A Social Celebrity | |
---|---|
Directed by | Malcolm St. Clair |
Written by | Pierre Collings Robert Benchley (titles) |
Story by | Monte M. Katterjohn |
Starring | Adolphe Menjou Louise Brooks Elsie Lawson Roger Davis Hugh Huntley |
Cinematography | Lee Garmes |
Production company | |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 70 minutes |
Country | United States |
Language | Silent (English intertitles) |
A Social Celebrity is a 1926 American silent comedy drama film directed by Malcolm St. Clair and starred Louise Brooks as a small town manicurist who goes to New York City with her boyfriend (Adolphe Menjou), a barber who poses as a French count. The film is now considered lost. [1] [2]
Max Haber (Menjou), a small town barber, is the pride of his father, Johann (Chester Conklin), who owns an antiquated barbershop. Max adores Kitty Laverne (Brooks), the manicurist, who loves him but aspires to be a dancer and leaves for New York City, hoping that he will follow in pursuit of better things.
Mrs. Jackson-Greer (Josephine Drake), a New York society matron, has occasion to note Max fashioning the hair of a town girl and induces him to come to New York and pose as a French count. There he meets April (Elsie Lawson), Mrs. King's niece, and loses his heart to her, as well as to Kitty, now a showgirl. At the theater where Kitty is appearing, Max is the best-dressed man in April's party. At a nightclub later that night, Max's true identity is revealed, and he is deserted by his society friends. Disillusioned, Max returns home at the request of his father. Kitty follows, realizing that he needs her. [3]
The film was produced by Famous Players–Lasky Corporation and distributed by Paramount Pictures. A Social Celebrity began production in December 1925 with Greta Nissen in the lead role. [1] Louise Brooks was also cast in a supporting role but was recast in the lead after Nissen left the project. [4]
New York Times film critic Mordaunt Hall considered the picture “adroitly directed and skilfully acted,” as well as a “light but pleasing” adaption of the original story by Monte M. Katterjohn. Hall reserves special praise for director St Clair’s “remarkable ability in portraying the thoughts of his characters in a distinctly entertaining fashion” and augmenting the fine performances by Menjou and Brooks. [5]
Prints of A Social Celebrity still existed up until the 1950s. One print was preserved at the George Eastman House where Louise Brooks viewed it in 1957. That print has since deteriorated. [1] The last known print of the film was preserved at the Cinémathèque Française, but was destroyed in a vault fire on July 10, 1959. [6] [7] No prints of the film are known to exist and A Social Celebrity is now considered lost. [7]
Chester Cooper Conklin was an early American film comedian who started at Keystone Studios as one of Mack Sennett’s Keystone Cops, often paired with Mack Swain. He appeared in a series of films with Mabel Normand and worked closely with Charlie Chaplin, both in silent and sound films.
Carol Dempster was an American film actress of the silent film era. She appeared in films from 1916 to 1926, working with D. W. Griffith extensively.
Lights of New York is a 1928 American crime drama film starring Helene Costello, Cullen Landis, Wheeler Oakman and Eugene Pallette, and directed by Bryan Foy. Filmed in the Vitaphone sound-on-disc sound system, it is the first all-talking full-length feature film, released by Warner Bros., who had introduced the first feature-length film with synchronized sound Don Juan, in 1926; and the first with spoken dialogue, The Jazz Singer, in 1927. The film, which cost $23,000 to produce, grossed over $1 million. The enthusiasm with which audiences greeted the talkies was so great that by the end of 1929, Hollywood was producing sound films exclusively.
Gentlemen Prefer Blondes is a 1928 American silent comedy film directed by Mal St. Clair, co-written by Anita Loos based on her 1925 novel, and released by Paramount Pictures. No copies are known to exist, and it is now considered to be a lost film. The Broadway version Gentlemen Prefer Blondes starring Carol Channing as Lorelei Lee was mounted in 1949. It was remade into the film Gentlemen Prefer Blondes with Jane Russell as Dorothy Shaw and Marilyn Monroe as Lorelei Lee in 1953, directed by Howard Hawks.
Verree Teasdale was an American actress born in Spokane, Washington.
Good and Naughty is a 1926 American silent romantic comedy film directed by Malcolm St. Clair and starring Pola Negri and Tom Moore. It was based on the play Naughty Cinderella by Henri Falk and René Peter. Released in 1926, it is a romantic comedy of mistaken identity about an attractive interior decorator (Negri) who is forced to make herself unattractive so she can be hired by a firm that has a policy against hiring attractive women.
A Woman of the World is a 1925 American silent comedy-drama film starring Pola Negri, directed by Mal St. Clair, produced by Famous Players–Lasky, and distributed by Paramount Pictures.
The King on Main Street, also known as The King, is a 1925 American silent romantic comedy film directed by Monta Bell and starring Adolphe Menjou and Bessie Love. The film was adapted for the screen by Bell, and was based on the play The King, Leo Ditrichstein's adaptation of the 1908 French play Le Roi by Gaston Arman de Caillavet, Robert de Flers, and Emmanuel Arène. It was produced by Famous Players–Lasky and distributed by Paramount Pictures.
The Grand Duchess and the Waiter is a 1926 American silent romantic comedy film directed by Mal St. Clair and starring Florence Vidor and Adolphe Menjou. A “sophisticated comedy,” this Paramount production is based on a stage play by Alfred Savoir entitled La Grande-duchesse et le garcon d'etage (1924).
Are Parents People? is a 1925 American silent comedy film starring Betty Bronson, Florence Vidor, Adolphe Menjou, George Beranger, and Lawrence Gray. The film was directed by Malcolm St. Clair and released by Paramount Pictures.
The Show-Off is a 1926 American silent film comedy produced by Famous Players–Lasky and distributed by Paramount Pictures, based on the play of the same name by George Kelly. Directed by Mal St. Clair, the film stars Ford Sterling, Lois Wilson and Louise Brooks.
Fascinating Youth is a 1926 American silent romantic comedy film directed by Sam Wood. It starred Charles "Buddy" Rogers, along with Thelma Todd and Josephine Dunn in supporting roles. Many well-known personalities made guest appearances in the film, judging a beauty contest in one scene, and Clara Bow makes a cameo appearance in her second film for Paramount Pictures.
One in a Million is a 1936 American musical comedy film directed by Sidney Lanfield and starring Sonja Henie, Adolphe Menjou and Don Ameche. It marked the Hollywood debut of the ice skater Henie. It was the first of a series of Twentieth Century-Fox musicals made by Henie, although she had previously made a silent film in her native Norway. The film features footage from the 1936 Winter Olympic Games.
The Reward of Patience is a 1916 American drama silent film directed by Robert G. Vignola and written by Shannon Fife. The film stars Louise Huff, John Bowers, Lottie Pickford, Kate Lester, Adolphe Menjou and Gertrude Norman. The film was released on September 10, 1916, by Paramount Pictures.
The Kiss is a surviving 1916 American silent comedy film directed by Dell Henderson and written by Harvey F. Thew. The film stars Owen Moore, Marguerite Courtot, Kate Lester, Virginia Hammond, Adolphe Menjou, and Thomas O'Keefe. The film was released on October 19, 1916, by Paramount Pictures.
Lost: A Wife is a 1925 American silent comedy film directed by William C. deMille and written by Clara Beranger based upon a play by Clare Kummer and Alfred Savoir. The film stars Adolphe Menjou, Greta Nissen, Robert Agnew, Edgar Norton, Mario Carillo, and Genaro Spagnoli. The film was released on July 13, 1925, by Paramount Pictures.
The Lady of the Harem is a 1926 American silent adventure film directed by Raoul Walsh and written by James Elroy Flecker and James T. O'Donohoe. The film stars Ernest Torrence, William Collier Jr., Greta Nissen, Louise Fazenda, George Beranger, Sôjin Kamiyama, and Frank Leigh. The film was released on November 1, 1926, by Paramount Pictures. It also had the alternative title The Golden Voyage.
The Popular Sin is a 1926 American silent comedy film directed by Malcolm St. Clair, written by Monta Bell and James Ashmore Creelman, and starring Florence Vidor, Clive Brook, Greta Nissen, Philip Strange, George Beranger, and Iris Gray. It was released on November 22, 1926, by Paramount Pictures.
The Fleet's In is a 1928 American silent comedy film directed by Malcolm St. Clair and written by Monte Brice, George Marion Jr., and J. Walter Ruben. The film stars Clara Bow, James Hall, Jack Oakie, Bodil Rosing, Eddie Dunn, and Jean Laverty. The film was released on September 15, 1928, by Paramount Pictures.
On Thin Ice is a 1925 American silent crime drama film directed by Mal St. Clair and starring Tom Moore, Edith Roberts, and William Russell. It was produced and distributed by the Warner Bros. and based upon a 1924 novel by Alice Ross Colver.