Biography
Elswit was born in Los Angeles. [3] An early short film he worked on was the 1982 television adaptation of Ray Bradbury's short story All Summer in a Day . Elswit worked as a visual effects camera operator at John Dykstra's Apogee Productions Inc. on each film, including Star Trek: The Motion Picture , The Empire Strikes Back and E.T. the Extra-Terrestrial , [4] [5] before shooting made-for-television films and shows. Elswit has been a fierce defender of shooting on film, and whenever possible avoids using digital cameras. Images shot digitally, he said, have "no texture, no grain." [6] He started shooting digitally, starting with Nightcrawler . Elswit has worked with George Clooney several times. He shot his black and white, multiple-Oscar nominated film Good Night, and Good Luck . Elswit shot the film in color, and converted the film into black and white in post production. According to Elswit, the technique preserved the subtlety of the colors (as complex shades of blacks and greys) and made the overall look much richer in the final film. [7] Elswit was nominated for the Academy Award for Best Cinematography for Good Night, and Good Luck, but lost to Dion Beebe for Memoirs of a Geisha . Elswit won the award for There Will Be Blood in 2008. [8] Elswit has cited early independent filmmaker John Cassavetes as a major influence. [9] Elswit is a graduate of the University of Southern California School of Cinematic Arts and worked there as a teaching assistant. Elswit is the godfather to the actor Jake Gyllenhaal. [10]
Awards and nominations
Academy Awards
Year | Category | Title | Result |
---|
2005 | Best Cinematography | Good Night, and Good Luck | Nominated |
2007 | There Will Be Blood | Won |
American Society of Cinematographers
BAFTA Awards
Boston Society of Film Critics
British Society of Cinematographers
Camerimage
Year | Category | Title | Result |
---|
2005 | Golden Frog Award | Good Night, and Good Luck | Nominated |
Chicago Film Critics Association
Year | Category | Title | Result |
---|
2005 | Best Cinematography | Good Night, and Good Luck | Nominated |
2007 | There Will Be Blood | Nominated |
2014 | Inherent Vice | Nominated |
Daytime Emmy Award
Houston Film Critics Society
Independent Spirit Award
Year | Category | Title | Result |
---|
1997 | Best Cinematography | Hard Eight | Nominated |
2005 | Good Night, and Good Luck | Won |
Los Angeles Film Critics Association
Year | Category | Title | Result |
---|
2005 | Best Cinematography | Good Night, and Good Luck | Won |
2007 | There Will Be Blood | 2nd place |
National Society of Film Critics
Year | Category | Title | Result |
---|
2002 | Best Cinematography | Punch-Drunk Love | 3rd place |
2005 | Good Night, and Good Luck | 2nd place |
2007 | There Will Be Blood | Won |
New York Film Critics Circle
Year | Category | Title | Result |
---|
2005 | Best Cinematography | Good Night, and Good Luck | 2nd place |
2007 | There Will Be Blood | Won |
Online Film Critics Society
Year | Category | Title | Result |
---|
2005 | Best Cinematography | Good Night, and Good Luck | Nominated |
2007 | There Will Be Blood | Nominated |
Primetime Emmy Award
San Diego Film Critics Society
Year | Category | Title | Result |
---|
2007 | Best Cinematography | There Will Be Blood | 2nd place |
2014 | Nightcrawler | Won |
Satellite Awards
Year | Category | Title | Result |
---|
2005 | Best Cinematography | Good Night, and Good Luck | Nominated |
2007 | There Will Be Blood | Nominated |
2010 | Salt | Nominated |
2014 | Inherent Vice | Nominated |
St. Louis Film Critics Association
Year | Category | Title | Result |
---|
2005 | Best Cinematography | Good Night, and Good Luck | Nominated |
2007 | There Will Be Blood | Nominated |
2014 | Nightcrawler | Nominated |
Other awards
This page is based on this
Wikipedia article Text is available under the
CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.