Joseph Frank "Buster" Keaton was an American actor, comedian and film director. He is best known for his silent films during the 1920s, in which he performed physical comedy and stunts with a stoic, deadpan expression that became his trademark and earned him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". In 1996, Entertainment Weekly recognized Keaton as the seventh-greatest film director. and in 1999 the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema.
The General is a 1926 American silent slapstick Western action comedy film released by United Artists. It was inspired by the Great Locomotive Chase, a true story of an event that occurred during the American Civil War. The story was adapted from the 1889 memoir The Great Locomotive Chase by William Pittenger. The film stars Buster Keaton, who also co-directed it along with Clyde Bruckman.
Cops is a 1922 American two-reel silent comedy film about a young man who accidentally gets on the bad side of the entire Los Angeles Police Department during a parade and is chased all over town. It was written and directed by Edward F. Cline and Keaton. This very Kafka-esque film was filmed during the rape-and-murder trial of Fatty Arbuckle, a circumstance that may have influenced the short's tone of hopeless ensnarement.
Sherlock Jr. is a 1924 American silent comedy film directed by and starring Buster Keaton and written by Clyde Bruckman, Jean Havez, and Joseph A. Mitchell. It features Kathryn McGuire, Joe Keaton, and Ward Crane.
Edward Francis Cline was an American screenwriter, actor, writer and director best known for his work with comedians W.C. Fields and Buster Keaton. He was born in Kenosha, Wisconsin and died in Hollywood, California.
Kevin Brownlow is a British film historian, television documentary-maker, filmmaker, author, and film editor. He is best known for his work documenting the history of the silent era, having become interested in silent film at the age of eleven. This interest grew into a career spent documenting and restoring film. Brownlow has rescued many silent films and their history. His initiative in interviewing many largely forgotten, elderly film pioneers in the 1960s and 1970s preserved a legacy of early mass-entertainment cinema. He received an Academy Honorary Award at the 2nd Annual Governors Awards given by the Academy of Motion Picture Arts and Sciences on 13 November 2010. This was the first occasion on which an Academy Honorary Award was given to a film preservationist.
The Playhouse is a 1921 American two-reel silent comic trick film written by, directed by, and starring Buster Keaton. It runs for 22 minutes, and is most famous for an opening sequence where Keaton plays every role.
Educational Pictures, also known as Educational Film Exchanges, Inc. or Educational Films Corporation of America, was an American film production and film distribution company founded in 1916 by Earle Hammons (1882–1962). Educational primarily distributed short subjects; it is best known for its series of comedies starring Buster Keaton (1934–37) and the earliest screen appearances of Shirley Temple (1932–34). The company ceased production in 1938, and finally closed in 1940 when its film library was sold at auction.
One Week is a 1920 American two-reel silent comedy film starring Buster Keaton, the first independent film production he released on his own. The film was written and directed by Keaton and Edward F. Cline, and runs for 19 minutes. Sybil Seely co-stars. The film contains a large number of innovative visual gags largely pertaining to either the house or to ladders.
Our Hospitality is a 1923 American silent comedy film directed by Buster Keaton and John G. Blystone. Starring Keaton, Joe Roberts, and Natalie Talmadge and distributed by Metro Pictures Corporation, it uses slapstick and situational comedy to tell the story of Willie McKay, caught in the middle of the infamous "Canfield–McKay" feud, an obvious satire of the real-life Hatfield–McCoy feud.
Convict 13 is a 1920 two-reel silent comedy film starring Buster Keaton. It was written and directed by Keaton and Edward F. Cline.
Neighbors is a 1920 two-reel silent comedy film co-written, co-directed by, and starring Buster Keaton.
Three Ages is a 1923 black-and-white American feature-length silent comedy film starring comedian Buster Keaton and Wallace Beery. The first feature Keaton wrote, directed, produced, and starred in, Keaton structured the film like three inter-cut short films. While Keaton was a proven success in the short film medium, he had yet to prove himself as a feature-length star. It has been alleged that, had the project flopped, the film would have been broken into three short films, although this has been disputed by film historians who note that neither Keaton nor his associates made this claim in their lifetimes. The structure also worked as a parody of D. W. Griffith's 1916 film Intolerance.
Joseph Henry Roberts was an American comic actor who appeared in 16 of Buster Keaton's 19 silent short films of the 1920s.
The Scarecrow is a 1920 American two-reel silent comedy film starring Buster Keaton, and written and directed by Keaton and Edward F. Cline.
Boom in the Moon is a 1946 Mexican comedy science fiction film directed by Jaime Salvador and starring Buster Keaton. The film is notable both as Keaton's only Mexican production and as the last time Keaton had star billing in a feature film.
A Country Hero is a 1917 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. The film is considered to be lost.
The Electric House is a 1922 American short comedy film co-directed by and starring Buster Keaton.
Day Dreams is a 1922 American short comedy film directed by and featuring Buster Keaton. It is most famous for a scene where Keaton finds himself on the inside of a riverboat paddle wheel. It is a partially lost film and available from public domain sources.
The Club Foot Orchestra is a musical ensemble known for their silent film scores. Their influences include Eastern European folk music, impressionism, and jazz fusion; The New Yorker described their style as "music that bubbles up from the intersection of aesthetics and the id."
