Ronnie Taylor

Last updated

Ronnie Taylor
Born
Ronald Charles Taylor

(1924-10-27)27 October 1924
Died3 August 2018(2018-08-03) (aged 93)
Occupation Cinematographer
Years active1942–2002
SpouseMary Devetta (married 1952-2018)
Children2, Tracey Taylor • Nikki Watson

Ronald  “Ronnie” Charles Taylor BSC (27 October 1924 – 3 August 2018) was a British cinematographer, best known for his collaborations with directors Richard Attenborough and Dario Argento. Throughout his career, he was nominated for two BAFTA Awards for Best Cinematography: Gandhi (1982) and Cry Freedom (1987). Taylor won an Academy Award for his work on Gandhi (1982), which he shared with Billy Williams.

Contents

Career

Taylor had taken upon different fields of film, initially starting as a clapper boy, then working his way up to a camera operator where he spent most of his time in the field. In 1975, Taylor worked with director Ken Russel on Tommy (1975). Russel and film set Photographer Dick Bush got into a disagreement, leading to Dick leaving the project. [1] Taylor took up the mantle and expanded his skill set into lighting and electrical work. This decision would lead to an expansion into television series production and commercial creation. While his catalogue of television production is less extensive than his filmography, he worked on TV series such as The Avengers (1965), Master of the Game (1984), and Jewels (1992). [1] [2]

After some time, he decided to transition into the Director of Photography and is most known for his work on the completion of Gandhi (1982) as the new director of Photography after the original, Billy Williams, had a medical emergency. Afterward, Taylor would continue working on films and commercials. It was through a chance meeting during the production of commercials that he came to become acquainted with Italian director Dario Argento. The two would pair up again and form a partnership. Taylor worked on three films with Argento: Phantom of the Opera (1998), and Sleepless (2001). Sleepless is marked as the final film in Taylor's filmography and decided to officially retire in 2001, at the age of 77. He bought a property in Ibiza, Spain where he spent the rest of his life. Taylor continued his passion for film past his retirement, frequently participating in the Ibiza International Film Festival and was awarded the Ibiza IFF's achievement award. [3]

He is featured in the book Conversations with Cinematographers by David A Ellis, published by Scarecrow Press.

Selected filmography

YearTitleNotes
1942 The Young Mr. Pitt clapper boy
1942The Man in Grayfocus puller
1949Boys in Browncamera operator
1962 Two and Two Make Six With Desmond Dickinson, Cinematographer
1965 The Avengers 5 episodes, camera operator
1971 Murphy's War Aerial photography
The Devils Additional photography
1973 Theatre of Blood Camera operator
1974 Phantom of the Paradise Camera operator
1975 Barry Lyndon Camera operator
Tommy With Dick Bush
1977 Star Wars: Episode IV - A New Hope Additional photography
The Island of Dr. Moreau Director of photography;

Second unit

Valentino Additional photography
1978 Circle of Iron Cinematographer
1979 Zulu Dawn camera operator
1981 Savage Harvest Cinematographer
1982 Gandhi With Billy Williams

Won Academy Award for Best Cinematography

1983 High Road to China Cinematographer
The Hound of the Baskervilles Cinematographer (lighting cameraman)
1984 Champions Cinematographer
1985 A Chorus Line Director of Photography
1986 Foreign Body Cinematographer
1987 Opera Cinematographer
Cry Freedom Director of Photography
1989 The Experts Director of Photography
Sea of Love Cinematographer
1990 The Rainbow Thief Director of Photography
1991 Popcorn Cinematographer
1992 The Timekeeper Circle-Vision 360° theme park attraction
1995 The Steal Director of photography
1998 The Phantom of the Opera camera operator (as Ronald Taylor)
2001 Sleepless Final film

Awards

Taylor's most notable accomplishment as a cinematographer was his work for Gandhi. During the production of Gandhi, the Director of Photography, Billy Williams BSC, had an incident, slipping his discs. Due to Taylor's relationship with Richard Attenborough from his time at Pinewood, Attenborough reached out to Taylor, asking him to help with the cinematography of Gandhi, taking over as the new Director of photography and continuing with this film. [1] For his role in its production, Taylor won and shares an Oscar with the former director of photography, Williams. The pair also won the best cinematographer for the Academy Awards, British Academy Film Awards, and the British Society of Cinematographers. [4]

In 1987, Taylor was again nominated the best cinematography at the British Academy Film Awards for his work on Cry Freedom (1987), also directed by Richard Attenborough, but did not win.  

Personal life

Taylor was born on 27 October 1924 in Hampstead, London. At the age of 18 and in search of a job, Taylor pursued a radio operator certificate to find work with the Merchant Navy. However, a family neighbour, Jack Swinburne, offered to give Taylor a tour of Gainsborough Pictures Studio at Lime Grove in Shepherd Bush. After seeing how films were made, he quickly fell in love with the line of work and wanted to partake in the creation of films. Taylor's first film was as a clapper boy in The Young Mr. Pitt (1942), that same year he entered the Merchant Navy. in service for the Second World War. After returning home, he continued working in the film industry. The following year, he pulled focus during the filming of the man in Grey (1943), solidifying the start of his career in the industry. [1]

Taylor would then primarily shift to free-lance work. At times, he would work and would be contracted with studios like Pinewood Studios, Ealing Studio, and the Vera Cruz company. In his interview with David A. Ellis for his book Conversations with Cinematographers, Pinewood was mentioned as a personal favourite he had worked with and also where he would build a name for himself among his peers as a noteworthy operator.

In 1952, He would meet his future wife, Mary Devetta during the production of Secret People (1952) at Ealing Studios, West London. The two would move over to Brazil due to a two-year contract Taylor had signed with the Vera Cruz and stayed an additional two more years before the company closed. [1]

Taylor moved back to Britain worked on projects and cemented a relationship with fellow cinematographer Freddie Francis. While not credited, he worked alongside the former on films such as Virgin Island (1958), Saturday Night and Sunday Morning (1960), and The Innocents (1961). Taylor would continue working on films and commercials as a freelancer operating on films. In 2001, at the age of 77, Taylor announced his retirement. He bought a property with a swimming pool in Ibiza, Spain, where he spent the rest of his life. Taylor continued his passion for film past his retirement, frequently participating in the Ibiza International Film Festival and was awarded the Ibiza IFF's achievement award. [3]

In 2018, Taylor suffered a stroke and during his battle for recovery, his health deteriorated, eventually leading to subsequent health problems. Taylor died on 3 August 2018. He is survived by his two daughters, Tracey Taylor and Nikki Watson as well as two grandchildren.

Related Research Articles

<span class="mw-page-title-main">Gilbert Taylor</span> British cinematographer (1914–2013)

Gilbert Taylor, B.S.C. was a British cinematographer, best known for his work on films such as Dr. Strangelove, A Hard Day's Night, Repulsion (1965), The Omen (1976), and Star Wars (1977). In the course of his career, he collaborated with directors like Roman Polanski, Stanley Kubrick, Alfred Hitchcock, and Mike Hodges. He was nominated for two BAFTA Awards, and received a Lifetime Achievement Award from the British Society of Cinematographers.

<span class="mw-page-title-main">Jack Cardiff</span> British cinematographer, director and photographer (1914–2009)

Jack Cardiff was a British cinematographer, film and television director, and photographer. His career spanned the development of cinema, from silent film, through early experiments in Technicolor, to filmmaking more than half a century later.

<span class="mw-page-title-main">Freddie Francis</span> English cinematographer and film director (1917–2007)

Frederick William FrancisBSC was an English cinematographer and film director whose filmmaking career spanned over 60 years, from the late 1930s until the late 2000s. One of the most celebrated British cinematographers of his time, he received numerous accolades for his photography, including two Academy Awards and five BAFTA Awards. As a director he was best known for his horror films, notably those made for production companies Amicus and Hammer in the 1960s and 1970s.

<span class="mw-page-title-main">Douglas Slocombe</span> British cinematographer (1913–2016)

Ralph Douglas Vladimir Slocombe OBE, BSC, ASC, GBCT was a British cinematographer, particularly known for his work at Ealing Studios in the 1940s and 1950s, as well as the first three Indiana Jones films. He won BAFTA Awards in 1964, 1975, and 1979, and was nominated for the Academy Award for Best Cinematography on three occasions.

Christopher George Joseph Challis BSC, FRPS was a British cinematographer who worked on more than 70 feature films from the 1940s onwards.

Geoffrey Gilyard Unsworth, OBE, BSC was a British cinematographer who worked on nearly ninety feature films during a career that wound up spanning over more than forty years. He is best known for his work on critically acclaimed releases such as Stanley Kubrick's 2001: A Space Odyssey, Bob Fosse's Cabaret and Richard Donner's Superman.

<span class="mw-page-title-main">Peter Suschitzky</span> British cinematographer and photographer

Peter Suschitzky, A.S.C. is a British cinematographer and photographer. Among his most known works as director of photography are The Rocky Horror Picture Show, The Empire Strikes Back, and Mars Attacks! and the later films of David Cronenberg. Suschitzky succeeded Mark Irwin as Cronenberg's regular cinematographer when Irwin left during the pre-production of Dead Ringers (1988), and has been the cinematographer for all of Cronenberg's films since, with the exception of Crimes of the Future (2022). He has also collaborated with directors John Boorman, Ken Russell, Bernard Rose, and Tim Burton.

Roger James Edward Pratt is a British cinematographer.

Billy Williams is a British cinematographer.

John Coquillon (1930–1987) was a Dutch cinematographer.

The British Society of Cinematographers is an organisation formed in 1949 by Bert Easey, the then head of the Denham and Pinewood studio camera departments, to represent British cinematographers in the British film industry.

Alexander Thomson BSC was a British cinematographer.

Gerry Fisher, B.S.C. was an English cinematographer.

<span class="mw-page-title-main">Anthony Dod Mantle</span> British cinematographer

Anthony Dod Mantle, DFF, BSC, ASC is a British cinematographer and still photographer.

Oswald Norman Morris, BSC was a British cinematographer. Known to his colleagues by the nicknames "Os" or "Ossie", Morris's career in cinematography spanned six decades.

Ivor Daniel Mindel, ASC, BSC, SASC is a South African-American cinematographer best known for his work on blockbuster action films like Enemy of the State, Mission: Impossible III, Star Trek, Star Trek Into Darkness, Star Wars: The Force Awakens, and Star Wars: The Rise of Skywalker, working with directors like Tony Scott and J. J. Abrams.

Glory Film Co. was established to produce the cinema film 'The Troop' which had a Royal Premiere at BAFTA in the presence of The Princess Royal. Shot in 35mm CinemaScope the film features The King's Troop, Royal Horse Artillery and has a narrative introduction by Oscar-winning actor John Mills.

Gerald Leslie "Gerry" Turpin was an English cinematographer.

Ernest Day, B.S.C. was a British cinematographer and director of film and television, known for his collaborations with David Lean and Lewis Gilbert. He spent the majority of his career as a camera operator, often referred to Lean as his "eyes", and was the first British cameraman to operate a 70mm film camera. He was nominated for an Academy Award and BAFTA Award for Lean's final film A Passage to India (1984).

<span class="mw-page-title-main">Robin Vidgeon</span> English cinematographer (born 1939)

Robin Vidgeon BSC, is a retired cinematographer best known for his work on Hellraiser, Hellbound: Hellraiser II and Nightbreed. For many years, he was a focus puller, working with the late cinematographer Douglas Slocombe and camera operator Bernard (Chic) Waterson.

References

  1. 1 2 3 4 5 "BSC Members | British Society of Cinematographers". bscine.com. Retrieved 19 April 2024.
  2. "Ronnie Taylor | Camera and Electrical Department, Cinematographer". IMDb. Retrieved 19 April 2024.
  3. 1 2 Eilis, David (2012). Conversations with cinematographers. Scarecrow Press.
  4. Cinematographer, British (15 April 2017). "Ronnie Taylor BSC". British Cinematographer. Retrieved 19 April 2024.