The Blacksmith | |
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Directed by | |
Written by |
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Produced by | Joseph M. Schenck |
Starring | Buster Keaton |
Cinematography | Elgin Lessley |
Distributed by | First National Pictures |
Release date |
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Running time | 25 minutes |
Country | United States |
Languages | Silent English intertitles |
The Blacksmith is a 1922 American short comedy film co-written, co-directed by Malcolm St. Clair and Buster Keaton and starring Keaton. [1] [2]
The central conflict in The Blacksmith emerges when Keaton, a young blacksmith, struggles to master the shop’s machinery and implements which seem to defy his efforts to control them. Virginia Fox, a pretty elite equestrian, is an unwitting victim of his ineptitude. [3]
Buster (Buster Keaton) is an assistant blacksmith who makes horseshoes and repairs automobiles. He finds himself at odds with virtually every inanimate object in the shop: the forge, the blowtorch, the winch, and sledgehammers resist his control. Even a single red-hot horseshoe proves unmanageable. He is dismayed when he inadvertently destroys an Rolls-Royce automobile.
An equestrian gentlewoman (Virginia Fox) arrives to have her snow-white mare re-shod. By the time she departs, Buster has dirtied the equine with black axle grease.
When a giant horseshoe suspended from the ceiling of the shop becomes magnetized, iron objects begin disappearing from the shop floor. Suspecting his assistant of tomfoolery, the enormous senior blacksmith (Joe Roberts}, becomes enraged and a fight ensues. A sheriff arrives and his badge disappears, then his pistol. He summons the posse. Buster discovers the secret of the giant horseshoe and disables it: dozens of tools plunge to the floor. The senior blacksmith is escorted to the jail to explain. [4]
In June 2013, Argentine film collector, curator and historian Fernando Martín Peña (who had previously unearthed the complete version of Metropolis ) discovered an alternate version of this film, a sort of remake whose last reel differs completely from the previously known version. [5] Film historians have since found evidence that the version of The Blacksmith Peña uncovered was a substantial reshoot undertaken months after completion of principal photography and a preview screening in New York. They now believe the rediscovered version was Keaton's final cut intended for wide distribution. [6]
Following Peña's discovery, a third version of the film, featuring at least one scene which doesn't occur in either of the other two, was found in the collection of former film distributor Blackhawk Films. [6]
Joseph Frank "Buster" Keaton was an American actor, comedian and film director. He is best known for his silent films during the 1920s, in which he performed physical comedy and inventive stunts. He frequently maintained a stoic, deadpan facial expression that became his trademark and earned him the nickname "The Great Stone Face".
Cops is a 1922 American two-reel silent comedy film about a young man who accidentally gets on the bad side of the entire Los Angeles Police Department during a parade and is chased all over town. It was written and directed by Edward F. Cline and Keaton. This very Kafka-esque film was filmed during the rape-and-murder trial of Fatty Arbuckle, a circumstance that may have influenced the short's tone of hopeless ensnarement.
The Playhouse is a 1921 American two-reel silent comic trick film written by, directed by, and starring Buster Keaton. It runs for 22 minutes, and is most famous for an opening sequence where Keaton plays every role.
One Week is a 1920 American two-reel silent comedy film starring Buster Keaton, the first independent film production he released on his own. The film was written and directed by Keaton and Edward F. Cline, and runs for 19 minutes. Sybil Seely co-stars. The film contains a large number of innovative visual gags largely pertaining to either the house or to ladders.
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The Goat is a 1921 American two-reel silent comedy film written, and co-directed by Malcolm St. Clair and Buster Keaton and starring Keaton.
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Hard Luck is a 1921 American two-reel silent comedy film starring Buster Keaton, written and directed by Keaton and Edward F. Cline. It runs 22 minutes. For sixty years it was Keaton's only major lost film until it was partially reconstructed in 1987, with the critical final scene—which Keaton called the greatest laugh-getting scene of his career—still missing. It was later discovered in a Russian archive print, and now the full film is available.
Malcolm St. Clair was a Hollywood film director, writer, producer and actor.
The Cook is a 1918 American two-reel silent comedy film written by, directed by, and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton and Al St. John. The movie is a slapstick comedy and focuses on goings-on at a high-end restaurant with Arbuckle as the Cook and Keaton as the Waiter.
The Garage is a 1920 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. This was the fourteenth and last film starring the duo before Keaton set up his own studio and Arbuckle started making feature-length films. The film also stars Luke the Dog, who starred in many other short comedies with Arbuckle. The film was also known as Fire Chief.
A Country Hero is a 1917 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. The film is considered to be lost.
The Boat is a 1921 American two-reel silent comedy film written and directed by, and starring Buster Keaton. Contemporary reviews consider it one of his best shorts, with One Week (1920), The Playhouse (1921) and Cops (1922). It is presently in the public domain. The International Buster Keaton Society takes its name, The Damfinos, from the name of the film's boat.
The Electric House is a 1922 American short comedy film co-directed by and starring Buster Keaton.
Yankee Doodle in Berlin is a 1919 American silent comedy and World War I film from producer Mack Sennett. A five-reel feature, it was Sennett's most expensive production up to that time. Hiram Abrams was the original State's Rights marketer before the film's release, but producer Sol Lesser bought the rights in March 1919.
The Show-Off is a 1926 American silent film comedy produced by Famous Players–Lasky and distributed by Paramount Pictures, based on the play of the same name by George Kelly. Directed by Mal St. Clair, the film stars Ford Sterling, Lois Wilson and Louise Brooks.
Hollywood Cavalcade is a 1939 American film featuring Alice Faye as a young performer making her way in the early days of Hollywood, from slapstick silent pictures through the transition from silent to sound.
On Thin Ice is a 1925 American silent crime drama film directed by Mal St. Clair and starring Tom Moore, Edith Roberts, and William Russell. It was produced and distributed by the Warner Bros. and based upon a 1924 novel by Alice Ross Colver.