Joseph Frank "Buster" Keaton was an American actor, comedian and film director. He is best known for his silent films during the 1920s, in which he performed physical comedy and stunts with a stoic, deadpan expression that became his trademark and earned him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". In 1996, Entertainment Weekly recognized Keaton as the seventh-greatest film director. and in 1999 the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema.
Cops is a 1922 American two-reel silent comedy film about a young man who accidentally gets on the bad side of the entire Los Angeles Police Department during a parade and is chased all over town. It was written and directed by Edward F. Cline and Keaton. This very Kafka-esque film was filmed during the rape-and-murder trial of Fatty Arbuckle, a circumstance that may have influenced the short's tone of hopeless ensnarement.
Sherlock Jr. is a 1924 American silent comedy film directed by and starring Buster Keaton and written by Clyde Bruckman, Jean Havez, and Joseph A. Mitchell. It features Kathryn McGuire, Joe Keaton, and Ward Crane.
Edward Francis Cline was an American screenwriter, actor, writer and director best known for his work with comedians W.C. Fields and Buster Keaton. He was born in Kenosha, Wisconsin and died in Hollywood, California.
Edward Santree Brophy was an American character actor and comedian, as well as an assistant director and second unit director during the 1920s. Small of build, balding, and raucous-voiced, he frequently portrayed dumb cops and gangsters, both serious and comic.
The Playhouse is a 1921 American two-reel silent comic trick film written by, directed by, and starring Buster Keaton. It runs for 22 minutes, and is most famous for an opening sequence where Keaton plays every role.
One Week is a 1920 American two-reel silent comedy film starring Buster Keaton, the first independent film production he released on his own. The film was written and directed by Keaton and Edward F. Cline, and runs for 19 minutes. Sybil Seely co-stars. The film contains a large number of innovative visual gags largely pertaining to either the house or to ladders.
Convict 13 is a 1920 two-reel silent comedy film starring Buster Keaton. It was written and directed by Keaton and Edward F. Cline.
The Haunted House is a 1921 American two-reel silent comedy film starring Buster Keaton. It was written and directed by Keaton and Edward F. Cline. The film has a runtime of 21 minutes.
Neighbors is a 1920 two-reel silent comedy film co-written, co-directed by, and starring Buster Keaton.
The Goat is a 1921 American two-reel silent comedy film written, directed by, and starring Buster Keaton.
The Butcher Boy is a 1917 American two-reel silent comedy film written by, directed by, and starring Roscoe "Fatty" Arbuckle and featuring Al St. John, Buster Keaton and Alice Lake. This was the first in Arbuckle's series of films with the Comique Film Corporation, and Keaton's film debut.
The High Sign is a 1921 two-reel silent comedy film starring Buster Keaton, and written and directed by Keaton and Edward F. Cline. Its runtime is 21 minutes. Although One Week (1920) was Keaton's first independent film short released, The High Sign was the first one made. Disappointed with the result, Keaton shelved it and the film was not released until the following year. The title refers to the secret hand signal used by the film's underworld gang.
Hard Luck is a 1921 American two-reel silent comedy film starring Buster Keaton, written and directed by Keaton and Edward F. Cline. It runs 22 minutes. For sixty years it was Keaton's only major lost film until it was partially reconstructed in 1987, with the critical final scene—which Keaton called the greatest laugh-getting scene of his career—still missing. It was later discovered in a Russian archive print, and now the full film is available.
Spite Marriage is a 1929 American silent comedy film co-directed by Buster Keaton and Edward Sedgwick and starring Keaton and Dorothy Sebastian. It is the second film Keaton made for MGM and his last silent film, although he had wanted it to be a "talkie" or full sound film. While the production has no recorded dialogue, it does feature an accompanying synchronized score and recorded laughter, applause and other sound effects in some scenes. Keaton later wrote gags for some up-and-coming MGM stars like Red Skelton, and from this film recycled many gags, some shot-for-shot, for Skelton's 1943 film I Dood It.
The Boat is a 1921 American two-reel silent comedy film written and directed by, and starring Buster Keaton. Contemporary reviews consider it one of his best shorts, with One Week (1920), The Playhouse (1921) and Cops (1922). It is presently in the public domain. The International Buster Keaton Society takes its name, The Damfinos, from the name of the film's boat.
The Frozen North is a 1922 American short comedy film directed by and starring Buster Keaton. The film is a parody of early western films, especially those of William S. Hart. The film was written by Keaton and Edward F. Cline. The film runs for around 17 minutes. Sybil Seely and Bonnie Hill co-star in the film.
Day Dreams is a 1922 American short comedy film directed by and featuring Buster Keaton. It is most famous for a scene where Keaton finds himself on the inside of a riverboat paddle wheel. It is a partially lost film and available from public domain sources.
Sybil Seely was a silent film actress who worked with the well known silent film comedy actor Buster Keaton. She was credited in some of her films as Sibye Trevilla.
Luke the Dog (1913–1926) was an Staffordshire Bull Terrier that performed as a recurring character in American silent comedy shorts between 1914 and 1920. He was also the personal pet of actress Minta Durfee and her husband, the comedian and director Roscoe "Fatty" Arbuckle.
