The High Sign | |
---|---|
Directed by | Edward F. Cline Buster Keaton |
Written by | Edward F. Cline Buster Keaton |
Produced by | Joseph M. Schenck |
Starring |
|
Cinematography | Elgin Lessley |
Edited by | Buster Keaton |
Distributed by | Metro Pictures |
Release date |
|
Running time | 21 minutes |
Country | United States |
Languages | Silent film English (original) intertitles |
The High Sign is a 1921 two-reel silent comedy film starring Buster Keaton, and written and directed by Keaton and Edward F. Cline. Its runtime is 21 minutes. Although One Week (1920) was Keaton's first independent film short released, The High Sign was the first one made. Disappointed with the result, Keaton shelved it and the film was not released until the following year. The title refers to the secret hand signal used by the film's underworld gang.
Keaton plays a drifter who cons his way into working at an amusement park shooting gallery. Believing Keaton is an expert marksman, both the murderous gang the Blinking Buzzards and the man they want to kill end up hiring him. The film ends with a wild chase through a house filled with secret passages and trap doors.
The High Sign was Keaton's first independent production. [1] In contrast to the "violent slapstick" of the films he had made with Fatty Arbuckle, this short film evinces the "dry and quiet comedy style" which would become Keaton's trademark. [1]
The climactic chase scenes inside the house take place on a split-level, cutaway set with revolving wall panels, trap doors, and hidden corridors in all the rooms. [1] Filming took place at the studios of the Comique Film Corporation recently vacated by Arbuckle. [2] Keaton also began working with Arbuckle's former cinematographer Elgin Lessley and technical director Fred Gabourie, who remained with him until he signed with MGM in 1929. [2]
Though Keaton completed The High Sign a year earlier, he delayed its release because he felt it too closely mimicked Arbuckle's style; he also "thought the gags were too ridiculous and clever for their own sake". [1] The High Sign was released April 4, 1921. At that time, Keaton had broken his ankle while filming the first version of The Electric House and his company needed to market a new film. [1]
Guitarist Bill Frisell released a soundtrack to the film in 1995 on his album The High Sign/One Week . [3] The Rats & People Motion Picture Orchestra premiered its new score for the film in 2008. Carl Davis composed an original score in 2017. [4]
Joseph Frank "Buster" Keaton was an American actor, comedian and director. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face".
Sherlock Jr. is a 1924 American silent comedy film directed by and starring Buster Keaton and written by Clyde Bruckman, Jean Havez, and Joseph A. Mitchell. It features Kathryn McGuire, Joe Keaton, and Ward Crane.
Roscoe Conkling "Fatty" Arbuckle was an American silent film actor, director, and screenwriter. He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked with Mabel Normand and Harold Lloyd as well as with his nephew, Al St. John. He also mentored Charlie Chaplin, Monty Banks and Bob Hope, and brought vaudeville star Buster Keaton into the movie business. Arbuckle was one of the most popular silent stars of the 1910s and one of the highest-paid actors in Hollywood, signing a contract in 1920 with Paramount Pictures for $1,000,000 a year.
Educational Pictures, also known as Educational Film Exchanges, Inc. or Educational Films Corporation of America, was an American film production and film distribution company founded in 1916 by Earle Hammons (1882–1962). Educational primarily distributed short subjects; it is best known for its series of comedies starring Buster Keaton (1934–37) and the earliest screen appearances of Shirley Temple (1932–34). The company ceased production in 1938, and finally closed in 1940 when its film library was sold at auction.
One Week is a 1920 American two-reel silent comedy film starring Buster Keaton, the first independent film production he released on his own. The film was written and directed by Keaton and Edward F. Cline, and runs for 19 minutes. Sybil Seely co-stars. The film contains a large number of innovative visual gags largely pertaining to either the house or to ladders.
The Haunted House is a 1921 American two-reel silent comedy film starring Buster Keaton. It was written and directed by Keaton and Edward F. Cline. The film has a runtime of 21 minutes.
Seven Chances is a 1925 American silent comedy film directed by and starring Buster Keaton, based on the play of the same name by Roi Cooper Megrue, produced in 1916 by David Belasco. Additional cast members include T. Roy Barnes, Snitz Edwards, and Ruth Dwyer. Jean Arthur, a future star, has an uncredited supporting role. The film's opening scenes were shot in early Technicolor.
The Butcher Boy is a 1917 American two-reel silent comedy film written by, directed by, and starring Roscoe "Fatty" Arbuckle and featuring Al St. John, Buster Keaton and Alice Lake. This was the first in Arbuckle's series of films with the Comique Film Corporation, and Keaton's film debut.
Out West is a 1918 American two-reel silent comedy film, a satire on contemporary Westerns, starring Roscoe 'Fatty' Arbuckle, Buster Keaton, and Al St. John. It was the first of Arbuckle's "Comique" films to be filmed on the West Coast, the previous five having been filmed in and around New York City. The idea for the story came from Natalie Talmadge, who was later to become Keaton's first wife.
Good Night, Nurse! is a 1918 American two-reel silent comedy film written by, and directed by, and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. The action centers in a sanitarium where Arbuckle's character is involuntarily brought to by his wife to be operated on by Keaton's character for alcoholism.
Back Stage is a 1919 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton and Al St. John.
The Garage is a 1920 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. This was the fourteenth and last film starring the duo before Keaton set up his own studio and Arbuckle started making feature-length films. The film also stars Luke the Dog, who starred in many other short comedies with Arbuckle. The film was also known as Fire Chief.
Spite Marriage is a 1929 American silent comedy film co-directed by Buster Keaton and Edward Sedgwick and starring Keaton and Dorothy Sebastian. It is the second film Keaton made for MGM and his last silent film, although he had wanted it to be a "talkie" or full sound film. While the production has no recorded dialogue, it does feature an accompanying synchronized score and recorded laughter, applause and other sound effects in some scenes. Keaton later wrote gags for some up-and-coming MGM stars like Red Skelton, and from this film recycled many gags, some shot-for-shot, for Skelton's 1943 film I Dood It.
Oh Doctor! is a 1917 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton.
The Iron Mule is a 1925 American silent comedy film directed by Roscoe Arbuckle and Grover Jones.
The Boat is a 1921 American two-reel silent comedy film written and directed by, and starring Buster Keaton. Contemporary reviews consider it one of his best shorts, with One Week (1920), The Playhouse (1921) and Cops (1922). It is presently in the public domain. The International Buster Keaton Society takes its name, The Damfinos, from the name of the film's boat.
The Frozen North is a 1922 American short comedy film directed by and starring Buster Keaton. The film is a parody of early western films, especially those of William S. Hart. The film was written by Keaton and Edward F. Cline. The film runs for around 17 minutes. Sybil Seely and Bonnie Hill co-star in the film.
Music for the Films of Buster Keaton: Go West is the sixth album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1995 and features performances by Frisell, bassist Kermit Driscoll and drummer Joey Baron. The album is designed as accompaniment to the Buster Keaton's silent film classic, Go West (1925), and was released at the same time as another album of Keaton soundtracks by Frisell, The High Sign/One Week (1995).
The High Sign/One Week: Music for the Films of Buster Keaton is an album by the guitarist Bill Frisell, released on the Elektra Nonesuch label. It was released in 1995 and features performances by Frisell, bassist Kermit Driscoll and drummer Joey Baron. The album is designed as accompaniment to Buster Keaton's first two silent film classics, The High Sign (1921) and One Week (1920). It was released at the same time as another album by Frisell of Keaton soundtracks, Go West: Music for the Films of Buster Keaton (1995).
Louis Anger was an American vaudeville performer and movie studio executive. During the early days of the American silent film industry, Anger was considered to be "the king of slapstick comedy producers," and was instrumental in developing the film careers of famed actors Fatty Arbuckle and Buster Keaton.