Buster Keaton Rides Again | |
---|---|
Directed by | John Spotton |
Written by | Donald Brittain |
Produced by | Julian Biggs |
Starring | |
Narrated by | Michael Kane |
Cinematography | John Spotton |
Edited by | John Spotton |
Music by | Malca Gillson |
Distributed by | National Film Board of Canada |
Release date |
|
Running time | 55 minutes, 25 seconds |
Country | Canada |
Language | English |
Buster Keaton Rides Again is a 55-minute 1965 documentary film directed by John Spotton and narrated by Michael Kane. [1] The film is a behind-the-scenes documentary shot while Buster Keaton's film The Railrodder (1965), was being produced. [2] Although it is a production documentary, the film is actually longer than The Railrodder, which was only 24 minutes long. Both films were produced by the National Film Board of Canada (NFB). A French version of Buster Keaton Rides Again, Avec Buster Keaton was also released. [3]
Buster Keaton Rides Again combines behind-the-scenes footage during the filming of The Railrodder with a retrospective of Keaton's work including scenes from The Butcher Boy (1917), The Frozen North (1922), Seven Chances (1925), and The General (1927). [4] Keaton and Gerald Potterton, his director on The Railrodder, discussed and occasionally argued over gags in the film with the director concerned about the safety of his star. [Note 1]
During the filming of The Railrodder, Keaton celebrated his 69th birthday. He also had the opportunity to meet fans across Canada. [5]
Filmed concurrently with the production of The Railrodder during the fall of 1964, the NFB documentary was filmed in black-and-white, as opposed to the short film itself, which is in colour. The choice of black-and-white was not only for economic reasons, as the format allowed for an easy integration of the footage from Keaton's earlier films. [6]
Buster Keaton Rides Again was released with The Railrodder. The motivation behind making The Railrodder with Buster Keaton, was that "critics were rediscovering and wildly praising his great silent comedies of the '20s." [7] Produced primarily as a made-for-television short feature on the Canadian Broadcasting Corporation (CBC), after broadcast, the film was made available on 16 mm to schools, libraries and other interested parties. The film was also made available to film libraries operated by university and provincial authorities. [8] [3]
Buster Keaton Rides Again and The Railrodder are available for free streaming on the National Film Board's website as well as on DVD. [3] It is also on the NFB's YouTube channel. [9] In Canada, the NFB itself markets the DVD, while Kino Video distributes the film in the United States. [10]
Joseph Frank "Buster" Keaton was an American actor, comedian, and director. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". In 1996, Entertainment Weekly recognized Keaton as the seventh-greatest film director, writing that "More than Chaplin, Keaton understood movies: He knew they consisted of a four-sided frame in which resided a malleable reality off which his persona could bounce. A vaudeville child star, Keaton grew up to be a tinkerer, an athlete, a visual mathematician; his films offer belly laughs of mind-boggling physical invention and a spacey determination that nears philosophical grandeur." In 1999, the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema.
The National Film Board of Canada is Canada's public film and digital media producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. In total, the NFB has produced over 13,000 productions since its inception, which have won over 5,000 awards. The NFB reports to the Parliament of Canada through the Minister of Canadian Heritage. It has bilingual production programs and branches in English and French, including multicultural-related documentaries.
William Norman McLaren, LL. D. was a Scottish Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound. McLaren was also an artist and printmaker, and explored his interest in dance in his films.
Roman Kroitor was a Canadian filmmaker who was known as a pioneer of Cinéma vérité, as the co-founder of IMAX, and as the creator of the Sandde hand-drawn stereoscopic 3D animation system. He was also the original inspiration for The Force. His prodigious output garnered numerous awards, including two BAFTA Awards, three Cannes Film Festival awards, and two Oscar nominations.
Arthur Lipsett was a Canadian filmmaker with the National Film Board of Canada. His short, avant-garde collage films, which he described as "neither underground nor conventional”, contain elements of narrative, documentary, experimental collage, and visual essay. His first film, Very Nice, Very Nice, was nominated for an Academy Award.
Robin Spry was a Canadian film director, producer and writer. He was perhaps best known for his documentary films Action: The October Crisis of 1970 and Reaction: A Portrait of a Society in Crisis about Quebec's October Crisis. His 1970 film Prologue won the BAFTA Award for Best Documentary.
Ryan Larkin was a Canadian animator, artist, and sculptor who rose to fame with the psychedelic Oscar-nominated short Walking (1968) and the acclaimed Street Musique (1972). He was the subject of the Oscar-winning film Ryan.
Don Owen was a Canadian film director, writer and producer who spent most of his career with the National Film Board of Canada (NFB). His films Nobody Waved Good-bye and The Ernie Game are regarded as two of the most significant English Canadian films of the 1960s.
The Rise and Fall of the Great Lakes is a 1968 Canadian short film produced by the National Film Board of Canada and directed by Bill Mason. It won the 1971 BAFTA Award for Best Specialised Film.
The Railrodder is a 1965 short comedy film starring Buster Keaton in one of his final film roles, directed by Gerald Potterton and produced by the National Film Board of Canada (NFB). A 25-minute comedic travelogue of Canada, The Railrodder was also Keaton's final silent film, as the film contains no dialogue and all sound effects are overdubbed.
Lonely Boy is a 1962 Canadian cinéma vérité documentary about the former teen singer Paul Anka. The film takes its name from Anka's hit song, "Lonely Boy", which he performs to screaming fans in the film. This short documentary makes use of hand-held cameras to record intimate backstage moments. It was produced by the National Film Board of Canada and co-directed by Roman Kroitor and Wolf Koenig.
Gerald Potterton was a Canadian director, animator, producer and writer. He is best known for directing the cult classic Heavy Metal and for his animation work on Yellow Submarine.
Joseph (Joe) Koenig is a Canadian filmmaker and entrepreneur who was the founder and president of Electronics Workbench.
John Spotton C.S.C. was a Canadian filmmaker with the National Film Board of Canada.
John Kemeny was a Hungarian-Canadian film producer whom the Toronto Star called "the forgotten giant of Canadian film history and...the most successful producer in Canadian history." His production credits include The Apprenticeship of Duddy Kravitz, Atlantic City, and Quest for Fire.
Trans-Canada Express is a 20-minute 1944 Canadian documentary film, made by the National Film Board of Canada (NFB) as part of the World War II Canada Carries On series. The film was produced by Sydney Newman and directed by Stanley Hawes. Trans-Canada Express documents the importance of the railroad in Canada, emphasizing the use of rail transport during World War II. The film's French version title is D'un océan à l'autre.
Julian Biggs (1920–1972) was a director and producer with the National Film Board of Canada and its first Director of English Production. Over the course of his 20-year career, he created 146 films, two of which were nominated for Academy Awards. His film 23 Skidoo (1964) received two BAFTA nominations, including the BAFTA United Nations award.
The 18th Canadian Film Awards were held on May 6, 1966 to honour achievements in Canadian film.
Jacques Giraldeau (1927-2015) was a Canadian documentary filmmaker from Quebec. He spent most of his career at the National Film Board of Canada and became known primarily for his films about the history of Quebec as seen through the eyes of its artists. He had a fondness for the avant-garde and many of his films are considered to be experimental.
Malca Gillson (1926-2010) was a Canadian filmmaker with the National Film Board of Canada, and one of the first women to join the NFB in a non-junior position. She was a multi-tasker, acting as composer, sound editor, editor, producer and director. She is best known for her ground-breaking trilogy about end-of-life care: The Last Days of Living, Reflections on Suffering and Time for Caring.