Boogie Nights | |
---|---|
Directed by | Paul Thomas Anderson |
Written by | Paul Thomas Anderson |
Produced by |
|
Starring | |
Cinematography | Robert Elswit |
Edited by | Dylan Tichenor |
Music by | Michael Penn |
Production companies |
|
Distributed by | New Line Cinema |
Release dates |
|
Running time | 155 minutes [1] |
Country | United States |
Language | English |
Budget | $15 million [2] |
Box office | $43.1 million [2] |
Boogie Nights is a 1997 American drama film written, directed, and co-produced by Paul Thomas Anderson. [3] It is set in Los Angeles's San Fernando Valley and focuses on a young nightclub dishwasher who becomes a popular star of pornographic films, chronicling his rise in the Golden Age of Porn of the 1970s through his fall during the excesses of the 1980s. The film is an expansion of Anderson's mockumentary short film The Dirk Diggler Story (1988), [4] [5] [6] [7] and stars Mark Wahlberg, Julianne Moore, Burt Reynolds, Don Cheadle, John C. Reilly, William H. Macy, Philip Seymour Hoffman, and Heather Graham.
Boogie Nights premiered at the Toronto International Film Festival on September 11, 1997, and was theatrically released by New Line Cinema on October 10, 1997, garnering critical acclaim. It was nominated for three Academy Awards, including Best Original Screenplay for Anderson, Best Supporting Actress for Moore, and Best Supporting Actor for Reynolds. The film's soundtrack also received acclaim. It has since been considered one of Anderson's best works and one of the best films of all time. [8] [9]
In 1977, high-school dropout Eddie Adams is living with his father and emotionally and physically abusive mother in Torrance, California. He works at a Reseda nightclub owned by Maurice Rodriguez, where he meets porn filmmaker Jack Horner. Interested in bringing Eddie into porn, Jack auditions him by watching him have sex with Rollergirl, a porn starlet who always wears skates.
After a fight with his mother, Eddie moves in with Jack at his San Fernando Valley home. He gives himself the screen name "Dirk Diggler" and becomes a star because of his good looks, youthful charisma, and abnormally large penis. His success allows him to buy a new house, an extensive wardrobe, and a "competition orange" 1977 Chevrolet Corvette. With his friend and co-star Reed Rothchild, Dirk pitches a series of successful action-themed porn films. He works and socializes with others from the porn industry, and they live carefree lifestyles in the late 1970s disco era. While attending a New Year's Eve party at Horner's house on December 31, 1979, assistant director Little Bill discovers his adulterous wife having sex with another man. Bill, tired of being repeatedly cheated on, shoots the pair dead and commits suicide.
Dirk and Reed begin using cocaine on a regular basis. Due to his drug use, Dirk finds it increasingly difficult to achieve an erection, falls into violent mood swings, and becomes irritated with Johnny Doe, a rival leading man Jack has recently recruited, and whom Dirk worries will replace him. In 1983, after arguing with Jack, Dirk is fired and takes off with Reed to start a music career along with Scotty, a boom operator who is in love with Dirk. Jack rejects business overtures from Floyd Gondolli, a local theater magnate who insists on cutting costs by shooting on videotape rather than film stock, because Jack believes that video will diminish the quality of his films.
After his friend and financier, Colonel James, is incarcerated for possession of child pornography, Jack cooperates with Gondolli but becomes disillusioned with the work he is expected to churn out. One of these projects involves Jack and Rollergirl riding in a limousine, searching for random men for her to have sex with while being taped by a crew. One man recognizes Rollergirl as a former high-school classmate, and after a failed attempt at intercourse, he insults her and Jack. Both Jack and Rollergirl attack the man, leaving him bloodied on the sidewalk.
Leading lady Amber Waves lands in a custody battle with her ex-husband. The court determines that she is an unfit mother due to her involvement in the porn industry, criminal record, and cocaine addiction. Buck Swope marries fellow porn star Jessie St. Vincent, who becomes pregnant. Because of his past as a pornographer, Buck is disqualified from a bank loan and cannot open his own stereo equipment store. That night, he finds himself in the middle of a holdup at a donut shop in which the clerk, the robber, and an armed customer are killed. Buck is the sole survivor and escapes with the money.
Having spent most of their money on drugs, Dirk and Reed are unable to pay a recording studio for demo tapes they believe will enable them to become music stars. Desperate for money, Dirk resorts to prostitution but is assaulted and robbed by three men. Dirk, Reed, and their friend Todd Parker attempt to scam local drug dealer Rahad Jackson at his estate by selling him a half-kilo of baking soda disguised as cocaine. Dirk and Reed intend to leave quickly before Rahad's bodyguard inspects it, but a drugged-up and armed Todd attempts to steal more money, as well as some more drugs, from Rahad. In the ensuing gunfight, Todd kills Rahad's bodyguard and is killed by Rahad, while Dirk and Reed narrowly escape. Dirk returns to Jack's home and they reconcile.
In 1984, Amber shoots the television commercial for the opening of Buck's store, Rollergirl takes a GED class, Maurice opens a nightclub with his brothers, Reed performs magic acts at a strip club, and Jessie gives birth to her and Buck's son. Dirk, Jack, and Amber prepare to start filming again.
Boogie Nights is based on a mockumentary short film that Paul Thomas Anderson wrote and directed while he was still in high school called The Dirk Diggler Story . [4] The short itself was based on the 1981 documentary Exhausted: John C. Holmes, The Real Story, a documentary about the life of legendary porn actor John Holmes, on whom Dirk Diggler is based. [10]
Anderson originally wanted the role of Eddie to be played by Leonardo DiCaprio, after seeing him in The Basketball Diaries . DiCaprio enjoyed the screenplay, but had to turn it down because he had signed on to star in James Cameron's Titanic . He recommended his Basketball Diaries co-star Mark Wahlberg for the role. [10] DiCaprio would later say that he wished he had done both. [11] Joaquin Phoenix was also offered the role of Eddie, but he declined it due to concerns about playing a porn star. Phoenix later collaborated with Anderson on the films The Master and Inherent Vice . [12] Bill Murray, Harvey Keitel, Warren Beatty, Albert Brooks and Sydney Pollack declined or were passed up on the role of Jack Horner, which went to Burt Reynolds. [13] [14] After starring in Hard Eight , Samuel L. Jackson declined the role of Buck Swope, which went to Don Cheadle. [10] Anderson initially did not consider Heather Graham for Rollergirl, because he had never seen her do nudity in a film. However, Graham's agent called Anderson asking if she could read for the part, which she won. [10] Gwyneth Paltrow, Drew Barrymore and Tatum O'Neal were also up for the role. [13] [15]
After having a very difficult time getting his previous film, Hard Eight, released, Anderson laid down a hard law when making Boogie Nights. He initially wanted the film to be over three hours long and be rated NC-17. The film's producers, particularly Michael De Luca, said that the film had to be either under three hours or rated R. Anderson fought with them, saying that the film would not have a mainstream appeal no matter what. They did not change their minds, and Anderson chose the R rating as a challenge. Despite this, the film was still 25 minutes shorter than promised. [10]
Reynolds did not get along with Anderson while filming. After seeing a rough cut of the film, Reynolds allegedly fired his agent for recommending it. [16] [ better source needed ] Despite this, Reynolds won a Golden Globe Award and was nominated for an Academy Award for his performance. Later, Anderson wanted Reynolds to star in his next film Magnolia , but Reynolds declined it. [17] In 2012, Reynolds denied rumors that he disliked the film, calling it "extraordinary" and saying that his opinion of it has nothing to do with his relationship with Anderson. [18] According to Wahlberg, Reynolds wanted his character Jack Horner to have an Irish accent, which he used for the character on his first day of shooting before quickly dropping it by the next day. [19] [20]
The film premiered at the Toronto International Film Festival and was shown at the New York Film Festival, before opening on two screens in the United States on October 10, 1997. It grossed $50,168 during its opening weekend. Three weeks later, it expanded to 907 theaters and grossed $4.7 million, ranking number four for the week. It eventually earned $26.4 million in the United States and $16.7 million in foreign markets for a worldwide box office total of $43.1 million. [21]
On review aggregator Rotten Tomatoes, Boogie Nights holds an approval rating of 94% based on 77 reviews, with an average score of 8.10/10. The site's critical consensus states, "Grounded in strong characters, bold themes, and subtle storytelling, Boogie Nights is a groundbreaking film both for director P.T. Anderson and star Mark Wahlberg." [22] On Metacritic, the film holds a weighted average score of 86 out of 100, based on 28 critics, indicating "universal acclaim". [23] Audiences polled by CinemaScore gave the film an average grade of "C" on an A+ to F scale. [24]
Janet Maslin of The New York Times wrote, "Everything about Boogie Nights is interestingly unexpected," although "the film's extravagant 2-hour 32-minute length amounts to a slight tactical mistake ... [it] has no trouble holding interest ... but the length promises larger ideas than the film finally delivers." She praised Burt Reynolds for "his best and most suavely funny performance in many years," and added, "The movie's special gift happens to be Mark Wahlberg, who gives a terrifically appealing performance." [25]
Roger Ebert of the Chicago Sun-Times observed:
Few films have been more matter-of-fact, even disenchanted, about sexuality. Adult films are a business here, not a dalliance or a pastime, and one of the charms of Boogie Nights is the way it shows the everyday backstage humdrum life of porno filmmaking ... The sweep and variety of the characters have brought the movie comparisons to Robert Altman's Nashville and The Player . There is also some of the same appeal as Pulp Fiction in scenes that balance precariously between comedy and violence ... Through all the characters and all the action, Anderson's screenplay centers on the human qualities of the players ... Boogie Nights has the quality of many great films, in that it always seems alive. [26]
Mick LaSalle of the San Francisco Chronicle stated, "Boogie Nights is the first great film about the 1970s to come out since the '70s ... It gets all the details right, nailing down the styles and the music. More impressive, it captures the decade's distinct, decadent glamour ... [It] also succeeds at something very difficult: re-creating the ethos and mentality of an era ... Paul Thomas Anderson ... has pulled off a wonderful, sprawling, sophisticated film ... With Boogie Nights, we know we're not just watching episodes from disparate lives but a panorama of recent social history, rendered in bold, exuberant colors." [27]
Kenneth Turan of the Los Angeles Times called it "a startling film, but not for the obvious reasons. Yes, its decision to focus on the pornography business in the San Fernando Valley in the 1970s and 1980s is nerviness itself, but more impressive is the film's sureness of touch, its ability to be empathetic, nonjudgmental and gently satirical, to understand what is going on beneath the surface of this raunchy Nashville-esque universe and to deftly relate it to our own ... Perhaps the most exciting thing about Boogie Nights is the ease with which writer-director Anderson ... spins out this complex web. A true storyteller, able to easily mix and match moods in a playful and audacious manner, he is a filmmaker definitely worth watching, both now and in the future." [28] In Time Out New York, Andrew Johnston concluded, "The porn milieu may scare some folks off, but Boogie Nights offers laughs, tenderness, terror and redemption--everything you could ask for in a movie. It's an impressive and satisfying film, one the Academy really ought to have the balls to recognize." [29]
Peter Travers of Rolling Stone said, "[T]his chunk of movie dynamite is detonated by Mark Wahlberg ... who grabs a breakout role and runs with it ... Even when Boogie Nights flies off course as it tracks its bizarrely idealistic characters into the '80s ... you can sense the passionate commitment at the core of this hilarious and harrowing spectacle. For this, credit Paul Thomas Anderson ... who ... scores a personal triumph by finding glints of rude life in the ashes that remained after Watergate. For all the unbridled sex, what is significant, timely and, finally, hopeful about Boogie Nights is the way Anderson proves that a movie can be mercilessly honest and mercifully humane at the same time." [30]
Gene Siskel of the Chicago Tribune called it "beautifully made" and praised the performances, calling Reynolds "absolutely centered and in control of his emotions" and saying Wahlberg "couldn't be better". However, he moderated his praise by saying, "The early rave reviews accorded this film suggest a significance that I, however, did not encounter. Show-biz stories are all pretty much the same: ambition, stardom, drugs, disillusionment. Add the home video revolution to this mix and curiosity about the size of the boy wonder's equipment; throw in a few topical references like the soft drink Fresca, and you have the bare bones of the story." He gave the film three and a half stars out of a possible four. [31]
Despite the accolades Wahlberg received for his performance in Boogie Nights, he would later express regret for having made the film. "I've made some poor choices in the past", he said. [32]
Boogie Nights: Music from the Original Motion Picture | |
---|---|
Soundtrack album | |
Released | October 7, 1997 |
Genre | Disco, pop, soul |
Label | Capitol |
Boogie Nights 2: More Music from the Original Motion Picture | |
---|---|
Soundtrack album | |
Released | January 13, 1998 |
Genre | Disco, pop, soul |
Label | Capitol |
Two Boogie Nights soundtracks were released, the first at the time of the film's initial release and the second the following year. AllMusic rated the first soundtrack four and a half stars out of five [59] and the second soundtrack four. [60]
No. | Title | Writer(s) | Performer(s) | Length |
---|---|---|---|---|
1. | "Intro (Feel the Heat)" | Paul Thomas Anderson, John C. Reilly | Reilly, Mark Wahlberg | 1:11 |
2. | "Best of My Love" | Al McKay, Maurice White | The Emotions | 3:39 |
3. | "Jungle Fever" | Bill Ador | Chakachas | 4:20 |
4. | "Brand New Key" | Melanie Safka | Melanie Safka | 2:23 |
5. | "Spill the Wine" | Eric Burdon and War | Eric Burdon and War | 4:02 |
6. | "Got to Give It Up, Pt. 1" | Marvin Gaye | Marvin Gaye | 4:07 |
7. | "Machine Gun" | Milan Williams | Commodores | 2:38 |
8. | "Magnet and Steel" | Walter Egan | Walter Egan | 3:23 |
9. | "Ain't No Stoppin' Us Now" | Jerry Cohen, Gene McFadden, John Whitehead | McFadden & Whitehead | 3:40 |
10. | "Sister Christian" | Kelly Keagy | Night Ranger | 5:00 |
11. | "Livin' Thing" | Jeff Lynne | Electric Light Orchestra | 3:30 |
12. | "God Only Knows" | Tony Asher, Brian Wilson | The Beach Boys | 2:48 |
13. | "The Big Top (Theme from "Boogie Nights")" | Michael Penn | Penn, Patrick Warren | 9:58 |
Total length: | 50:39 |
No. | Title | Writer(s) | Performer(s) | Length |
---|---|---|---|---|
1. | "Mama Told Me (Not to Come)" | Randy Newman | Three Dog Night | 3:16 |
2. | "Fooled Around and Fell in Love" | Elvin Bishop | Elvin Bishop | 4:34 |
3. | "You Sexy Thing" | Errol Brown, Tony Wilson | Hot Chocolate | 4:02 |
4. | "Boogie Shoes" | Harry Wayne Casey, Richard Finch | KC & the Sunshine Band | 2:09 |
5. | "Do Your Thing" | Charles Wright | Charles Wright & the Watts 103rd Street Rhythm Band | 3:29 |
6. | "Driver's Seat" | Paul Roberts | Sniff 'n' the Tears | 4:00 |
7. | "Feel Too Good" | Roy Wood | The Move | 9:30 |
8. | "Jessie's Girl" | Rick Springfield | Rick Springfield | 3:13 |
9. | "J.P. Walk" | Anton Scott | Sound Experience | 7:05 |
10. | "I Want to Be Free" | Marshall "Rock" Jones, Ralph "Pee Wee" Middlebrooks, James "Diamond" Williams | Ohio Players | 6:50 |
11. | "Joy" | Johann Sebastian Bach | Apollo 100 | 2:44 |
Total length: | 53:23 |
Burton Leon Reynolds Jr. was an American actor, most famous during the 1970s and 1980s. Reynolds first became known well as a result of featuring in television series, such as Gunsmoke (1962–1965), Hawk (1966), and Dan August (1970–1971). He had leading roles in films, such as Navajo Joe (1966) and 100 Rifles (1969), and his breakthrough role was as Lewis Medlock in Deliverance (1972).
Seka is a retired American pornographic actress who was known in the 1980s as the Platinum Princess of Porn. In 2013, she released an autobiography about her life and career, titled Inside Seka.
Magnolia is a 1999 American drama film written, directed and co-produced by Paul Thomas Anderson. It stars an ensemble cast, including Jeremy Blackman, Tom Cruise, Melinda Dillon, Philip Baker Hall, Philip Seymour Hoffman, Ricky Jay, William H. Macy, Alfred Molina, Julianne Moore, John C. Reilly, Jason Robards and Melora Walters. The film is an epic mosaic of interrelated characters in search of happiness, forgiveness and meaning in the San Fernando Valley. The script was inspired by the music of Aimee Mann, who contributed several songs to its soundtrack.
Paul Thomas Anderson, also known by his initials PTA, is an American filmmaker. His accolades include a BAFTA Award, and nominations for eleven Academy Awards and three Golden Globe Awards. He has also won Best Director at the Cannes Film Festival, the Silver Lion at the Venice Film Festival, and both the Silver and Golden Bear at the Berlin Film Festival.
Wonderland is a 2003 American crime drama film, co-written and directed by James Cox and based on the real-life Wonderland Murders that occurred in 1981. The film stars Val Kilmer, Kate Bosworth, Dylan McDermott, Carrie Fisher, Lisa Kudrow, Josh Lucas, Christina Applegate, Tim Blake Nelson, and Janeane Garofalo. Kilmer plays the role of John Holmes, a famous pornographic film star and suspected accomplice in four grisly murders committed in a house at 8763 Wonderland Avenue, in the Laurel Canyon section of Los Angeles. The film uses a nonlinear Rashomon-style narrative structure to present conflicting accounts of the murders from differing perspectives.
The 63rd New York Film Critics Circle Awards, honoring the best in film for 1997, were announced on 11 December 1997 and given on 4 January 1998.
The 23rd Los Angeles Film Critics Association Awards, honoring the best in film for 1997, were voted on in December 1997.
The 2nd San Diego Film Critics Society Awards, given by the San Diego Film Critics Society on 18 December 1997, honored the best in film for 1997.
The 18th Boston Society of Film Critics Awards honored the best films of 1997. The awards were given on 14 December 1997.
The 2nd Golden Satellite Awards, given on February 22, 1998, honored the best in film and television of 1997.
The 32nd National Society of Film Critics Awards, given on 3 January 1998, honored the best filmmaking of 1997.
Anne Fletcher is an American choreographer, film director, dancer and actress. She directed the films Step Up (2006), 27 Dresses (2008), The Proposal (2009), The Guilt Trip (2012), Hot Pursuit (2015), Dumplin' (2018), and Hocus Pocus 2 (2022).
Mark Robert Michael Wahlberg, formerly known by his stage name Marky Mark, is an American actor and former rapper. His work as a leading man spans the comedy, drama, and action genres. He has received multiple accolades, including a BAFTA Award, and nominations for two Academy Awards, three Golden Globe Awards, nine Primetime Emmy Awards, and three Screen Actors Guild Awards.
"Brand New Key" is a pop song written and sung by American folk music singer Melanie. Initially a track of Melanie's album Gather Me, produced by Melanie's husband Peter Schekeryk, it was known also as "The Rollerskate Song" due to its chorus. It was her greatest success, scoring No. 1 on the Billboard Hot 100 singles chart during December 1971 and January 1972. Billboard ranked it as the No. 9 song of 1972. It also scored No. 1 in Canada and Australia and No. 4 on the UK Singles Chart.
The Transformers: The Movie is the 1986 soundtrack from the motion picture The Transformers: The Movie. It was released in the United States by Scotti Bros. Records on LP and cassette. It was released in Japan by Pony Canyon on CD in 1989. In 1992, Scotti Bros. released the album on CD in the US. By 1999, it was subsequently re-issued by eventual successor company Volcano Entertainment, and was re-released in 2007 with updated cover art and four bonus tracks.
Kurt Lockwood is an American pornographic actor and director, model, and musician.
Dylan Tichenor, A.C.E. is an American film editor. He is the recipient of several accolades, including a Critics' Choice Movie Award, a Hollywood Film Award and a Satellite Award, and has been nominated for a Primetime Emmy Award, two Academy Awards, two BAFTA Awards and four Eddie Awards.
The Dirk Diggler Story is a 1988 mockumentary short film written and directed by Paul Thomas Anderson. It follows the rise and fall of Dirk Diggler, a well-endowed male porn star. The character was modeled on American porn actor John Holmes. The film was later expanded into Anderson's 1997 film Boogie Nights.
Paul Thomas Anderson is an American film director, screenwriter and producer. He has directed nine feature-length films, five short films, twenty three music videos, one documentary, one television episode as a guest segment director, and one theatrical play. He made his directorial debut with the mockumentary short film The Dirk Diggler Story (1988), at the age of 18, about a pornographic actor in the 1970s. Anderson followed it five years later with another short film, Cigarettes & Coffee (1993). Anderson wrote and directed the crime film Hard Eight (1996), starring Philip Baker Hall, John C. Reilly, Gwyneth Paltrow and Samuel L. Jackson. The film was well received. Using the basis of The Dirk Diggler Story, Anderson wrote and directed an expansion of the film, Boogie Nights (1997). It stars Mark Wahlberg as an actor in the Golden Age of Porn from the 1970s to the 1980s. The film received acclaim from critics and was a commercial success; at the 70th Academy Awards ceremony, the film was nominated for three Academy Awards, including for Best Supporting Actor, Best Supporting Actress and Best Original Screenplay.
cigarettes & coffee.