He worked primarily for Buster Keaton, figuring out how to make Keaton's innovative stunts work. As one author put it, "Fred Gabourie had the most interesting job in the world: He solved problems for Buster Keaton."[3] As technical director, he was responsible for set design, construction, props management, and location scouting.[3] During this time, he designed the electric house in The Electric House, which featured an automated staircase, library, swimming pool, and dining room.[4] He located and purchased the ship for The Navigator. Only after Gabourie found the ship and suggested to Keaton that it would be a great prop to build a movie around did Keaton and his staff come up with a script.[5] Gabourie also worked out how to accomplish the famous stunt in Steamboat Bill, Jr. in which the front of a house (weighing two tons) falls on Keaton without harming him.[6]
Keaton and Gabourie, working with an architect, co-designed Keaton's lavish Beverly Hills mansion, eventually called the Italian Villa.[7]
Gabourie was also responsible for the ships in the silent version of The Sea Hawk.[1]
Gabourie went to MGM with Keaton but worked on just one picture with him (The Cameraman) before MGM promoted him to construction superintendent, a position he held until he died.[8]
Gabourie's son, Fred Gabourie Jr., played some small parts in film and on TV, but eventually became a judge.[9]
Joseph Frank "Buster" Keaton was an American actor, comedian, and filmmaker. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". In 1996, Entertainment Weekly recognized Keaton as the seventh-greatest film director, writing that "More than Chaplin, Keaton understood movies: He knew they consisted of a four-sided frame in which resided a malleable reality off which his persona could bounce. A vaudeville child star, Keaton grew up to be a tinkerer, an athlete, a visual mathematician; his films offer belly laughs of mind-boggling physical invention and a spacey determination that nears philosophical grandeur." In 1999, the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema.
The General is a 1926 American silent film released by United Artists. It was inspired by the Great Locomotive Chase, a true story of an event that occurred during the American Civil War. The story was adapted from the 1889 memoir The Great Locomotive Chase by William Pittenger. The film stars Buster Keaton who co-directed it with Clyde Bruckman.
Sherlock Jr. is a 1924 American silent comedy film directed by and starring Buster Keaton and written by Clyde Bruckman, Jean Havez, and Joseph A. Mitchell. It features Kathryn McGuire, Joe Keaton, and Ward Crane.
Edward Francis Cline was an American screenwriter, actor, writer and director best known for his work with comedians W.C. Fields and Buster Keaton. He was born in Kenosha, Wisconsin and died in Hollywood, California.
Steamboat Bill, Jr. is a 1928 silent comedy film starring Buster Keaton. Released by United Artists, the film is the final product of Keaton's independent production team and set of gag writers. It was not a box-office success and became the last picture Keaton made for United Artists. Keaton ended up moving to Metro-Goldwyn-Mayer, where he made one last film in his trademark style, The Cameraman, before his creative control was taken away by the studio.
The Playhouse is a 1921 American two-reel silent comedy film written by, directed by, and starring "Buster" Keaton. It runs for 22 minutes, and is most famous for an opening sequence where Keaton plays every role.
Our Hospitality is a 1923 American silent comedy film directed by Buster Keaton and John G. Blystone. Starring Keaton, Joe Roberts, and Natalie Talmadge and distributed by Metro Pictures Corporation, it uses slapstick and situational comedy to tell the story of Willie McKay, caught in the middle of the infamous "Canfield–McKay" feud, an obvious satire of the real-life Hatfield–McCoy feud.
Clyde Adolf Bruckman was an American writer and director of comedy films during the late silent era as well as the early sound era of cinema. Bruckman collaborated with such comedians as Buster Keaton, Monty Banks, W. C. Fields, Laurel and Hardy, The Three Stooges, Abbott and Costello, and Harold Lloyd.
The Navigator is a 1924 American comedy film directed by and starring Buster Keaton. The film was written by Clyde Bruckman and co-directed by Donald Crisp. In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."
The Cameraman is a 1928 American silent romantic comedy film directed by Edward Sedgwick and an uncredited Buster Keaton. The picture stars Keaton and Marceline Day.
The High Sign is a 1921 two-reel silent comedy film starring Buster Keaton, and written and directed by Keaton and Edward F. Cline. Its runtime is 21 minutes. Although One Week (1920) was Keaton's first independent film short released, The High Sign was the first one made. Disappointed with the result, Keaton shelved it and the film wasn't released until the following year. The title refers to the secret hand signal used by the film's underworld gang.
The Railrodder is a 1965 short comedy film starring Buster Keaton in one of his final film roles, directed by Gerald Potterton and produced by the National Film Board of Canada (NFB). A 25-minute comedic travelogue of Canada, The Railrodder was also Keaton's final silent film, as the film contains no dialogue and all sound effects are overdubbed.
Spite Marriage is a 1929 American silent comedy film co-directed by Buster Keaton and Edward Sedgwick and starring Keaton and Dorothy Sebastian. It is the second film Keaton made for MGM and his last silent film, although he had wanted it to be a "talkie" or full sound film. While the production has no recorded dialogue, it does feature an accompanying synchronized score and recorded laughter, applause and other sound effects in some scenes. Keaton later wrote gags for some up-and-coming MGM stars like Red Skelton, and from this film recycled many gags, some shot-for-shot, for Skelton's 1943 film I Dood It.
Joseph Hallie Keaton was an American vaudeville performer and silent film actor. He was the father of actor Buster Keaton and appeared with his son in several films.
Buster Keaton Rides Again is a 55-minute 1965 documentary film directed by John Spotton and narrated by Michael Kane. The film is a behind-the-scenes documentary shot while Buster Keaton's film The Railrodder (1965), was being produced. Although it is a production documentary, the film is actually longer than The Railrodder, which was only 24 minutes long. Both films were produced by the National Film Board of Canada (NFB). A French version of Buster Keaton Rides Again, Avec Buster Keaton was also released.
The Boat is a 1921 American two-reel silent comedy film written and directed by, and starring Buster Keaton. Contemporary reviews consider it one of his best shorts, with One Week (1920), The Playhouse (1921) and Cops (1922). It is presently in the public domain. The International Buster Keaton Society takes its name, The Damfinos, from the name of the film's boat.
The Sea Hawk is a 1924 American silent adventure film about an English noble sold into slavery who escapes and turns himself into a pirate king. Directed by Frank Lloyd, the screen adaptation was written by J. G. Hawks based upon the 1915 Rafael Sabatini novel of the same name. It premiered on June 2, 1924, in New York City, twelve days before its theatrical debut.
Eleanor Ruth Keaton was an American dancer and variety show performer. She was an MGM contract dancer in her teens and became the third wife of silent-film comedian Buster Keaton at the age of 21. She is credited with rehabilitating her husband's life and career. The two performed at the Cirque Medrano in Paris and on European tours in the 1950s; she also performed with him on The Buster Keaton Show in the early 1950s. After his death in 1966, she helped ensure Keaton's legacy by giving many interviews to biographers, film historians, and journalists, sharing details from his personal life and career, and also attended film festivals and celebrations honoring Keaton. In her later years, she bred champion St. Bernard dogs, was a gag consultant for Hollywood filmmakers, and was an invited speaker at silent-film screenings.
Free and Easy is a 1930 American pre-Code comedy film starring Buster Keaton. It was Keaton's first leading role in a talking motion picture.
Louis Anger was an American vaudeville performer and movie studio executive. During the early days of the American silent film industry, Anger was considered to be "the king of slapstick comedy producers," and was instrumental in developing the film careers of famed actors Fatty Arbuckle and Buster Keaton.
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