Joseph Frank "Buster" Keaton was an American actor, comedian, and director. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". In 1996, Entertainment Weekly recognized Keaton as the seventh-greatest film director, writing that "More than Chaplin, Keaton understood movies: He knew they consisted of a four-sided frame in which resided a malleable reality off which his persona could bounce. A vaudeville child star, Keaton grew up to be a tinkerer, an athlete, a visual mathematician; his films offer belly laughs of mind-boggling physical invention and a spacey determination that nears philosophical grandeur." In 1999, the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema.
The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
Deadpan, dry humour, or dry-wit humour is the deliberate display of emotional neutrality or no emotion, commonly as a form of comedic delivery to contrast with the ridiculousness or absurdity of the subject matter. The delivery is meant to be blunt, ironic, laconic, or apparently unintentional.
William Gilbert Barron, known professionally as Billy Gilbert, was an American actor and comedian. He was known for his comic sneeze routines. He appeared in over 200 feature films, short subjects and television shows beginning in 1929.
The Playhouse is a 1921 American two-reel silent comedy film written by, directed by, and starring "Buster" Keaton. It runs for 22 minutes, and is most famous for an opening sequence where Keaton plays every role.
Educational Pictures, also known as Educational Film Exchanges, Inc. or Educational Films Corporation of America, was an American film production and film distribution company founded in 1916 by Earle Hammons (1882–1962). Educational primarily distributed short subjects; it is best known for its series of comedies starring Buster Keaton (1934– 37) and the earliest screen appearances of Shirley Temple (1932–34). The company ceased production in 1938, and finally closed in 1940 when its film library was sold at auction.
One Week is a 1920 American two-reel silent comedy film starring Buster Keaton, the first independent film production he released on his own. The film was written and directed by Keaton and Edward F. Cline, and runs for 19 minutes. Sybil Seely co-stars. The film contains a large number of innovative visual gags largely pertaining to either the house or to ladders.
Charles Lamont was a prolific filmmaker, directing over 200 titles and producing and writing many others. He directed several Abbott and Costello comedies and many Ma and Pa Kettle films.
Spite Marriage is a 1929 American silent comedy film co-directed by Buster Keaton and Edward Sedgwick and starring Keaton and Dorothy Sebastian. It is the second film Keaton made for MGM and his last silent film, although he had wanted it to be a "talkie" or full sound film. While the production has no recorded dialogue, it does feature an accompanying synchronized score and recorded laughter, applause and other sound effects in some scenes. Keaton later wrote gags for some up-and-coming MGM stars like Red Skelton, and from this film recycled many gags, some shot-for-shot, for Skelton's 1943 film I Dood It.
Earle W. Hammons, known professionally as E. W. Hammons, was an American film producer,. He produced more than 220 films between 1921 and 1938.
Allez Oop is a 1934 American short comedy film starring Buster Keaton. It was the second film Keaton made for Educational Pictures.
One Run Elmer is a 1935 American short comedy film featuring Buster Keaton, and directed by Charles Lamont.
Tars and Stripes is a 1935 American Educational Pictures short comedy film directed by and starring Buster Keaton. The film was shot at the Naval Training Center San Diego, California.
The E-Flat Man is a 1935 American short comedy film featuring Buster Keaton.
The Chemist is a 1936 American short comedy film featuring Buster Keaton.
What - No Beer? is a 1933 Pre-Code comedy film released by Metro-Goldwyn-Mayer directed by Edward Sedgwick and starring Buster Keaton and Jimmy Durante. MGM had also paired Keaton and Durante as a comedy team during this period in The Passionate Plumber and Speak Easily.
The Passionate Plumber is a 1932 American pre-Code comedy film directed by Edward Sedgwick, and starring Buster Keaton, Jimmy Durante, and Irene Purcell. The screenplay by Laurence E. Johnson and Ralph Spence is based on the 1926 play Dans sa candeur naïve by Jacques Deval. It is the second screen adaptation of the play, following the 1928 silent film The Cardboard Lover. It later was remade in 1942 as Her Cardboard Lover.
Doughboys is a 1930 American Pre-Code comedy film starring Buster Keaton. It was Keaton's second starring talkie vehicle and has been called Keaton's "most successful sound Picture." A Spanish-language version was also made under the title, De Frente, Marchen.
Free and Easy is a 1930 American pre-Code comedy film starring Buster Keaton. It was Keaton's first leading role in a talking motion picture.
William Hammerstein was an American theater manager. He ran the Victoria Theatre on what became Times Square, Manhattan, presenting very popular vaudeville shows with a wide variety of acts. He was known for "freak acts", where celebrities or people notorious for scandals appeared on stage. Hammerstein's Victoria Theatre became the most successful in New York.