The Blacksmith | |
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Directed by | |
Written by |
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Produced by | Joseph M. Schenck |
Starring | Buster Keaton |
Cinematography | Elgin Lessley |
Distributed by | First National Pictures |
Release date |
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Running time | 25 minutes |
Country | United States |
Languages | Silent English intertitles |
The Blacksmith is a 1922 American short comedy film co-written, co-directed by Malcolm St. Clair and Buster Keaton and starring Keaton. [1] [2]
The central conflict in The Blacksmith emerges when Keaton, a young blacksmith, struggles to master the shop’s machinery and implements which seem to defy his efforts to control them. Virginia Fox, a pretty elite equestrian, is an unwitting victim of his ineptitude. [3]
Buster (Buster Keaton) is an assistant blacksmith who makes horseshoes and repairs automobiles. He finds himself at odds with virtually every inanimate object in the shop: the forge, the blowtorch, the winch, and sledgehammers resist his control. Even a single red-hot horseshoe proves unmanageable. He is dismayed when he inadvertently destroys an Rolls-Royce automobile.
An equestrian gentlewoman (Virginia Fox) arrives to have her snow-white mare re-shod. By the time she departs, Buster has dirtied the equine with black axle grease.
When a giant horseshoe suspended from the ceiling of the shop becomes magnetized, iron objects begin disappearing from the shop floor. Suspecting his assistant of tomfoolery, the enormous senior blacksmith (Joe Roberts), becomes enraged and a fight ensues. A sheriff arrives and his badge disappears, then his pistol. He summons the posse. Buster discovers the secret of the giant horseshoe and disables it: dozens of tools plunge to the floor. The senior blacksmith is escorted to the jail to explain. [4]
In June 2013, Argentine film collector, curator and historian Fernando Martín Peña (who had previously unearthed the complete version of Metropolis ) discovered an alternate version of this film, a sort of remake whose last reel differs completely from the previously known version. [5] Film historians have since found evidence that the version of The Blacksmith Peña uncovered was a substantial reshoot undertaken months after completion of principal photography and a preview screening in New York. They now believe the rediscovered version was Keaton's final cut intended for wide distribution. [6]
Following Peña's discovery, a third version of the film, featuring at least one scene which doesn't occur in either of the other two, was found in the collection of former film distributor Blackhawk Films. [6]
Cops is a 1922 American two-reel silent comedy film about a young man who accidentally gets on the bad side of the entire Los Angeles Police Department during a parade and is chased all over town. It was written and directed by Edward F. Cline and Keaton. This very Kafka-esque film was filmed during the rape-and-murder trial of Fatty Arbuckle, a circumstance that may have influenced the short's tone of hopeless ensnarement.
Neighbors is a 1920 two-reel silent comedy film co-written, co-directed by, and starring Buster Keaton.
The Goat is a 1921 American two-reel silent comedy film written, and co-directed by Malcolm St. Clair and Buster Keaton and starring Keaton.
Hard Luck is a 1921 American two-reel silent comedy film starring Buster Keaton, written and directed by Keaton and Edward F. Cline. It runs 22 minutes. For sixty years it was Keaton's only major lost film until it was partially reconstructed in 1987, with the critical final scene—which Keaton called the greatest laugh-getting scene of his career—still missing. It was later discovered in a Russian archive print, and now the full film is available.
Malcolm St. Clair was a Hollywood film director, writer, producer and actor.
Gentlemen Prefer Blondes is a 1928 American silent comedy film directed by Mal St. Clair, co-written by Anita Loos based on her 1925 novel, and released by Paramount Pictures. No copies are known to exist, and it is now considered to be a lost film. The Broadway version Gentlemen Prefer Blondes starring Carol Channing as Lorelei Lee was mounted in 1949. It was remade into the film Gentlemen Prefer Blondes with Jane Russell as Dorothy Shaw and Marilyn Monroe as Lorelei Lee in 1953, directed by Howard Hawks.
The Electric House is a 1922 American short comedy film co-directed by and starring Buster Keaton.
Two Weeks to Live is a 1943 American Lum and Abner film directed by Malcolm St. Clair.
A Woman of the World is a 1925 American silent comedy-drama film starring Pola Negri, directed by Mal St. Clair, produced by Famous Players–Lasky, and distributed by Paramount Pictures.
The Grand Duchess and the Waiter is a 1926 American silent romantic comedy film directed by Mal St. Clair and starring Florence Vidor and Adolphe Menjou. A “sophisticated comedy,” this Paramount production is based on a stage play by Alfred Savoir entitled La Grande-duchesse et le garcon d'etage (1924).
The Show-Off is a 1926 American silent film comedy produced by Famous Players–Lasky and distributed by Paramount Pictures, based on the play of the same name by George Kelly. Directed by Mal St. Clair, the film stars Ford Sterling, Lois Wilson and Louise Brooks.
Hollywood Cavalcade is a 1939 American film featuring Alice Faye as a young performer making her way in the early days of Hollywood, from slapstick silent pictures through the transition from silent to sound.
Quick Millions is a 1939 American comedy film directed by Malcolm St Clair and co-written by Buster Keaton, one of the series of seventeen 20th Century Studios Jones Family films beginning with Every Saturday Night (1936) and ending with On Their Own (1940).
The Lighthouse by the Sea is a 1924 American silent adventure film produced by and distributed by Warner Bros. The film's star is canine sensation Rin Tin Tin, the most famous animal actor of the 1920s. The film was directed by Malcolm St. Clair.
Breakfast at Sunrise is a 1927 silent film comedy directed by Malcolm St. Clair and produced by and starring Constance Talmadge. It was distributed by First National Pictures.
Find Your Man is a 1924 American silent action/melodrama film starring Rin Tin Tin and June Marlowe. It was directed by Mal St. Clair who persuaded Warner Bros. to hire his friend, Darryl F. Zanuck, to write the screenplay; this began a long association between Zanuck and Rin Tin Tin. Filming took place in Klamath Falls, Oregon. This film survives. It was transferred onto 16mm film by Associated Artists Productions in the 1950s and shown on television.
The Trouble with Wives is a 1925 American silent comedy film directed by Malcolm St. Clair, written by Sada Cowan and Howard Higgin, and starring Florence Vidor, Tom Moore, Esther Ralston, Ford Sterling, Lucy Beaumont, and Edgar Kennedy. It was released on September 28, 1925, by Paramount Pictures.
On Thin Ice is a 1925 American silent crime drama film directed by Mal St. Clair and starring Tom Moore, Edith Roberts, and William Russell. It was produced and distributed by the Warner Bros. and based upon a 1924 novel by Alice Ross Colver.
Swing Out the Blues is a 1944 American romantic comedy film directed by Malcolm St. Clair and starring Bob Haymes, Lynn Merrick, and Janis Carter. It was released on May 22, 1938.
After Business Hours is a 1925 American silent drama film directed by Malcolm St. Clair and starring Elaine Hammerstein, Lou Tellegen, and Phyllis Haver.