The Singing Fool | |
---|---|
Directed by | Lloyd Bacon |
Written by | C. Graham Baker (scenario) Joseph Jackson (dialogue & titles) |
Based on | "The Singing Fool" (short story) by Leslie Burrows |
Starring | Al Jolson |
Cinematography | Byron Haskin |
Edited by | Ralph Dawson Harold McCord (uncredited) [1] |
Music by | (see article) |
Production company | |
Distributed by | Warner Bros. Pictures |
Release dates |
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Running time | 102 minutes [1] |
Country | United States |
Languages | Sound (Part-Talkie) English Intertitles |
Budget | $388,000 [3] [4] |
Box office | $5,916,000 [5] |
The Singing Fool is a 1928 American sound part-talkie musical drama motion picture directed by Lloyd Bacon which was released by Warner Bros. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film stars Al Jolson and is a follow-up to his previous film, The Jazz Singer . It is credited with helping to cement the popularity of American films of both sound and the musical genre. The film entered the public domain on January 1, 2024. [6]
After years of hopeful struggle as a comedian/waiter at Blackies Cafe, Al Stone (Jolson) is on his way to stardom. One night, he sings a song he wrote for his long time crush Molly, impressing the head of a Broadway theater that was in attendance that night. Molly immediately falls for Al, knowing that he will soon be a big star. Broadway success, marriage and a child (Sonny) soon follow. Before long, Molly begins an affair with John, a mutual friend. Molly eventually abandons Al, and takes Sonny with her to Paris. Before leaving, she announces she will seek a divorce while overseas. Heartbroken, Al becomes a loner until friends from Blackies rescue him from a life on the streets. Soon, Al is back in lights. But another crisis awaits: Al gets a message at the theater that Sonny is back in town and dying. Al visits him in the hospital, and moments after singing "Sonny Boy" to him, Sonny passes away. Al returns to the theater devastated, but decides to go on with the show that evening. As a tribute to his deceased son, he sings "Sonny Boy" to a huge ovation. Al collapses as the curtains close, but vows to his friend Grace to never give up on life again.
Like The Jazz Singer, The Singing Fool was a melodrama with musical interludes, and as such was one of the film industry's first musical films. Produced during the transition period between silent film and talkies, the movie was released in both sound and silent versions.
The Singing Fool was a part-talking feature, which featured a synchronized musical score with sound effects along with synchronized musical and talking sequences, although in this film roughly 66 minutes of talking and singing were included. [3] Al Jolson's first all-talking feature, Say It With Songs , would appear in 1929.
The Singing Fool solidified Jolson's position atop the movie world; not until Snow White and the Seven Dwarfs would any sound-era film be more financially successful than this audience-pleasing blend of sentiment and show biz. With a worldwide gross of $5.9 million, [5] it would remain the most successful film in Warner Bros. history until the release of Sergeant York in 1941. [3]
According to Warner Bros records the film earned $3,821,000 domestically and $2,095,000 foreign. [4]
For the majority of movie audiences, The Singing Fool became their first experience with a talking film, since few movie theaters had been equipped with a sound system in 1927. The film's positive reception was also viewed as a signifier that sound films were here to stay. "Here is complete vindication for the advocates of sound pictures", wrote Film Daily . "The Singing Fool is the finest example of sound pictures made to date." [7] Mordaunt Hall of The New York Times wrote that the dialogue was "a little halting" and that Dunn was "not convincing", but recognized that the main point of interest in the film was "not in its transparent narrative, but in Mr. Jolson's inimitable singing", and on that basis it was "capital entertainment." [8] John Mosher of The New Yorker also recommended the film, writing, "Fortunately, throughout this picture one has Al Jolson's own songs to listen to, for the story has been contrived to exploit to the full his special talents. Whenever the action begins to slump and lag, Al has only to step forward and do his stuff, and the day is saved." [9] One trade paper commentator stated that The Singing Fool "will be to talking pictures what The Birth of a Nation has been to silent pictures". [3]
For a time, the film also made Davey Lee, Jolson's 31⁄2 year old co-star, the most popular child star since Jackie Coogan. Lee was re-teamed with Jolson in Say It With Songs and starred in a few other films—including 1929's Sonny Boy —until his parents pulled him out of the movie business. [3]
The film is recognized by American Film Institute in these lists:
Popular songs from the catalogs of DeSylva, Brown and Henderson, and Rose and Jolson were primarily used.
Al Jolson's rendition of "The Spaniard That Blighted My Life" is missing from extant prints of the film. This is due to a lawsuit initiated by the song's author, Billy Merson. Merson claimed that he, as a performer, owed his income to his own renditions of the song, and that Jolson's version would diminish his ability to earn a living. The song was removed from all prints of "The Singing Fool" shown in the United Kingdom. Unfortunately, the only surviving copies of the film are also from the U.K., hence are missing the song. These copies also have the majority of the original decorative Warner Brothers title cards replaced with simple British made ones which were used to remove Americanisms which the British would not understand or appreciate (a common practice during the silent era). Only the soundtrack survives on extant Vitaphone discs.
The Jazz Singer is a 1927 American part-talkie musical drama film directed by Alan Crosland and produced by Warner Bros. Pictures. It is the first feature-length motion picture with both synchronized recorded music and lip-synchronous singing and speech. Its release heralded the commercial ascendance of sound films and effectively marked the end of the silent film era with the Vitaphone sound-on-disc system, featuring six songs performed by Al Jolson. Based on the 1925 play of the same title by Samson Raphaelson, the plot was adapted from his short story "The Day of Atonement".
The Jolson Story is a 1946 American biographical musical film, a fictionalized account of the life of singer Al Jolson. It stars Larry Parks as Jolson, Evelyn Keyes as Julie Benson, William Demarest as his manager, Ludwig Donath and Tamara Shayne as his parents, and Scotty Beckett as the young Jolson. Many of the film's episodes are based on fact but the story is simplified, with some people disguised or combined into single characters.
George Gard "Buddy" DeSylva was an American songwriter, film producer and record executive. He wrote or co-wrote many popular songs, and along with Johnny Mercer and Glenn Wallichs, he co-founded Capitol Records.
Sonny Boy is a 1929 sound part-talkie film released by Warner Bros., directed by Archie Mayo. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film stars Davey Lee, Edward Everett Horton, and Betty Bronson.
"It All Depends on You" is a 1926 popular song with music by Ray Henderson and lyrics by Buddy G. DeSylva and Lew Brown. The song, written for the musical Big Boy, was published in 1926. It was featured in the hit 1928 Warner Bros. film The Singing Fool, starring Al Jolson, Betty Bronson and Josephine Dunn, and directed by Lloyd Bacon.
"April Showers" is a 1921 popular song composed by Louis Silvers with lyrics by B. G. De Sylva.
Song of the Flame is a 1930 American pre-Code musical film photographed entirely in Technicolor. Based on the 1925 operetta of the same name, the film features a screenplay by Gordon Rigby adapted from the musical book written by Oscar Hammerstein II and Otto A. Harbach for the operetta. The movie also features many of the songs from the operetta which used lyrics by Hammerstein and Orbach and music by George Gershwin and Herbert Stothart. The film was produced and distributed by First National Pictures. It was the first color film to feature a widescreen sequence, using a process called Vitascope, the trademark name for Warner Bros.' widescreen process. The film, based on the 1925 Broadway musical of the same name, was nominated for an Academy Award for Sound Recording. It is part of the tradition of operetta films, popular at the time.
Say It with Songs is a 1929 American pre-Code musical drama film, directed by Lloyd Bacon and released by Warner Bros. The film stars Al Jolson and Davey Lee and was a follow-up to their previous film, The Singing Fool (1928).
Mammy (1930) is an American pre-Code musical comedy-drama film with Technicolor sequences, released by Warner Bros. The film starred Al Jolson and was a follow-up to his previous film, Say It with Songs (1929). Mammy became Al Jolson's fourth feature, following earlier screen efforts as The Jazz Singer (1927), The Singing Fool (1928) and Say It with Songs (1929). The film relives Jolson's early years as a minstrel man. The songs were written by Irving Berlin, who is also credited with the original story titled Mr. Bones.
Davey Lee was an American child actor. He was born in Hollywood, California, United States. He appeared in six feature films between 1928 and 1930.
Go into Your Dance is a 1935 American musical drama film starring Al Jolson, Ruby Keeler, and Glenda Farrell. The film was directed by Archie Mayo, and is based on the novel of the same name by Bradford Ropes. It was released by Warner Bros. on April 20, 1935. An irresponsible Broadway star gets mixed up with gambling and gangsters.
Al Jolson was a Lithuanian-born American singer, actor, and vaudevillian.
"Sonny Boy" is a song written by Ray Henderson, Buddy De Sylva, and Lew Brown. It was featured in the 1928 part-talkie The Singing Fool. Sung by Al Jolson, the 1928 recording was a hit and stayed at #1 for 12 weeks in the charts and was a million seller.
My Man is a 1928 black and white sound part-talkie American comedy-drama musical film directed by Archie Mayo starring Fanny Brice and featuring Guinn "Big Boy" Williams. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
Broadway Babies, aka Broadway Daddies (UK) and Ragazze d'America (Italy), is a 1929 all-talking Pre-Code black and white American musical film produced and distributed by First National Pictures, a subsidiary of Warner Brothers. The film was directed by Mervyn LeRoy and starred Alice White and Charles Delaney. This was White's first sound film with dialogue. As a copyright renewed work from 1929, the film will enter the American public domain on January 1, 2025.
The Best Things in Life Are Free is a 1956 American musical film directed by Michael Curtiz. The film stars Gordon MacRae, Dan Dailey, and Ernest Borgnine as the real-life songwriting team of Buddy DeSylva, Lew Brown, and Ray Henderson of the late 1920s and early 1930s, and Sheree North as Kitty Kane, a singer.
"There's a Rainbow 'Round My Shoulder" is a 1928 song sung by Al Jolson in the early Warner Bros. talking picture The Singing Fool the same year. The song, along with "Sonny Boy" and "I'm Sitting on Top of the World", which were also in The Singing Fool, were big hits for Jolson. The song was written by Al Jolson, Billy Rose and Dave Dreyer.
Weary River is a 1929 American sound part-talkie romantic drama film directed by Frank Lloyd and starring Richard Barthelmess, Betty Compson, and William Holden. The film was produced and distributed by First National Pictures. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score, singing and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
Lucky Boy is a 1929 American sound part-talkie musical comedy-drama film directed by Norman Taurog and Charles C. Wilson, most notable for starring George Jessel in his first known surviving feature picture. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score, singing and sound effects along with English intertitles. The sound was recorded using the Tiffany-Tone system using RCA Photophone equipment. The film's plot bore strong similarities to that of the hit 1927 film The Jazz Singer, which had originally been intended to star Jessel before Al Jolson took over the role.
September in the Rain is a 1937 Warner Bros. Merrie Melodies cartoon directed by Friz Freleng. The short was released on December 18, 1937.
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Further reading