The Broadway Melody, also known as The Broadway Melody of 1929, is a 1929 American pre-Code musical film and the first sound film to win an Academy Award for Best Picture. It was one of the early musicals to feature a Technicolor sequence, which sparked the trend of color being used in a flurry of musicals that would hit the screens in 1929–1930. Today, the Technicolor sequence survives only in black and white. The film was the first musical released by Metro-Goldwyn-Mayer and was Hollywood's first all-talking musical.
Broadway Melody of 1936 is a musical film released by Metro-Goldwyn-Mayer in 1935. In New York, the film opened at the Capitol Theatre, the site of many prestigious MGM premieres. It was a follow-up of sorts to the successful The Broadway Melody, which had been released in 1929, although, there is no story connection with the earlier film beyond the title and some music.
Patsy Ruth Miller was an American film actress who played Esméralda in The Hunchback of Notre Dame (1923) opposite Lon Chaney.
Untamed is a 1929 American pre-Code Metro-Goldwyn-Mayer romantic-drama film directed by Jack Conway and starring Joan Crawford, Robert Montgomery, Ernest Torrence, Holmes Herbert, Gwen Lee, and Lloyd Ingraham. The script was adapted by Sylvia Thalberg and Frank Butler, with dialogue by Willard Mack, from a story by Charles E. Scoggins.
Don Juan is a 1926 American romantic adventure film directed by Alan Crosland. It is the first feature-length film to utilize the Vitaphone sound-on-disc sound system with a synchronized musical score and sound effects, though it has no spoken dialogue. The film is inspired by Lord Byron's 1821 epic poem of the same name. The screenplay was written by Bess Meredyth with intertitles by Maude Fulton and Walter Anthony.
Frances Charlotte Greenwood was an American actress and dancer. Born in Philadelphia, Greenwood started in vaudeville, and starred on Broadway, movies and radio. Standing almost six feet tall, she was best known for her long legs and high kicks. She earned the unique praise of being, in her words, the "only woman in the world who could kick a giraffe in the eye."
The Show of Shows is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost almost $800,000 and was shot almost entirely in Technicolor.
Sally is a 1929 Hollywood film. It is the fourth all-sound, all-color feature film made, and it was photographed in the Technicolor process. It was the sixth feature film to contain color that had been released by Warner Bros.; the first five were The Desert Song (1929), On with the Show! (1929), Gold Diggers of Broadway (1929), Paris (1929) and The Show of Shows (1929).. Although exhibited in a few theaters in December 1929, Sally entered general release on January 12, 1930.
Alias Jimmy Valentine is a 1928 American crime drama film directed by Jack Conway and starring William Haines, Leila Hyams, Lionel Barrymore, and Karl Dane. The film is based on the 1903 O. Henry story "A Retrieved Reformation", which was turned into the 1910 play Alias Jimmy Valentine by Paul Armstrong. The play toured in travelling production companies making it extremely popular. It was revived on Broadway in 1921. Two previous film adaptations had been produced at the old Metro Studios. A 1915 film version was directed by Maurice Tourneur and a 1920 version starring Bert Lytell was directed by Edmund Mortimer and Arthur Ripley.
The Tunnel, also known as Transatlantic Tunnel in the United States, is a 1935 British science fiction film directed by Maurice Elvey and stars Richard Dix, Leslie Banks, Madge Evans, Helen Vinson, C. Aubrey Smith and Basil Sydney. It is based on the 1913 novel Der Tunnel by Bernhard Kellermann, about the building of a transatlantic tunnel between New York and London. The script was written by Curt Siodmak, L. du Garde Peach and Clemence Dane. The film, produced at a time when the threat of war loomed in Europe, emphasized international cooperation between the United States and the United Kingdom.
The Battle of the Sexes is a 1928 American comedy film directed by D. W. Griffith, starring Jean Hersholt, Phyllis Haver, Belle Bennett, Don Alvarado, and Sally O'Neil, and released by United Artists. The film was a remake by Griffith of an earlier film he directed in 1914, which starred Lillian Gish. Both films are based on the novel The Single Standard by Daniel Carson Goodman; the story was adapted for this production by Gerrit J. Lloyd.
The First Auto is a 1927 American drama film directed by Roy Del Ruth about the transition from horses to cars and the rift it causes in one family. It stars Charles Emmett Mack and Patsy Ruth Miller, with Barney Oldfield having a guest role in the movie. While mainly a silent film, it does have a Vitaphone sound-on-disc soundtrack with a synchronized musical score and sound effects, as well as some spoken words, cheering, and laughter. As of January 1st, 2023, the film is now in the public domain.
Broadway Babies, aka Broadway Daddies (UK) and Ragazze d'America (Italy), is a 1929 all-talking Pre-Code black and white American musical film produced and distributed by First National Pictures, a subsidiary of Warner Brothers. The film was directed by Mervyn LeRoy and starred Alice White and Charles Delaney. This was White's first sound film with dialogue.
Broadway Scandals is a 1929 American Pre-Code musical film.
So Long Letty is a 1920 silent American comedy film directed by Al Christie and starring Grace Darmond, T. Roy Barnes, and Colleen Moore. It was an adaptation of a 1916 popular stage comedy musical of the same name that starred Charlotte Greenwood.
The Great Divide is a 1929 American pre-Code Western film directed by Reginald Barker and starring Dorothy Mackaill. Released in both silent and sound versions, it was produced and distributed by First National Pictures. The film is a remake of The Great Divide, made at MGM in 1925 and also directed by Barker. There was another remake in 1931 as the full sound film Woman Hungry. All three films are based on the 1906 Broadway play The Great Divide by William Vaughn Moody.
Outcast is a 1928 American silent drama film produced and distributed by First National Pictures. It was directed by William A. Seiter and stars Corinne Griffith, often considered one of the most beautiful women in film. This story had been filmed in 1917 as The World and the Woman with Jeanne Eagels. In 1922 a Paramount film of the same name with Elsie Ferguson reprising her stage role was released. Both films were based on a 1914 play, Outcast, by Hubert Henry Davies which starred Ferguson. The Seiter/Griffith film was an all silent with Vitaphone music and sound effects. In the sound era the story was filmed once again as The Girl from 10th Avenue starring Bette Davis. According to the Library of Congress database shows a print surviving complete at Cineteca Italiana in Milan.
An International Marriage is a 1916 American silent comedy film directed by Frank Lloyd and written by George Broadhurst. The film stars Rita Jolivet, Marc Robbins, Elliott Dexter, Grace Carlyle, Olive White, and Courtenay Foote. The film was released on July 23, 1916, by Paramount Pictures.
Her Majesty, Love is a 1931 American pre-Code musical comedy drama film directed by William Dieterle for First National Pictures, starring Broadway stars Marilyn Miller and Ben Lyon, and in his talking feature debut, W. C. Fields.
Mister Antonio is a 1929 love story based on a 1916 Booth Tarkington Broadway play of the same name. Leo Carrillo stars in the title role of Antonio Camaradino, originated on Broadway by Otis Skinner, as a hurdy-gurdy street artist who falls in love with the relative of a robbery victim he has rescued.
