Seven Chances | |
---|---|
Directed by | Buster Keaton |
Screenplay by | Clyde Bruckman Jean Havez Joseph A. Mitchell |
Story by | David Belasco |
Based on | Seven Chances 1916 play by Roi Cooper Megrue |
Produced by | Joseph M. Schenck Buster Keaton |
Starring | Buster Keaton |
Cinematography | Byron Houck Elgin Lessley |
Edited by | Buster Keaton |
Music by | Robert Israel (1995) |
Distributed by | Metro-Goldwyn |
Release date |
|
Running time | 47 minutes (6 reels) |
Country | United States |
Languages | Silent film English intertitles |
Box office | $598,288 |
Seven Chances is a 1925 American silent comedy film directed by and starring Buster Keaton, based on the play of the same name by Roi Cooper Megrue, produced in 1916 by David Belasco. Additional cast members include T. Roy Barnes, Snitz Edwards, and Ruth Dwyer. Jean Arthur, a future star, has an uncredited supporting role. The film's opening scenes were shot in early Technicolor. The film includes Keaton's famous rock avalanche sequence. [1]
Jimmie Shannon is the junior partner in the brokerage firm of Meekin and Shannon, which is on the brink of financial ruin. A lawyer (whom they dodged, mistakenly believing he was trying to add to their woes) finally manages to inform Jimmie of the terms of his grandfather's will. He will inherit seven million dollars if he is married by 7:00 p.m. on his 27th birthday, which happens to be that same day.
Shannon immediately seeks out his sweetheart, Mary Jones, who readily accepts his proposal. However, when he clumsily explains why they have to get married that day, she breaks up with him.
He returns to the country club to break the news to his partner and the lawyer. Though Jimmie's heart is set on Mary, Meekin persuades him to try proposing to other women to save them both from ruin or even possibly jail. He has Jimmie look in the club's dining room, Jimmie knows seven women there (the chances of the title). Each turns him down. In desperation, Jimmie asks any woman he comes across. Even the hat check girl rejects him. He finally finds one who agrees, but it turns out she is underage.
Meanwhile, Mary's mother persuades her to reconsider. She writes a note agreeing to marry Jimmie and sends the hired hand to deliver it.
Unaware of this, Meekin has his partner's predicament (and potential inheritance) printed in the newspaper, asking would-be brides to go to the Broad Street Church at 5 p.m. Hordes of veiled women descend on the place. When they spot Jimmie (who had fallen asleep on a pew), they begin to fight over him. Then the clergyman appears and announces he believes it all to be a practical joke. Infuriated, the women chase after Jimmie. While hiding, he gets Mary's note. He races to Mary's house, pursued by furious females. Along the way, he accidentally starts an avalanche, which drives away the mob.
When he gets to Mary's home, Meekin shows him his watch, he is minutes too late. Mary still wants to marry him, money or no, but he refuses to let her share his impending disgrace. When he leaves, he sees by the church clock that Meekin's watch is fast. He and Mary wed just in time.
Joseph Schenck bought the rights to Roi Cooper Megrue's play Seven Chances thinking it might be a good project for Keaton or for Norma, Constance or Natalie Talmadge. It was an enormous hit on Broadway and touring, and Schenck paid stage director John McDermott $25,000 with the promise he would direct the film. Schenck had Keaton make the film instead. Keaton hated the play and called it a sappy farce, but he owed money to Schenck and had to make the film to settle his debt. [2]
Shooting began in January 1925. [3] Keaton intended to finish with a fadeout of him still running from the mob of women, but wished he could think of a better ending. However, the preview audience laughed loudest when Keaton's character accidentally dislodged a rock, which struck two others, sending them tumbling down after the hero. Keaton had 150 papier-mâché and chicken wire fakes made in various sizes, up to 8 feet (2.4 m) in diameter, for what is now considered one of his most memorable sequences. [4] Keaton disliked the film but thought the avalanche scene saved it. He cast Doris Deane as one of the "seven chance" fiancées, as a favor to his friend Roscoe "Fatty" Arbuckle (Deane was Arbuckle's fiancée). [5]
Beale's Cut Stagecoach Pass appears in the film. [6]
The film was another box office success for Keaton, grossing $598,288 domestically. [5]
When released, Mordaunt Hall, the film critic for The New York Times, gave the film a mixed review, and wrote, "After viewing Buster Keaton's latest comedy, Seven Chances, one is justified in assuming, that there is a slump in the fun market... It took the combined efforts of three experienced gag men to turn the stage effort into screen material. The result inclines one's belief in the old adage concerning too many cooks, as although there are quite a number of good twists some of them have been produced in haste. The ideas did not have time to ripen and are therefore put before the audience in a rather sour state." [7]
Film critic Dennis Schwartz liked the film and wrote, "A less ambitious but, nevertheless, hilarious Buster Keaton comedy. It's taken from the play by David Belasco and scripted by a team of writers. This minor film is based on a one-joke premise, but it has one of the greatest ever chase scenes. Keaton proves he's a master at building the comedy until it reaches its absolute breaking point." [8]
Time Out London gave the film a positive review and wrote, "Less ambitious and less concerned with plastic values than the best of Keaton, this is nevertheless a dazzlingly balletic comedy in which Buster has a matter of hours to acquire the wife on which a seven million dollar inheritance depends... From this leisurely start, the film takes off into a fantastically elaborate, gloriously inventive chase sequence, in which Buster escapes the mob of pursuing harridans only to find an escalating avalanche of rocks taking over at his heels as he hurtles downhill. Added only after an initial preview, the rocks make for one of the great Keaton action gags." [9]
The story was reworked several times, notably by the Three Stooges in the films Brideless Groom (also written by Clyde Bruckman) and Husbands Beware, in The Suitor (Le Soupirant), a 1962 French comedy starring Pierre Étaix, and in The Bachelor, a 1999 film starring Chris O'Donnell and Renée Zellweger.
The International Buster Keaton Society recreated the Seven Chances "Bridal Run" in the streets of Muskegon, Michigan, at their 2010 convention. [10]
Joseph Frank "Buster" Keaton was an American actor, comedian and filmmaker. He is best known for his silent films during the 1920s, in which he performed physical comedy and inventive stunts. He frequently maintained a stoic, deadpan facial expression that became his trademark and earned him the nickname "The Great Stone Face".
The General is a 1926 American silent film released by United Artists. It was inspired by the Great Locomotive Chase, a true story of an event that occurred during the American Civil War. The story was adapted from the 1889 memoir The Great Locomotive Chase by William Pittenger. The film stars Buster Keaton, who also co-directed it along with Clyde Bruckman.
Sherlock Jr. is a 1924 American silent comedy film starring and directed by Buster Keaton and written by Clyde Bruckman, Jean Havez, and Joseph A. Mitchell. It features Kathryn McGuire, Joe Keaton, and Ward Crane.
Roscoe Conkling "Fatty" Arbuckle was an American silent film actor, director, and screenwriter. He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked with Mabel Normand and Harold Lloyd as well as with his nephew, Al St. John. He also mentored Charlie Chaplin, Monty Banks and Bob Hope, and brought vaudeville star Buster Keaton into the movie business. Arbuckle was one of the most popular silent stars of the 1910s and one of the highest-paid actors in Hollywood, signing a contract in 1920 with Paramount Pictures for $1,000,000 a year.
Edward Francis Cline was an American screenwriter, actor, writer and director best known for his work with comedians W.C. Fields and Buster Keaton. He was born in Kenosha, Wisconsin and died in Hollywood, California.
Steamboat Bill, Jr. is a 1928 silent comedy film starring Buster Keaton. Released by United Artists, the film is the final product of Keaton's independent production team and set of gag writers.
One Week is a 1920 American two-reel silent comedy film starring Buster Keaton, the first independent film production he released on his own. The film was written and directed by Keaton and Edward F. Cline, and runs for 19 minutes. Sybil Seely co-stars. The film contains a large number of innovative visual gags largely pertaining to either the house or to ladders.
Our Hospitality is a 1923 American silent comedy film directed by Buster Keaton and John G. Blystone. Starring Keaton, Joe Roberts, and Natalie Talmadge and distributed by Metro Pictures Corporation, it uses slapstick and situational comedy to tell the story of Willie McKay, caught in the middle of the infamous "Canfield–McKay" feud, an obvious satire of the real–life Hatfield–McCoy feud.
The Bachelor is a 1999 American romantic comedy-drama fantasy film directed by Gary Sinyor and written by Steve Cohen. It is a remake of the 1925 Buster Keaton silent comedy film Seven Chances and stars Chris O'Donnell and Renée Zellweger. The film received negative reviews from critics and grossed $36.9 million against its $21 million budget. This film also marks Mariah Carey's acting debut.
The Navigator is a 1924 American comedy film directed by and starring Buster Keaton. The film was written by Clyde Bruckman and co-directed by Donald Crisp. In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."
Joseph Henry Roberts was an American comic actor who appeared in 16 of Buster Keaton's 19 silent short films of the 1920s.
The Cameraman is a 1928 American silent romantic comedy film directed by Edward Sedgwick and an uncredited Buster Keaton. The picture stars Keaton and Marceline Day. The Cameraman was Keaton's first film under contract to Metro-Goldwyn-Mayer. It is considered by fans and critics to be one of Keaton's best, and was added to the National Film Registry in 2005 as being deemed "culturally, historically, or aesthetically significant".
Out West is a 1918 American two-reel silent comedy film, a satire on contemporary Westerns, starring Roscoe 'Fatty' Arbuckle, Buster Keaton, and Al St. John. It was the first of Arbuckle's "Comique" films to be filmed on the West Coast, the previous five having been filmed in and around New York City. The idea for the story came from Natalie Talmadge, who was later to become Keaton's first wife.
The High Sign is a 1921 two-reel silent comedy film starring Buster Keaton, and written and directed by Keaton and Edward F. Cline. Its runtime is 21 minutes. Although One Week (1920) was Keaton's first independent film short released, The High Sign was the first one made. Disappointed with the result, Keaton shelved it and the film was not released until the following year. The title refers to the secret hand signal used by the film's underworld gang.
Good Night, Nurse! is a 1918 American two-reel silent comedy film written by, and directed by, and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. Roscoe's character's wife reaches the last straw with his drinking and admits him to the No Hope Sanatorium, which promises to cure all cases of alcoholism.
The Bell Boy is a 1918 American two-reel silent comedy film directed by Roscoe "Fatty" Arbuckle for the Comique film company.
The Frozen North is a 1922 American short comedy film directed by and starring Buster Keaton. The film is a parody of early western films, especially those of William S. Hart. The film was written by Keaton and Edward F. Cline. The film runs for around 17 minutes. Sybil Seely and Bonnie Hill co-star in the film.
The International Buster Keaton Society Inc.— a.k.a. "The Damfinos"—is the official educational organization dedicated to comedy film producer-director-writer-actor-stuntman Buster Keaton.
Roi Cooper Megrue was an American playwright, producer, and director active on Broadway from 1914 to 1921.
Louis Anger was an American vaudeville performer and movie studio executive. During the early days of the American silent film industry, Anger was considered to be "the king of slapstick comedy producers," and was instrumental in developing the film careers of famed actors Fatty Arbuckle and Buster Keaton.