The Trouble with Wives | |
---|---|
Directed by | Malcolm St. Clair |
Screenplay by | Sada Cowan Howard Higgin |
Produced by | Jesse L. Lasky Adolph Zukor |
Starring | Florence Vidor Tom Moore Esther Ralston Ford Sterling Lucy Beaumont Edgar Kennedy |
Cinematography | L. Guy Wilky |
Production company | |
Distributed by | Paramount Pictures |
Release date |
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Running time | 70 minutes |
Country | United States |
Language | Silent (English intertitles) |
The Trouble with Wives is a 1925 American silent comedy film directed by Malcolm St. Clair, written by Sada Cowan and Howard Higgin, and starring Florence Vidor, Tom Moore, Esther Ralston, Ford Sterling, Lucy Beaumont, and Edgar Kennedy. It was released on September 28, 1925, by Paramount Pictures. [1] [2] [3]
As described in a film magazine reviews, [4] Grace Hyatt suspects her businessman husband William of being infatuated with his shoe designer from Paris. Several situations develop which make it appear that William is interested in the young woman. Al Hennessey tells Grace that he and William have visited the woman's apartment. William becomes so uncomfortable with the situation at home that he leaves for a summer hotel. Grace determines that she will get a divorce. When she visits the hotel, she finds the other woman there is the bride of Al Hennessey. The Hyatts are reconciled. [5]
A key scene from The Trouble With Wives demonstrates the “extraordinary efforts” that director St. Clair went to in order to eliminate intertitles: The young wife (Florence Vidor) is led to suspect her husband (Tom Moore) of infidelities with blonde vamp (Esther Ralston). The sequence is conducted entirely in cinematic pantomime related to the wife by her husband’s friend (Ford Sterling). [6]
St. Clair, a cartoonist and graphic artist, designed and drew his own intertitles at Paramount when they were required. [7]
“The satirical point in The Trouble With Wives is the male assumption regarding the way women handle money,” and conversely “that all wives inevitably fall into the trap of becoming suspicious of their husbands.” [8] [9]
With no prints of The Trouble with Wives located in any film archives, [10] it is a lost film. [11]
Florence Vidor was an American silent film actress.
Malcolm St. Clair was a Hollywood film director, writer, producer and actor.
Gentlemen Prefer Blondes is a 1928 American silent comedy film directed by Mal St. Clair, co-written by Anita Loos based on her 1925 novel, and released by Paramount Pictures. No copies are known to exist, and it is now considered to be a lost film. The Broadway version Gentlemen Prefer Blondes starring Carol Channing as Lorelei Lee was mounted in 1949. It was remade into the film Gentlemen Prefer Blondes with Jane Russell as Dorothy Shaw and Marilyn Monroe as Lorelei Lee in 1953, directed by Howard Hawks.
Good and Naughty is a 1926 American silent romantic comedy film directed by Malcolm St. Clair and starring Pola Negri and Tom Moore. It was based on the play Naughty Cinderella by Henri Falk and René Peter. Released in 1926, it is a romantic comedy of mistaken identity about an attractive interior decorator (Negri) who is forced to make herself unattractive so she can be hired by a firm that has a policy against hiring attractive women.
A Woman of the World is a 1925 American silent comedy-drama film starring Pola Negri, directed by Mal St. Clair, produced by Famous Players–Lasky, and distributed by Paramount Pictures.
The American Venus is a 1926 American silent comedy film directed by Frank Tuttle, and starring Esther Ralston, Ford Sterling, Lawrence Gray, Fay Lanphier, Louise Brooks, and Douglas Fairbanks Jr. The film was based on an original story by Townsend Martin. The scenario was written by Frederick Stowers with intertitles by Robert Benchley.
The Grand Duchess and the Waiter is a 1926 American silent romantic comedy film directed by Mal St. Clair and starring Florence Vidor and Adolphe Menjou. A “sophisticated comedy,” this Paramount production is based on a stage play by Alfred Savoir entitled La Grande-duchesse et le garcon d'etage (1924).
Are Parents People? is a 1925 American silent comedy film starring Betty Bronson, Florence Vidor, Adolphe Menjou, George Beranger, and Lawrence Gray. The film was directed by Malcolm St. Clair and released by Paramount Pictures.
The Show-Off is a 1926 American silent film comedy produced by Famous Players–Lasky and distributed by Paramount Pictures, based on the play of the same name by George Kelly. Directed by Mal St. Clair, the film stars Ford Sterling, Lois Wilson and Louise Brooks.
Breakfast at Sunrise is a 1927 silent film comedy directed by Malcolm St. Clair and produced by and starring Constance Talmadge. It was distributed by First National Pictures.
The Telephone Girl was a lost film serial produced in 12 2-reel episodes based on stories by H.C. Witwer and released by FBO studios in 1924.
Beggar on Horseback is a 1925 American silent comedy film based upon the 1924 play written by Marc Connelly and George S. Kaufman. It was adapted for the screen by Walter Woods and directed by James Cruze. It stars Edward Everett Horton, Esther Ralston, Erwin Connelly, Gertrude Short, Ethel Wales, Theodore Kosloff, and Betty Compson. It was released on August 24, 1925, by Paramount Pictures.
Sea Horses is a 1926 American silent drama film directed by Allan Dwan and written by Becky Gardiner, James Shelley Hamilton, and Francis Brett Young. The film stars Jack Holt, Florence Vidor, William Powell, George Bancroft, Mack Swain, Frank Campeau, and Allan Simpson. The film was released on February 22, 1926, by Paramount Pictures. It is based on the 1925 novel of the same title by British writer Francis Brett Young.
Knockout Reilly is a lost 1927 American silent drama film directed by Malcolm St. Clair and written by Pierre Collings, John W. Conway, and Kenneth Raisbeck based upon a story by Albert Payson Terhune. The film stars Richard Dix, Mary Brian, Jack Renault, Harry Gribbon, Osgood Perkins, and Lucia Backus Seger. The film was released on April 16, 1927, by Paramount Pictures.
Figures Don't Lie is a 1927 American silent comedy film directed by A. Edward Sutherland and written by Ethel Doherty and Louise Long from an adaptation by Grover Jones of a story by B. F. Zeidman, with intertitles by Herman J. Mankiewicz. The film stars Esther Ralston, Richard Arlen, Ford Sterling, Doris Hill, Blanche Payson, and Natalie Kingston. The film was released on October 9, 1927, by Paramount Pictures.
Young as You Feel is a 1940 American comedy film directed by Malcolm St. Clair and starring Jed Prouty, Spring Byington and Joan Valerie. It was part of Twentieth Century Fox's Jones Family series of films. The film's plot was similar to that of the 1931 film Young as You Feel.
The Jones Family in Hollywood is a 1939 American comedy film directed by Malcolm St. Clair and written by Harold Tarshis. The film stars Jed Prouty, Spring Byington, Kenneth Howell, George Ernest, June Carlson and Florence Roberts. It was released on June 2, 1939 by 20th Century Fox.
On Thin Ice is a 1925 American silent crime drama film directed by Mal St. Clair and starring Tom Moore, Edith Roberts, and William Russell. It was produced and distributed by the Warner Bros. and based upon a 1924 novel by Alice Ross Colver.
George Washington Jr. is a lost 1924 American silent comedy film directed by Malcolm St. Clair and written by Rex Taylor. It is based on the 1906 play George Washington Jr. by George M. Cohan. The film stars Wesley Barry, Gertrude Olmstead, Léon Bary, Heinie Conklin, Otis Harlan, and William Courtright. The film was released by Warner Bros. on February 2, 1924.
After Business Hours is a 1925 American silent drama film directed by Malcolm St. Clair and starring Elaine Hammerstein, Lou Tellegen, and Phyllis Haver.