The Buster Keaton Story | |
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Directed by | Sidney Sheldon |
Screenplay by | Sidney Sheldon Robert Smith |
Based on | Life of Buster Keaton |
Produced by | Sidney Sheldon Robert Smith |
Starring | Donald O'Connor Ann Blyth Rhonda Fleming Peter Lorre Larry Keating Jackie Coogan |
Cinematography | Loyal Griggs |
Edited by | Archie Marshek |
Music by | Victor Young |
Production company | Forum Productions |
Distributed by | Paramount Pictures |
Release date |
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Running time | 91 minutes |
Country | United States |
Language | English |
The Buster Keaton Story is a 1957 American biographical drama film directed by Sidney Sheldon and written by Sidney Sheldon and Robert Smith, following the life of Buster Keaton. The film stars Donald O'Connor, Ann Blyth, Rhonda Fleming, Peter Lorre, Larry Keating and Jackie Coogan. It was released on April 21, 1957, by Paramount Pictures. [1] [2] The film was described by AllMovie as "sublimely inaccurate" regarding details of Keaton's life. It was produced by Paramount Pictures, which paid Keaton $50,000 for the rights to his life story. [3]
In the late 19th and early 20th centuries, child vaudevillian Buster Keaton stays in boarding houses, rides in train boxcars, and performs with his mother and father in a knock-about (physical comedy) act called The Three Keatons. As a young man Keaton travels on his own to Hollywood and tricks his way onto the grounds of silent-film studio Famous Studio as a workman carrying a board, as in one of his trademark comic bits.
Sneaking onto a set, he attracts the attention of a young casting director, Gloria Brent. He demonstrates his type of physical comedy to a director Kurt Bergner, whom he does not impress. But Gloria recognizes his talent and recommends him to studio head Larry Winters, who offers him a contract. Keaton begins to get small parts in other people’s pictures. As his comic talent becomes more apparent and his fame and money-making power grows, he is offered a contract to direct and star in his own silent films.
Dissatisfied with not sharing the profits of his films, he is told that he must invest in his own pictures in order to profit-share. He does in “The Gambler”, which is released at the same time as Al Jolson’s blockbuster talkie, “The Jazz Singer”, reducing public interest in it. Buster struggles to adapt to performing in talking pictures.
He pursues a silent film star throughout his early career, Peggy Courtney, who sneers at his boarding-house manners and eventually marries a European Duke in order to become a Duchess. Crushed, Keaton begins drinking heavily. The casting director, Gloria, who has been interested in him and remained his friend throughout his career has been similarly disappointed by his lack of interest in her, and plans to marry a studio executive, Tom McAffee. Eventually, she confesses to her fiancé her continued interest in Keaton, and they break up. While Keaton is in a drunken black-out, she marries him in order to move in with him and take care of him so he doesn’t die.
Buster doubts Gloria’s motivation for marrying him and neglects and verbally abuses her. Things thaw between them; Buster has been offered a small part in a talking film by director Kurt Bergner. Buster quits the film in anger as he is not allowed enough screen time to develop any of his famous comedy routines.
On his way home Buster meets some children playing baseball and joins them, making up comedy bits within the game at which the children laugh. When he returns home, Gloria mistakes his elation from having made the children laugh for having gotten the motion picture part. Pretending to go to work the next day, Buster returns to the baseball field, which is empty. Some tourists recognize him and ask for his autograph. He pretends to have forgotten his wallet and borrows $10 from them, which he uses to get drunk.
Buster returns home drunk, and Gloria confronts him. He wonders aloud why she married him, and she declares her love for him. The children who played baseball with him arrive at his house to ask him to play baseball with them again. Gloria tells the children that he is sick and cannot play. Then she leaves Buster, hoping that leaving him will help him to face his drinking problem.
The children show up at Buster's house again, and he entertains them, but he falls down and hurts himself as he is still ill from drinking. He puts his mansion up for sale and moves out. He goes to see Larry, the studio head, to ask if he knows where Gloria is. Larry tells him that Gloria has resumed her old job at the studio; he calls Gloria into his office and leaves the two alone. Buster demonstrates to Gloria that he is quitting drinking, and tells her that he is returning to his roots, vaudeville. He tells her that she is free from the marriage.
Buster returns to vaudeville, where audiences still laugh at his routines. Gloria goes to see Buster backstage, and he impresses her into his act. Together, they are a hit. Buster tells Gloria that together they will be The Two Keatons. She raises three fingers to signal to him that they must be The Three Keatons, as she is expecting.
Joseph Frank "Buster" Keaton was an American actor, comedian and filmmaker. He is best known for his silent films during the 1920s, in which he performed physical comedy and inventive stunts. He frequently maintained a stoic, deadpan facial expression that became his trademark and earned him the nickname "The Great Stone Face".
Sherlock Jr. is a 1924 American silent comedy film starring and directed by Buster Keaton and written by Clyde Bruckman, Jean Havez, and Joseph A. Mitchell. It features Kathryn McGuire, Joe Keaton, and Ward Crane.
Roscoe Conkling "Fatty" Arbuckle was an American silent film actor, director, and screenwriter. He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked with Mabel Normand and Harold Lloyd as well as with his nephew, Al St. John. He also mentored Charlie Chaplin, Monty Banks and Bob Hope, and brought vaudeville star Buster Keaton into the movie business. Arbuckle was one of the most popular silent stars of the 1910s and one of the highest-paid actors in Hollywood, signing a contract in 1920 with Paramount Pictures for $1,000,000 a year.
Edward Francis Cline was an American screenwriter, actor, writer and director best known for his work with comedians W.C. Fields and Buster Keaton. He was born in Kenosha, Wisconsin and died in Hollywood, California.
Limelight is a 1952 American comedy-drama film written, produced, directed by, and starring Charlie Chaplin, based on a novella by Chaplin titled Footlights. The score was composed by Chaplin and arranged by Ray Rasch.
The Farmer's Wife is a 1928 British silent romantic comedy film directed by Alfred Hitchcock and starring Jameson Thomas, Lillian Hall-Davis and Gordon Harker.
The Cameraman is a 1928 American silent romantic comedy film directed by Edward Sedgwick and an uncredited Buster Keaton. The picture stars Keaton and Marceline Day.
The Razor's Edge is a 1946 American drama film based on W. Somerset Maugham's 1944 novel of the same name. It stars Tyrone Power, Gene Tierney, John Payne, Anne Baxter, Clifton Webb, and Herbert Marshall, with a supporting cast including Lucile Watson, Frank Latimore, and Elsa Lanchester. Marshall plays Somerset Maugham. The film was directed by Edmund Goulding.
Lawrence Weingarten was an American film producer. He was best known for working for Metro-Goldwyn-Mayer and producing some of the studio's most prestigious films such as Adam's Rib (1949), I'll Cry Tomorrow (1955) and Cat on a Hot Tin Roof (1958).
Araminta Estelle "Minta" Durfee was an American silent film actress from Los Angeles, California, possibly best known for her role in Mickey (1918).
Beloved Infidel is a 1959 American DeLuxe Color biographical drama film made by 20th Century Fox in CinemaScope and based on the relationship of F. Scott Fitzgerald and Sheilah Graham. The film was directed by Henry King and produced by Jerry Wald from a screenplay by Sy Bartlett, based on the 1957 memoir by Sheilah Graham and Gerold Frank. The music score was by Franz Waxman, the cinematography by Leon Shamroy and the art direction by Lyle R. Wheeler and Maurice Ransford. The film was the sixth and final collaboration between King and Peck.
Spite Marriage is a 1929 American silent comedy film co-directed by Buster Keaton and Edward Sedgwick and starring Keaton and Dorothy Sebastian. It is the second film Keaton made for MGM and his last silent film, although he had wanted it to be a "talkie" or full sound film. While the production has no recorded dialogue, it does feature an accompanying synchronized score and recorded laughter, applause, and other sound effects. Keaton later wrote gags for some up-and-coming MGM stars like Red Skelton, and recycled many gags from Spite Marriage, some shot-for-shot, for Skelton's 1943 film I Dood It.
The Saphead is a 1920 American comedy-drama film featuring Buster Keaton. It was the actor's first starring role in a full-length feature and the film that launched his career as a leading man. Keaton was cast on the recommendation of Douglas Fairbanks.
Day Dreams is a 1922 American short comedy film directed by and featuring Buster Keaton. It is most famous for a scene where Keaton finds himself on the inside of a riverboat paddle wheel. It is a partially lost film and available from public domain sources.
The Gold Ghost is a 1934 short American pre-code comedy film starring Buster Keaton.
The Comic is a 1969 American Pathécolor comedy-drama film co-written, co-produced, and directed by Carl Reiner. It stars Dick Van Dyke as Billy Bright, Michele Lee as Bright's love interest, and Reiner himself and Mickey Rooney as Bright's friends and colleagues. Reiner wrote the screenplay with Aaron Ruben; it was inspired by the end of silent film era and, in part, by the life of silent film superstar Buster Keaton.
Eleanor Ruth Keaton was an American dancer and variety show performer. She was an MGM contract dancer in her teens and became the third wife of silent-film comedian Buster Keaton at the age of 21. She is credited with rehabilitating her husband's life and career. The two performed at the Cirque Medrano in Paris and on European tours in the 1950s; she also performed with him on The Buster Keaton Show in the early 1950s. After his death in 1966, she helped ensure Keaton's legacy by giving many interviews to biographers, film historians, and journalists, sharing details from his personal life and career, and also attended film festivals and celebrations honoring Keaton. In her later years, she bred champion St. Bernard dogs, was a gag consultant for Hollywood filmmakers, and was an invited speaker at silent-film screenings.
Skinner's Dress Suit is a 1926 American silent comedy film produced and distributed by Universal Pictures and starring Reginald Denny. William Seiter was the director of the film which was based on the 1916 novel of the name by Henry Irving Dodge. Laura La Plante and Hedda Hopper co-star in this comedy which has seen video and DVD releases.
Luke the Dog (1913–1926) was an American Staffordshire Terrier that performed as a recurring character in American silent comedy shorts between 1914 and 1920. He was also the personal pet of actress Minta Durfee and her husband, the comedian and director Roscoe "Fatty" Arbuckle.
Louis Anger was an American vaudeville performer and movie studio executive. During the early days of the American silent film industry, Anger was considered to be "the king of slapstick comedy producers," and was instrumental in developing the film careers of famed actors Fatty Arbuckle and Buster Keaton.