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Roland Pertwee | |
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Born | Hove, Sussex, England [1] | 15 May 1885
Died | 26 April 1963 77) Sandhurst, Kent, England [2] | (aged
Occupation | Writer, playwright, film director, actor |
Period | 20th century |
Spouse | Avice Scholtz (m. 1911;div. 1921) |
Children | |
Relatives |
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Roland Pertwee (15 May 1885 [3] – 26 April 1963) [4] was an English playwright, film and television screenwriter, director and actor. He was the father of Doctor Who actor Jon Pertwee and playwright and screenwriter Michael Pertwee. [5] He was also the second cousin of actor Bill Pertwee and grandfather of actors Sean Pertwee and Dariel Pertwee.
From the 1910s to 1950s, he worked as a writer on many British films, providing either the basic story or full screenplay. He was one of many writers who worked on the script of A Yank at Oxford starring Robert Taylor and Vivien Leigh, the film in which his son Jon made his screen debut, and on Caravan . [6]
While he seemingly preferred writing, he acted in ten films (1915–45) and directed Breach of Promise (1942), which he also wrote.
Pertwee had French Huguenot ancestry (his surname was an Anglicisation of "Perthuis"; the origins of his surname being "de Perthuis de Laillevault", the family being Counts descended from Charlemagne). [7] [8] His career began as a painter after he gained a scholarship to the Royal Academy Schools at the age of 17 and exhibited his first portrait at the Royal Academy two years later. He studied in Paris, then returned to London, where he began to write and act. [9]
Pertwee married in 1911, and he and his wife went to Australia for a year, while Pertwee appeared on stage with a touring company. The couple had two children. [10] He worked as a musician and as an actor. [11] [12]
His writing career essentially began in 1914, when four of his short plays, including Swank, were produced in London. [13] [14] Pertwee had a role in Caste (1915). He could also be seen in The Second Mrs Tanqueray (1916). The following year a novel The Transactions of Lord Louis Lewis was published. [15]
He joined the army in 1916 and was invalided out in Christmas 1917. [10]
He adapted a play Quinneys (1919), in which he also played a small role. He wrote The Bridal Chair (1919), Hope (1919), Charity (1919), The Right Element (1919), Faith (1919), The Last Rose of Summer (1920), and Aunt Rachel (1920). Pertwee co wrote a play Out to Win (1921) which was filmed in 1921. Pertwee divorced his wife in 1921. [16] He wrote the plays Creaking Chair (1926) and Interference (1927).
He wrote the scripts for 'the films Packing Up (1927), and The Vortex (1928). Interference (1928), based on his play, was filmed in Hollywood. [17]
His play Heat Wave, written in collaboration with Denise Robins, was produced at the St James's Theatre, London, in 1929. [18] It was later filmed as The Road to Singapore (1931).
Pertwee moved to Hollywood, where he wrote I Like Your Nerve (1931), [19] and Honor of the Family (1931). He also wrote a story for Marilyn Miller that was not used. [20] A play The Metropolitan Players had a run on Broadway in 1932.
Back in England he wrote Murder on the Second Floor (1932); Love Me, Love My Dog (1932); Postal Orders (1932); Impromptu (1932); Help Yourself (1932); A Voice Said Goodnight (1932); A Letter of Warning (1932); The Silver Greyhound (1932); Illegal (1932); Blind Spot (1932); Sleeping Car (1933), for Anatole Litvak; The Ghoul (1933) with Boris Karloff in the lead and The Crucifix (1934).
In 1934, Pertwee signed a contract with Columbia Pictures. [21] He also wrote British Agent (1934), directed by Michael Curtiz and The Night of the Party (1935), based on his play, directed by Michael Powell. He was credited on Honours Easy (1935), based on his play, and Man of the Moment (1935). Without Regret (1935) was based on his play.
In 1936, it was announced Alfred Hitchcock would film his novel Such an Enmity but no movie resulted. [22]
He did some work on the scripts for Two's Company (1936) and King Solomon's Mines (1937). He wrote Non-Stop New York (1937), and Dinner at the Ritz (1937), and was one of many writers on A Yank at Oxford (1938). [23]
Pertwee wrote Kicking Around the Moon (1938), The Ware Case (1938) and A Voice Said Goodnight (1938) for TV.
He wrote A Spy in Black (1939) and adapted The Four Just Men (1939) in which he also had an acting role. He wrote Young Man's Fancy (1939), They Came by Night (1940), Return to Yesterday (1940), and The Proud Valley (1940). He wrote a short, Dangerous Comment (1940), and did It Happened to One Man (1940), and Freedom Radio (1941). In 1940, his autobiography Master of None was published. [24]
Pertwee wrote Pimpernel Smith (1941) and had a small role on screen. He appeared in The Day Will Dawn (1942), Talk About Jacqueline (1942), The Gentle Sex (1943), The Halfway House (1944), They Were Sisters (1945), Nightbeat (1947).
In addition, he also wrote Jeannie (1941), Breach of Promise (1942) (which he also directed), Talk About Jacqueline (1942), The Gentle Sex (1943), The Lamp Still Burns (1943), The Night Invader (1943) and The Halfway House (1944).
Pertwee went to Gainsborough Pictures to work on the melodramas Madonna of the Seven Moons (1945), They Were Sisters (1945), Caravan (1946), and The Magic Bow (1946).
His play Pink String and Sealing Wax was filmed in 1945. He wrote Nightbeat (1947), Silent Dust (1949) (based on his play The Paragon), Diamond City (1949), and Captain Blackjack (1950). He wrote for TV on Rheingold Theatre and did the feature Give Them a Ring (1954).
In 1954, he and his elder son Michael created The Grove Family – generally regarded as being the first soap opera on British television [25] – for the BBC. Having previously written an episode of Douglas Fairbanks, Jr., Presents , this marked Pertwee's second and final foray into television writing. Like many BBC television productions of the era, it was broadcast live. At its height, the series had drawn in almost a quarter of British people who owned a television. Reportedly, Queen Elizabeth, The Queen Mother was a great fan. A film version, entitled It's a Great Day , was produced in 1955, likewise written by the Pertwees.
His final feature credit was Not Wanted on Voyage (1957).
Pertwee also wrote works of juvenile fiction, including the series The Islanders, which serves up typical Boy's Own adventure with a strong field sports theme. The Islanders (1950) and Rough Water (1951) tell the adventures of three boys with the run of a sporting estate in the wild Devon countryside during a summer holiday. The third book, Operation Wild Goose (1955), takes place some years later, on a trip to Iceland, where the boys come up against Russian spies, in between landing fat salmon.
A further book, An Actor's Life for Me (1953), features just one of the Islanders boys, Nick, as he follows his parents onto the stage.
Pertwee wrote two short stories, "The River God" and "Fish Are Such Liars" which are now considered[ by whom? ] classics and have been anthologized in the book, Fisherman's Bounty, edited by Nick Lyons, and originally published by Crown in 1970, then by Fireside in 1988.
Following the cancellation of The Grove Family in 1957, Pertwee retired from writing. He died in April 1963.
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