The Big Noise (1944 film)

Last updated
The Big Noise
L&H Big Noise 1944.jpg
Theatrical poster
Directed by Malcolm St. Clair
Written by Scott Darling
Produced by Sol M. Wurtzel
Starring Stan Laurel
Oliver Hardy
Doris Merrick
Arthur Space
Veda Ann Borg
Robert Blake
Frank Fenton
Cinematography Joseph MacDonald
Edited byNorman Colbert
Music by David Buttolph
Distributed by 20th Century Fox
Release date
  • September 22, 1944 (1944-09-22)
Running time
72 minutes
CountryUnited States
Language English
Box office$750,000 [1]

The Big Noise is a 1944 comedy film starring the comedic duo Laurel and Hardy. It was produced by Sol M. Wurtzel and directed by Mal St.Clair.

Contents

Plot

Laurel and Hardy, janitors at a detective agency, become embroiled in a caper involving a bomb dubbed "The Big Noise." Impersonating detectives, they befriend the bomb's inventor, navigating his idiosyncrasies alongside his quirky relatives. Meanwhile, neighboring criminals scheme to pilfer the explosive device.

To safeguard the bomb, Laurel and Hardy ingeniously conceal it within a concertina. When the criminals attempt a theft, the duo thwarts them temporarily. However, a mix-up occurs, and they inadvertently end up with the genuine bomb, entrusted with delivering it to Washington, D.C.

Their journey encounters various mishaps, including a misguided train berth and a hitchhiking escapade. A fortuitous ride with Glassman turns perilous when they are stopped for speeding, forcing them to flee into open terrain. Seeking refuge in an airplane, they unknowingly board a military target aircraft, narrowly escaping via parachute over the Pacific Ocean. In a stroke of luck, they dispose of the bomb by dropping it onto a Japanese submarine.

As they await rescue on a buoy, they serenade themselves with music from the concertina, amusingly observing a school of fish dancing in synchrony. [2]

Cast

Production

The Big Noise constituted the fifth installment among Laurel and Hardy's six feature films produced at 20th Century Fox during the 1940s. Stan Laurel, in an interview during the film's production, underscored their commitment to aligning with the American World War II home front efforts, opting to eschew gags involving wastage and destruction. "We cut out automobile chases and food wasting-gags when the war first started," commented Laurel, "and with The Big Noise we decided to slash every gag that might conceivably have bearing on wartime wastages and destruction". [3]

Previous comedic material from Laurel and Hardy's repertoire, including segments from films such as Berth Marks , Wrong Again (both 1929), Block-Heads (1938) and The Flying Deuces (1939) found reincarnation within The Big Noise. [4]

Laurel, endeavoring to infuse novelty into the production, proposed repurposing a claustrophobic train berth scene from Berth Marks onto a transcontinental airplane setting. Despite his suggestion being declined by producer Sol M. Wurtzel, the film incorporated fresh elements, notably introducing comic actor Jack Norton as a drunken fellow traveler sharing the berth with Laurel and Hardy. [5]

Certain scenes were filmed at the Atchison, Topeka & Santa Fe Railway (AT&SF) station in Arcadia, California, providing authenticity to the railroad station ambiance. Notably, the station agent's interaction with Laurel and Hardy occurs against the backdrop of the railroad interlocking tower, an iconic feature safeguarding the crossing of Pacific Electric railway and AT&SF tracks. Additionally, filming took place at the Monrovia Airport in Monrovia, California, contributing to the film's varied locales. [6]

The Big Noise was greeted with mixed reviews when it was first released in 1944. Some dismissed the film as a routine rehash of old gags; Bosley Crowther of The New York Times observed, "Once, long ago, it was funny to see them joust with wet paint and folding beds. But now it is dull and pathetic. And they don't even seem to care." [7] Others approved of the film, like Boxoffice magazine: "So long as Laurel and Hardy continue their screen antics, there will always be something for the children to enjoy — not to mention the grownups who find this comedy team relaxing entertainment... All in all, this should disappoint no one, including the person who counts the box office take." [8] The latter comment proved prophetic, as the film was very successful in theaters and hailed by exhibitors as one of Laurel & Hardy's best. The film stayed in circulation for the next six years, and was reissued in 1954. [9]

The film had a poor reputation for many years, gaining an entry in the book The Fifty Worst Films of All Time in 1978, though attitudes to the film have somewhat improved in later years, with John V. Brennan at the website Laurel and Hardy Central stating "The Big Noise is better than its reputation, but given that reputation, it would almost have to be." [4]

See also

Related Research Articles

<span class="mw-page-title-main">Laurel and Hardy</span> British-American comedy duo

Laurel and Hardy were a British-American comedy team during the early Classical Hollywood era of American cinema, consisting of Englishman Stan Laurel (1890–1965) and American Oliver Hardy (1892–1957). Starting their career as a duo in the silent film era, they later successfully transitioned to "talkies". From the late 1920s to the mid-1950s, they were internationally famous for their slapstick comedy, with Laurel playing the clumsy, childlike friend to Hardy's pompous bully. Their signature theme song, known as "The Cuckoo Song", "Ku-Ku", or "The Dance of the Cuckoos" was heard over their films' opening credits, and became as emblematic of them as their bowler hats.

<span class="mw-page-title-main">Oliver Hardy</span> American actor (1892–1957)

Oliver Norvell Hardy was an American comic actor and one half of Laurel and Hardy, the double act that began in the era of silent films and lasted from 1926 to 1957. He appeared with his comedy partner Stan Laurel in 107 short films, feature films, and cameo roles. He was credited with his first film, Outwitting Dad, in 1914. In most of his silent films before joining producer Hal Roach, he was billed on screen as Babe Hardy.

<i>Sons of the Desert</i> 1933 film by William A. Seiter

Sons of the Desert is a 1933 American pre-Code comedy film starring Laurel and Hardy. Directed by William A. Seiter, it was released in the United States on December 29, 1933. In the United Kingdom, the film was originally released under the title Fraternally Yours.

<span class="mw-page-title-main">Stan Laurel</span> English actor (1890–1965)

Stan Laurel was an English comic actor, writer, and film director who was one half of the comedy duo Laurel and Hardy. He appeared with his comedy partner Oliver Hardy in 107 short films, feature films, and cameo roles.

<span class="mw-page-title-main">Sol M. Wurtzel</span> American film producer (1890–1958)

Solomon Max Wurtzel was an American film producer.

<span class="mw-page-title-main">Harry Langdon</span> American actor and comedian (1884–1944)

Henry "Harry" Philmore Langdon was an American comedian who appeared in vaudeville, silent films, and talkies.

<i>The Plank</i> (1967 film) 1967 British film by Eric Sykes

The Plank is a 1967 British slapstick comedy film directed and written by Eric Sykes, and starring Sykes, Tommy Cooper and Jimmy Edwards, and featuring many of the top British comedians and comic actors of the time. It was produced by Jon Penington for Associated London Films.

<i>We Faw Down</i> 1928 film

We Faw Down is a silent short subject directed by Leo McCarey starring comedy duo Laurel and Hardy. It was released by Metro-Goldwyn-Mayer on December 29, 1928. It was remade in part with their film Sons of the Desert in 1933.

<i>Atoll K</i> 1951 French film

Atoll K is a 1951 Franco-Italian co-production film—also known as Robinson Crusoeland in the United Kingdom and Utopia in the United States – which starred the comedy duo Laurel and Hardy in their final screen appearance. The film co-stars French singer/actress Suzy Delair and was directed by Léo Joannon, with uncredited co-direction by blacklisted U.S. director John Berry.

<i>The Battle of the Century</i> 1927 film

The Battle of the Century is a 1927 silent short film starring comedy double act Laurel and Hardy, who appeared in 107 films between 1921 and 1951. The film entered the public domain in the United States in 2023.

<i>Block-Heads</i> 1938 film by John G. Blystone

Block-Heads is a 1938 American comedy film directed by John G. Blystone and starring Stan Laurel and Oliver Hardy. It was produced by Hal Roach Studios for Metro-Goldwyn-Mayer. The film, a reworking of elements from the Laurel and Hardy shorts We Faw Down (1928) and Unaccustomed As We Are (1929), was Roach's final film for MGM.

<i>The Finishing Touch</i> 1928 film

The Finishing Touch is a 1928 short comedy silent film produced by Hal Roach, directed by Clyde Bruckman and starring Laurel and Hardy. It was released February 25, 1928 by Metro-Goldwyn-Mayer.

<i>Thats My Wife</i> (1929 film) 1929 short film by Lloyd French

That's My Wife is a 1929 short comedy silent film produced by the Hal Roach Studios and starring Laurel and Hardy. It was shot in December 1928 and released March 23, 1929, by Metro-Goldwyn-Mayer with a synchronized music and sound effects track in theaters equipped for sound.

<i>Nothing but Trouble</i> (1944 film) 1944 American film by Sam Taylor

Nothing But Trouble is a 1944 Laurel and Hardy feature film released by Metro-Goldwyn-Mayer and directed by Sam Taylor.

<i>Perfect Day</i> (1929 film) 1929 film

Perfect Day is a 1929 short comedy film starring Laurel and Hardy.

<i>Tit for Tat</i> (1935 film) 1935 American short film by Charley Rogers

Tit for Tat is a 1935 short comedy film starring Stan Laurel and Oliver Hardy. It is the only direct sequel they made, following the story of Them Thar Hills, which was released the previous year and includes the same two supporting characters, Mr. and Mrs. Hall, portrayed by Charlie Hall and Mae Busch. This "two-reeler" is notable too for being nominated for an Academy Award as Best Live Action Short Film (Comedy) of 1935, although it did not win. It also has a central theme similar to the comedy duo's 1929 silent short Big Business. In the opening scene of Tit for Tat, Oliver places a sign in the front window of his and Stan's electrical store. It reads "Open for Big Business", an allusion to the escalating revenge and "reciprocal destruction" common to both films.

<i>Berth Marks</i> 1929 film by Lewis R. Foster

Berth Marks is the second sound film starring Laurel and Hardy and was released on June 1, 1929.

<i>Be Big!</i> 1931 film

Be Big! is a Hal Roach three-reel comedy starring Laurel and Hardy. It was shot in November and December 1930, and released on February 7, 1931.

<i>Great Guns</i> 1941 film by Monty Banks

Great Guns is a 1941 American comedy film directed by Monty Banks, and produced by Sol M. Wurtzel for 20th Century Fox starring Laurel and Hardy. It is also known as Forward March.

<span class="mw-page-title-main">Laurel and Hardy music</span>

Laurel and Hardy were primarily comedy film actors. However, many of their films featured songs, and some are considered as musicals in their own right. The composer Leroy Shield scored most of Laurel and Hardy sound shorts although they were often misattributed to Marvin Hatley.

References

  1. Aubrey Solomon, Twentieth Century-Fox: A Corporate and Financial History Rowman & Littlefield, 2002 p 220
  2. Allmovie review
  3. Medved, Harry, and Dreyfuss, Randy, The Fifty Worst Films of All Time; Fawcett Columbine, 1978
  4. 1 2 The Big Noise at Laurel and Hardy Central
  5. McCabe, John, The Comedy World of Stan Laurel; Doubleday, 1974
  6. "Abandoned & Little-Known Airfields: California, East Los Angeles area".
  7. New York Times review
  8. Boxoffice review, Sept. 23, 1944
  9. MacGillivray, Scott, Laurel & Hardy: From the Forties Forward (Second Edition); iUniverse, 2009