paramore Jr.
Trent's Last Case is a 1929 American sound part-talkie Pre-Code detective film directed by Howard Hawks and starring Raymond Griffith, Marceline Day, Raymond Hatton, and Donald Crisp. It was released by Fox Film Corporation. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Movietone sound-on-film system.
Lothar Mendes was a German-born screenwriter and film director. His two best known films are Jew Süss (1934) and The Man Who Could Work Miracles (1936), both productions for British studios.
The Man I Love (1929) is a part-talking sound film from Paramount Pictures produced in parallel silent and sound versions. This film survives in a copy sold to television in the 1950s. The film stars Richard Arlen. Some sources refer to this as Arlen's first sound film, but he co-starred Nancy Carroll in Dorothy Arzner's Manhattan Cocktail (1928), another part-talking picture released by Paramount.
Roy Pomeroy was an American special effects artist and film director. One of the only three technicians that founded the Academy of Motion Picture Arts and Sciences, he was awarded the Academy Award for Engineering Effects for the film Wings at the 1st Academy Awards.
Forgotten Faces is a 1928 American silent drama film directed by Victor Schertzinger and starring Clive Brook, Mary Brian, and Olga Baclanova. The production was overseen by David O. Selznick, a rising young producer at the time. The film was remade by Paramount in 1936 as a sound film.
Charming Sinners is a 1929 American pre-Code comedy film directed by Robert Milton and Dorothy Arzner, with a screenplay by Doris Anderson adapted from the 1926 play The Constant Wife written by W. Somerset Maugham. The film stars Ruth Chatterton, Clive Brook, Mary Nolan, William Powell, Laura Hope Crews and Florence Eldridge. The film was released on August 17, 1929, by Paramount Pictures.
The Marriage Playground is a 1929 American pre-Code drama film directed by Lothar Mendes, and written by Doris Anderson, J. Walter Ruben, and Edith Wharton. The film stars Mary Brian, Fredric March, Lilyan Tashman, Huntley Gordon, Kay Francis, William Austin, Seena Owen and Gene Raymond. The film was released on December 21, 1929, by Paramount Pictures. It's the first film debuted by Gene Raymond.