Loyal Allen Griggs | |
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![]() On set of We're No Angels , Gloria Talbott and Loyal Griggs | |
Born | Elk, Sanilac County, Michigan, U.S. | August 15, 1906
Died | May 6, 1978 71) U.S. | (aged
Occupation | Cinematographer |
Loyal Griggs, A.S.C. (August 15, 1906 – May 6, 1978) was an American cinematographer.
Griggs joined the staff of Paramount Pictures in 1924 after graduating from school and initially worked at the studio's process department. He was promoted from assistant photographer to second unit photographer to camera process photographer, before becoming director of photography for three 1951 releases: Crosswinds , Passage West and The Last Outpost .
Griggs won the Academy Award for Best Cinematography for the 1953 Western Shane . [1] He was part of the production team that received an Academy Honorary Award at the 11th Academy Awards for their efforts on the Paramount film Spawn of the North . [2]
Griggs' other Paramount films as cinematographer included the 1954 musical White Christmas , the 1956 Cecil B. DeMille epic The Ten Commandments , and the Jerry Lewis comedies The Sad Sack (1957) and Visit to a Small Planet (1960). He was also the cinematographer on George Stevens' 1965 United Artists release The Greatest Story Ever Told as well as Otto Preminger's World War II drama of that same year, In Harm's Way . His final film was the 1971 American International Pictures comedy Bunny O'Hare starring Bette Davis and Ernest Borgnine. [3]
Cecil Blount DeMille was an American film director, producer and actor. Between 1914 and 1958, he made 70 features, both silent and sound films. He is acknowledged as a founding father of the American cinema and the most commercially successful producer-director in film history. His films were distinguished by their epic scale and by his cinematic showmanship. His silent films included social dramas, comedies, Westerns, farces, morality plays, and historical pageants. He was an active Freemason and member of Prince of Orange Lodge #16 in New York City.
Shane is a 1953 American Technicolor Western film starring Alan Ladd, Jean Arthur and Van Heflin. Released by Paramount Pictures, the film is noted for its landscape cinematography, editing, performances, and contributions to the genre. The picture was produced and directed by George Stevens from a screenplay by A. B. Guthrie Jr., based on the 1949 novel of the same name by Jack Schaefer. Its Oscar-winning cinematography was by Loyal Griggs.
George Cooper Stevens was an American film director, producer, screenwriter and cinematographer. Films he produced were nominated for the Academy Award for Best Motion Picture six times while he had five nominations as Best Director, winning twice.
Edith Head was an American costume designer who won a record eight Academy Awards for Best Costume Design between 1949 and 1973, making her the most awarded woman in the Academy's history. Head is considered to be one of the greatest and most influential costume designers in film history.
Robert L. Surtees was an American cinematographer who won three Academy Awards for the films King Solomon's Mines, The Bad and the Beautiful and the 1959 version of Ben-Hur. Surtees worked at various studios, including Universal, UFA, Warner Brothers, and MGM, lighting for notable directors Howard Hawks, Mike Nichols, and William Wyler, gaining him a reputation as one of the most versatile cinematographers of his time.
Lucien Ballard, A.S.C. was an American cinematographer. He worked on more than 130 films during his 50-year career, collaborating multiple times with directors including Josef von Sternberg, John Brahm, Henry Hathaway, Budd Boetticher, Raoul Walsh, Sam Peckinpah and Tom Gries. He was nominated for an Academy Award for Best Cinematography for The Caretakers (1963).
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Joseph Ruttenberg, A.S.C. was a Ukrainian-born American photojournalist and cinematographer.
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Charles Bryant Lang Jr., A.S.C. was an American cinematographer.
Victor Milner, A.S.C. was an American cinematographer. He was nominated for ten cinematography Academy Awards, winning once for 1934 Cleopatra. Milner worked on more than 130 films, including dramas, comedies, film noir, and Westerns. He worked for large production companies like Metro-Goldwyn-Mayer, Universal, and Paramount during his film career.
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William C. Mellor, A.S.C. was a cinematographer who worked at Paramount, MGM and 20th Century Fox during a career that spanned three decades.
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Russell Metty, A.S.C. was an American cinematographer who won the Academy Award for Best Cinematography, Color, for the 1960 film Spartacus.
Gordon Jennings, A.S.C. was an American special effects artist. He received seven Academy Awards and was nominated for eight more in the same category. After starting 1919 in Hollywood as camera assistant he worked from 1932 until 1953 on the visual and special effects of more than 180 films. His older brother was cinematographer Devereaux Jennings (1884-1952), who filmed, for instance, Buster Keaton's monumental The General in 1926.
Loren L. Ryder was an American sound engineer. He won five Academy Awards and was nominated for twelve more in the categories Best Sound Recording and Best Effects.
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The following is the filmography of American animator Chuck Jones.
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