The film was a major success for Warner Bros. and one of Davis' most important early pictures. She had recently filed a lawsuit against the studio, partly because of the inferior quality of roles that she was expected to play. Although she lost the lawsuit, she garnered considerable press coverage, and Marked Woman was her first film upon returning to Hollywood. She was reported to be pleased with the script and the dramatic possibilities that it afforded her. Jack L. Warner was said to be equally pleased by the public's reaction in favor of Davis, which he predicted would increase the appeal and profitability of her films.
Costars Humphrey Bogart and Mayo Methot met on the set of Marked Woman and were married in 1938.[1]
Plot
From the trailer
Theater advertisement
The notorious underworld czar Johnny Vanning becomes the owner of a gaudy New York night club and renames it Club Intimate. He exploits and mistreats the club's bar girls—Mary, Gabby, Emmy Lou, Florrie, and Estelle—in order to ensure their loyalty and obedience. As part of her job, Mary entices a man into betting and losing more money than he can afford. On the way home, he confides in her that he does not have the money to repay the gambling debt. He feels that it is all a game, but Mary warns him that he is in real danger and must leave town immediately. She is distressed, but not surprised, to learn soon after that the man has been murdered by two of Vanning's henchmen. District Attorney David Graham brings Vanning to trial, feeling that he has a strong case. Mary testifies against them, but Vanning has an airtight alibi concocted for them, and further damages her reputation, so the jury rules they were innocent. Graham believes that Mary lied to him, and she leaves fearing Vanning's retribution.
Mary's younger sister Betty visits for a football game. Unaware of the dangerous situation that she has entered, Betty attends a party at Vanning's club with Mary's roommate Emmy Lou. She meets Vanning's friend Bob Crandall, and after dancing with him, returns to the women's apartment. Mary admonishes her to not to go back to the party, but Betty does it anyway. At the party Betty meets Crandall again, and he tries to get her to go with him. She resists, but Vanning is enraged and slaps her, causing her to tumble down a flight of stairs to her death. Vanning disposes of her corpse in the river.
Mary is panicked that Betty hasn't returned from the party, and threatens to testify against Vanning, but his thugs beat her and scar her face, cutting a cross onto her cheek. Her resolve to testify against Vanning is only strengthened. Aware that they can only be free from Vanning if they stand against him, the other women also agree to testify. They implicate Vanning, breaking up his vice ring. As Graham is congratulated by the press, the five girls walk off into the foggy night.
Eduardo Ciannelli bears a physical resemblance to Lucky Luciano.[3]
Hymie Marks, who played the bit part of a gangster named Joe in the film, attracted the attention of executive producer Hal B. Wallis, who felt that he did not look menacing enough, despite the fact that Marks was a former gangster and henchman of Lucky Luciano and had been specifically cast by director Lloyd Bacon because of this connection.[4]
Warner Bros. had originally cast Jane Wyman as Florrie.[1]
Background
Despite a disclaimer at the start of the film that asserts that the story is fictitious, Marked Woman is loosely based on the real-life crime-fighting exploits of Thomas E. Dewey, a Manhattan district attorney who became a national celebrity in the 1930s because of his fight against organized crime in New York City. Dewey indicted and convicted several prominent gangsters, and his greatest achievement was the conviction of Lucky Luciano, the organized crime boss of the entire city. Dewey used the testimony of numerous call girls and madams to convict Luciano of running one of the largest prostitution rings in American history. Hollywood studios produced several films about Dewey's exploits, with Marked Woman among the most prominent. Humphrey Bogart's character David Graham is based on Dewey, who went on to twice become the Republican presidential nominee in the 1940s.
Warner Bros. purchased the rights from a Liberty series on Luciano but was forced to make alterations to the story because of censorship concerns, such as changing the women's profession from that of prostitute to nightclub hostess.[1][5]
Because the Motion Picture Production Code prohibited plots involving brothels or prostitution, the prostitutes in the original Liberty series were changed to nightclub hostesses in the screenplay. Vanning's racket became illegal gambling rather than running a prostitution ring, and the crime became a murder.[5]
Marked Woman entered production on December 9, 1936[6] at the Warner Bros. studios in Burbank[7] under the working title The Men Behind.[1] Director Michael Curtiz substituted for Lloyd Bacon while Bacon was on his honeymoon.[1]
Bette Davis was unhappy with the minimal bandaging that had been used for her hospital-room scene, so on her lunch break she drove to her personal doctor, described the injuries from the script and asked him bandage her accordingly. When she returned to the studio, a guard at the gate saw her bandages and called executive producer Hal B. Wallis to tell him that Davis had been in an accident.[4]
Writing for Night and Day in 1937, Graham Greene offered a positive review, noting that as a noir film "it's been done before, of course, [...] but it has never been done better than in some of these scenes." Greene praised Ciannelli, who was able to "convey not only corruption but the sadness of corruption," but Green expressed disappointment with Davis' acting, which he claimed "plugs the emotions with dreadful abandonment."[8]
The film is ranked on review aggregator website Rotten Tomatoes at 100% based on reviews by five critics and with an average ranking of 6.5/10.[9]
Humphrey DeForest Bogart, colloquially nicknamed Bogie, was an American actor. His performances in classic Hollywood cinema films made him an American cultural icon. In 1999, the American Film Institute selected Bogart as the greatest male star of classic American cinema.
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