We Faw Down | |
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Directed by | Leo McCarey |
Written by | H.M. Walker |
Produced by | Hal Roach |
Starring | |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 20 minutes |
Country | United States |
Languages | Synchronized Sound English (Intertitles) |
We Faw Down is a synchronized sound short subject film directed by Leo McCarey starring comedy duo Laurel and Hardy. It was released by Metro-Goldwyn-Mayer on December 29, 1928. While the film has no audible dialog, it was released with a synchronized orchestral musical score with sound effects. It was remade in part with their film Sons of the Desert in 1933.
Stan and Ollie are about to attend a poker game when Ollie receives a telephone call telling them their absence is holding up the game. Ollie then tells their wives they have a business engagement at the Orpheum Theater and sneak off to their poker game. En route, they gallantly stop to assist two young ladies retrieve a hat that has blown under a parked car. They end up being soaked by a passing street-cleaning vehicle while trying to retrieve it. The girls invite them up to their apartment while their clothes dry. One of the females becomes very amorous with Stan and all proceed to become blotto with beer.
A large boyfriend of one of the females appears at the apartment, sending the duo scrambling out the back window, in full view of their wives who have already seen a newspaper headline announcing that the Orpheum Theater had been gutted by a fire. The rest of the story is about how the duo lie to their unimpressed wives in ever-escalating tall tales about the things they supposedly saw at the theater, before realizing the truth and being chased out by the wives. It does not help matters when the two "pickups" arrive to return Ollie's vest, which he left behind in their apartment. Stan and Ollie flee down a long alleyway with their wives firing shotguns at them. The noise causes dozens of panicky cheating husbands to leap out of every window in the apartment complex.
We Faw Down was filmed in August and September 1928. It was the first Laurel & Hardy film directed by Leo McCarey in the director's chair after being a character development supervisor for a period. McCarey would go on to direct their best silent entries. We Faw Down was reworked during the sound era into the three-reeler Be Big! , and the feature-length Sons of the Desert .
A contemporary account says that the basic story was contributed, unusually, by Oliver Hardy, who had heard similar gossip from his laundress. [1] Critic/historian William K. Everson makes a different contention, tracing the story back to the Mack Sennett comedy Ambrose's First Falsehood. [2] Interior shooting took place at the Hal Roach studio; exteriors were shot both on the Roach back lot and on several locations in Culver City. The iconic scene of Laurel and Hardy in the gutter after having just been sprayed down by a street cleaning truck was filmed in front of 3912 Van Buren Place in Culver City. [3] Today, that section of Van Buren Place has been converted to a pedestrian mall.
The original Victor sound discs for We Faw Down were thought lost until the 1990s, when a set was discovered. Certain European DVD editions feature this original synchronized score, but American DVDs (Region 1) still have music cannibalized from other Laurel & Hardy Victor soundtracks.
As originally scripted and shot, We Faw Down features the duo fleeing the girls' apartment having pulled on each other's pants, then dart from spot to spot in town trying to find a private place to rectify the situation. An irate husband, suspicious cop and belligerent king crab all conspire to thwart the swapping of the pants. [4] Though excised from We Faw Down, the footage would be used for their next film Liberty . Stan Laurel would eventually reuse this plot device for 1938's Block-Heads .
British film critic Leslie Halliwell gave the film a lukewarm reception, calling it "moderate star comedy." [5] Laurel and Hardy Encyclopedia author Glenn Mitchell added that the film was "typical of their matrimonial comedies,". [1] Allmovie.com critic Bruce Calvert said "while this film is only an average comedy, it is still worth a look. Laurel and Hardy's explanation of the 'show' and why they didn't know about the fire, is priceless." [6] Laurel and Hardy: The Magic Behind the Movies author Randy Skretvedt wrote "All that We Faw Down proves is that even [Leo] McCarey could not always save a film from mediocrity.... [it's] amusing but nothing to rave about." [4] The Films of Laurel and Hardy author William K. Everson wrote in 1967 that the film "rather draggy and pedestrian, though it has isolated gags that are among their best. Particularly amusing are the two flirts' attempts to inject some life into their two pickups.... The best gag of all, however, is the.... brilliant and untoppable climactic gag." [2]
Laurel and Hardy were a British-American comedy team during the early Classical Hollywood era of American cinema, consisting of Englishman Stan Laurel (1890–1965) and American Oliver Hardy (1892–1957). Starting their career as a duo in the silent film era, they later successfully transitioned to "talkies". From the late 1920s to the mid-1950s, they were internationally famous for their slapstick comedy, with Laurel playing the clumsy, childlike friend to Hardy's pompous bully. Their signature theme song, known as "The Cuckoo Song", "Ku-Ku", or "The Dance of the Cuckoos" was heard over their films' opening credits, and became as emblematic of them as their bowler hats.
Laurel and Hardy were a motion picture comedy team whose official filmography consists of 106 films released between 1921 and 1951. Together they appeared in 34 silent shorts,A 45 sound shorts, and 27 full-length sound feature films.B In addition to these, Laurel and Hardy appeared in at least 20 foreign-language versions of their films and a promotional film, Galaxy of Stars (1936), produced for European film distributors.
Big Business is a 1929 silent Laurel and Hardy comedy short subject directed by James W. Horne and supervised by Leo McCarey from a McCarey (uncredited) and H. M. Walker script. The film, largely about tit-for-tat vandalism between Laurel and Hardy as Christmas tree salesmen and the man who rejects them, was deemed culturally significant and entered into the National Film Registry in 1992.
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Habeas Corpus is a synchronized sound short subject comedy film co-directed by Leo McCarey and James Parrott starring comedy duo Laurel and Hardy. While the film has no audible dialog, it was released with a synchronized orchestral musical score with sound effects. It was released by Metro-Goldwyn-Mayer on December 1, 1928. This film is importantly historically as the first Laurel and Hardy film to be released with recorded sound.
Liberty is a synchronized sound short subject film, directed by Leo McCarey starring comedy duo Laurel and Hardy. While the film has no audible dialog, it was released with a synchronized orchestral musical score with sound effects. It was released by Metro-Goldwyn-Mayer on January 26, 1929.
Wrong Again is a 1929 synchronized sound short subject film directed by Leo McCarey and starring Laurel and Hardy. While the film has no audible dialog, it was released with a synchronized orchestral musical score with sound effects. It was filmed in October and November 1928, and released February 23, 1929, by Metro-Goldwyn-Mayer.
That's My Wife is a 1929 synchronized sound short subject film produced by the Hal Roach Studios and starring Laurel and Hardy. While the film has no audible dialog, it was released with a synchronized orchestral musical score with sound effects. It was shot in December 1928 and released March 23, 1929, by Metro-Goldwyn-Mayer.
Angora Love is a 1929 synchronized sound short subject comedy film starring Laurel and Hardy, released on December 14, 1929. While the film has no audible dialog, it was released with a synchronized organ musical score with sound effects. This would prove to be the last Laurel and Hardy film to be released without any audible dialog.
Leave 'Em Laughing is a 1928 two-reel silent film starring Stan Laurel and Oliver Hardy. Produced by the Hal Roach Studios, it was shot in October 1927 and released January 28, 1928 by Metro-Goldwyn-Mayer.
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